{'ObjectID' : '78', 'ObjectCode' : 'N-0190-00', 'ObjectNumber' : 'NG190', 'ObjectDateBegin' : '1655-01-01', 'ObjectDateEnd' : '1659-12-31', 'ObjectDisplayDate' : 'late 1650s', 'ObjectDimensions' : '78 x 66.7 cm', 'ObjectMedium' : 'Oil on canvas', 'ObjectAlphaSort' : 'Rembrandt', 'ObjectAuthor' : 'Rembrandt, 1606 - 1669', 'ObjectTitle' : 'A Bearded Man in a Cap', 'ObjectShortTitle' : 'A Bearded Man in a Cap', 'ObjectCreditLine' : 'Bought, 1844', 'ObjectString' : 'NG190: Rembrandt, 1606 - 1669, A Bearded Man in a Cap, late 1650s, Oil on canvas, (78 x 66.7 cm), Bought, 1844.', 'ObjectLocation' : 'Not on display', 'ObjectPrivateLocation' : 'SW Secure Store Screen L', 'ObjectPublicLocation' : 'Not on display', 'ObjectSchool' : 'Dutch', 'ObjectCurator' : 'Betsy Wieseman', 'ObjectDescription' : 'Signed and dated: Rembrandt.f. / 165(7?)
In the past various titles have been given to this painting, among them An Old Man\'s Head and A Jewish Rabbi. The identification as a Jew can be traced back only to the early nineteenth century.
NG 190 is signed and dated, but the last digit of the date is hard to read; it may be read as a 7. 1657 would be acceptable on stylistic grounds.
The same man seems to have been used by Rembrandt as a model in a number of other works of the 1650s and 1660s, including Aristotle contemplating the Bust of Homer, 1653 (New York, Metropolitan Museum of Art); the so-called Portrait of a Rabbi, 1657 (San Francisco, Palace of the Legion of Honor); and A Bearded Man, 1661 (St Petersburg, Hermitage). A copy of NG 190 was painted by Gainsborough in about 1770 (London, Royal Collection).
Collection of the Duke of Argyll before 1781; collection of Jeremiah Harman by 1836; bought, 1844.
Bredius 1969, p. 571, no. 283
Bomford 1988, pp. 112-15, no. 14
MacLaren/Brown 1991, pp. 335-6', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '79', 'ImageFile' : 'N-0190-00-000020-WZ-PYR.tif', 'ImageCode' : 'N-0190-00-000020-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '5166', 'ImageYsize' : '6000', 'FileGroup_ID' : '14', 'impos' : '2020'} /* Array ( [0] => 
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    [crop] => false
    [sqllimit] =>  AND FileGroup_id in (14) 
    [whichdb] => externalIIP
    [whichtable] => Image
    [sortby] => ObjectAlphaSort
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[1] =>

SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND ImageID = '79'

[2] =>
SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND FileGroup_id in (14) ORDER BY Object.ObjectAlphaSort
[3] =>
2020 --> 79 N-0190-00 Rembrandt, 1606 - 1669
[4] => 
Array
(
    [ObjectID] => 78
    [ObjectCode] => N-0190-00
    [ObjectNumber] => NG190
    [ObjectDateBegin] => 1655-01-01
    [ObjectDateEnd] => 1659-12-31
    [ObjectDisplayDate] => late 1650s
    [ObjectDimensions] => 78 x 66.7 cm
    [ObjectMedium] => Oil on canvas
    [ObjectAlphaSort] => Rembrandt
    [ObjectAuthor] => Rembrandt, 1606 - 1669
    [ObjectTitle] => A Bearded Man in a Cap
    [ObjectShortTitle] => A Bearded Man in a Cap
    [ObjectCreditLine] => Bought, 1844
    [ObjectString] => NG190: Rembrandt, 1606 - 1669, A Bearded Man in a Cap, late 1650s, Oil on canvas, (78 x 66.7 cm), Bought, 1844.
    [ObjectLocation] => Not on display
    [ObjectPrivateLocation] => SW Secure Store Screen L
    [ObjectPublicLocation] => Not on display
    [ObjectSchool] => Dutch
    [ObjectCurator] => Betsy Wieseman
    [ObjectDescription] => Signed and dated: Rembrandt.f. / 165(7?)
In the past various titles have been given to this painting, among them An Old Man\'s Head and A Jewish Rabbi. The identification as a Jew can be traced back only to the early nineteenth century.
NG 190 is signed and dated, but the last digit of the date is hard to read; it may be read as a 7. 1657 would be acceptable on stylistic grounds.
The same man seems to have been used by Rembrandt as a model in a number of other works of the 1650s and 1660s, including Aristotle contemplating the Bust of Homer, 1653 (New York, Metropolitan Museum of Art); the so-called Portrait of a Rabbi, 1657 (San Francisco, Palace of the Legion of Honor); and A Bearded Man, 1661 (St Petersburg, Hermitage). A copy of NG 190 was painted by Gainsborough in about 1770 (London, Royal Collection).
Collection of the Duke of Argyll before 1781; collection of Jeremiah Harman by 1836; bought, 1844.
Bredius 1969, p. 571, no. 283
Bomford 1988, pp. 112-15, no. 14
MacLaren/Brown 1991, pp. 335-6
    [ObjectStatusID] => 1
    [PublicAccess] => 1
    [GroupNumber] => 
    [GroupTitle] => 
    [GroupArtist] => 
    [GroupDate] => 
    [GroupParts] => 
    [ImageID] => 79
    [ImageFile] => N-0190-00-000020-WZ-PYR.tif
    [ImageCode] => N-0190-00-000020-WZ
    [ImagePath] => /pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/
    [ImageLevels] => 6
    [ImageXsize] => 5166
    [ImageYsize] => 6000
    [FileGroup_ID] => 14
    [impos] => 2020
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