{'ObjectID' : '90', 'ObjectCode' : 'N-0214-00', 'ObjectNumber' : 'NG214', 'ObjectDateBegin' : '1605-01-01', 'ObjectDateEnd' : '1609-12-31', 'ObjectDisplayDate' : 'about 1607', 'ObjectDimensions' : '66.6 x 48.8 cm', 'ObjectMedium' : 'Oil on copper', 'ObjectAlphaSort' : 'Reni, Guido', 'ObjectAuthor' : 'Guido Reni, 1575 - 1642', 'ObjectTitle' : 'The Coronation of the Virgin', 'ObjectShortTitle' : 'The Coronation of the Virgin', 'ObjectCreditLine' : 'Bequeathed by William Wells, 1847', 'ObjectString' : 'NG214: Guido Reni, 1575 - 1642, The Coronation of the Virgin, about 1607, Oil on copper, (66.6 x 48.8 cm), Bequeathed by William Wells, 1847.', 'ObjectLocation' : 'Room 37', 'ObjectPrivateLocation' : 'Gallery 37', 'ObjectPublicLocation' : 'Room 37', 'ObjectSchool' : 'Italian (Bolognese)', 'ObjectCurator' : 'Dawson Carr', 'ObjectDescription' : 'The Virgin is crowned by angels, possibly as \'Regina angelorum\' (Queen of the angels), and elements of her Assumption are mingled with those of the Coronation of the Virgin, in which she is usually shown crowned by God the Father and Jesus Christ.<BR>Reni painted variants on the Glorification of the Virgin from the beginning of his career, and NG 214 is generally considered to be the culmination of his interest in the theme, and is dated to about 1607.<BR>NG 214 clearly develops from Reni\'s Glorification of the Virgin of about 1602-3 (Madrid, Prado), and there are a number of drawings that, while not directly related to NG 214, show Reni\'s evolving approach to this subject. The composition was copied in 1626 by Domenichino (Bayonne, Musée Bonnat).<BR>Collection of William Wells by 1831 (when said to have been acquired from Sir Thomas Lawrence, and to have come from the Royal Collection in Madrid); bequeathed by William Wells, 1847.<BR>Levey 1971, pp. 187-9<BR>Pepper 1984, p. 222', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '91', 'ImageFile' : 'N-0214-00-000012-WZ-PYR.tif', 'ImageCode' : 'N-0214-00-000012-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '4456', 'ImageYsize' : '6000', 'FileGroup_ID' : '14', 'impos' : '2028'}

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<table border="1" align="center" width="95%"><tr><td width="30"><b></b></td><td align="left"><pre>Array
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</pre></td></tr></table>
    [1] => 
<table border="1" align="center" width="95%"><tr><td width="30"><b></b></td><td align="left"><br>SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID  AND ImageID = '91' <br><br></td></tr></table>
    [2] => 
<table border="1" align="center" width="95%"><tr><td width="30"><b></b></td><td align="left">SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID  AND FileGroup_id in (14) ORDER BY Object.ObjectAlphaSort</td></tr></table>
    [3] => 
<table border="1" align="center" width="95%"><tr><td width="30"><b></b></td><td align="left">2028 --> 91 N-0214-00 Guido Reni, 1575 - 1642</td></tr></table>
    [4] => 
<table border="1" align="center" width="95%"><tr><td width="30"><b></b></td><td align="left"><pre>Array
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    [ObjectCode] => N-0214-00
    [ObjectNumber] => NG214
    [ObjectDateBegin] => 1605-01-01
    [ObjectDateEnd] => 1609-12-31
    [ObjectDisplayDate] => about 1607
    [ObjectDimensions] => 66.6 x 48.8 cm
    [ObjectMedium] => Oil on copper
    [ObjectAlphaSort] => Reni, Guido
    [ObjectAuthor] => Guido Reni, 1575 - 1642
    [ObjectTitle] => The Coronation of the Virgin
    [ObjectShortTitle] => The Coronation of the Virgin
    [ObjectCreditLine] => Bequeathed by William Wells, 1847
    [ObjectString] => NG214: Guido Reni, 1575 - 1642, The Coronation of the Virgin, about 1607, Oil on copper, (66.6 x 48.8 cm), Bequeathed by William Wells, 1847.
    [ObjectLocation] => Room 37
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    [ObjectSchool] => Italian (Bolognese)
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    [ObjectDescription] => The Virgin is crowned by angels, possibly as \'Regina angelorum\' (Queen of the angels), and elements of her Assumption are mingled with those of the Coronation of the Virgin, in which she is usually shown crowned by God the Father and Jesus Christ.<BR>Reni painted variants on the Glorification of the Virgin from the beginning of his career, and NG 214 is generally considered to be the culmination of his interest in the theme, and is dated to about 1607.<BR>NG 214 clearly develops from Reni\'s Glorification of the Virgin of about 1602-3 (Madrid, Prado), and there are a number of drawings that, while not directly related to NG 214, show Reni\'s evolving approach to this subject. The composition was copied in 1626 by Domenichino (Bayonne, Musée Bonnat).<BR>Collection of William Wells by 1831 (when said to have been acquired from Sir Thomas Lawrence, and to have come from the Royal Collection in Madrid); bequeathed by William Wells, 1847.<BR>Levey 1971, pp. 187-9<BR>Pepper 1984, p. 222
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    [ImageLevels] => 6
    [ImageXsize] => 4456
    [ImageYsize] => 6000
    [FileGroup_ID] => 14
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*/