{'ObjectID' : '718', 'ObjectCode' : 'N-3085-00', 'ObjectNumber' : 'NG3085', 'ObjectDateBegin' : '1500-01-01', 'ObjectDateEnd' : '1509-12-31', 'ObjectDisplayDate' : 'probably about 1502-7', 'ObjectDimensions' : '74.9 x 88.9 cm', 'ObjectMedium' : 'Oil on spruce', 'ObjectAlphaSort' : 'Carpaccio, Vittore', 'ObjectAuthor' : 'Vittore Carpaccio, active 1490; died 1525/6', 'ObjectTitle' : 'The Departure of Ceyx', 'ObjectShortTitle' : 'The Departure of Ceyx', 'ObjectCreditLine' : 'Layard Bequest, 1916', 'ObjectString' : 'NG3085: Vittore Carpaccio, active 1490; died 1525/6, The Departure of Ceyx, probably about 1502-7, Oil on spruce, (74.9 x 88.9 cm), Layard Bequest, 1916.', 'ObjectLocation' : 'Room A Screen 10', 'ObjectPrivateLocation' : 'Gallery A  Screen 10', 'ObjectPublicLocation' : 'Room A Screen 10', 'ObjectSchool' : 'Italian (Venetian)', 'ObjectCurator' : 'Luke Syson', 'ObjectDescription' : 'The subject of NG 3085 is obscure. The principal figures may be Saint Ursula, her father, King Maurus, and a few of the 11,000 virgins who accompanied her to Cologne. However, the episode is treated differently by Carpaccio in his painting of the same subject in Venice (Accademia) and the crowned figure seems to be too young to be Ursula\'s father. The pieces of paper on the parapet in the foreground are not legible; the goldfinch has not been explained. The picture has also been related to Boccaccio\'s Decameron.<BR>NG 3085 may be partly the work of Carpaccio\'s studio, but in general it has been accepted as by the artist. A drawing for the woman on the left is in St Petersburg (Hermitage).<BR>Bought by Sir A.H. Layard from the Manfrin collection, Venice, about 1862; Layard Bequest, 1916.<BR>Davies 1961, pp. 134-5<BR>Lauts 1962, pp. 244-5', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '735', 'ImageFile' : 'N-3085-00-000023-WZ-PYR.tif', 'ImageCode' : 'N-3085-00-000023-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '6000', 'ImageYsize' : '5101', 'FileGroup_ID' : '14', 'impos' : '335'}

/*
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(
    [0] => 
<table border="1" align="center" width="95%"><tr><td width="30"><b></b></td><td align="left"><pre>Array
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    [what] => details
    [val] => 735
    [crop] => false
    [sqllimit] =>  AND FileGroup_id in (14) 
    [whichdb] => externalIIP
    [whichtable] => Image
    [sortby] => ObjectAlphaSort
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</pre></td></tr></table>
    [1] => 
<table border="1" align="center" width="95%"><tr><td width="30"><b></b></td><td align="left"><br>SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID  AND ImageID = '735' <br><br></td></tr></table>
    [2] => 
<table border="1" align="center" width="95%"><tr><td width="30"><b></b></td><td align="left">SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID  AND FileGroup_id in (14) ORDER BY Object.ObjectAlphaSort</td></tr></table>
    [3] => 
<table border="1" align="center" width="95%"><tr><td width="30"><b></b></td><td align="left">335 --> 735 N-3085-00 Vittore Carpaccio, active 1490; died 1525/6</td></tr></table>
    [4] => 
<table border="1" align="center" width="95%"><tr><td width="30"><b></b></td><td align="left"><pre>Array
(
    [ObjectID] => 718
    [ObjectCode] => N-3085-00
    [ObjectNumber] => NG3085
    [ObjectDateBegin] => 1500-01-01
    [ObjectDateEnd] => 1509-12-31
    [ObjectDisplayDate] => probably about 1502-7
    [ObjectDimensions] => 74.9 x 88.9 cm
    [ObjectMedium] => Oil on spruce
    [ObjectAlphaSort] => Carpaccio, Vittore
    [ObjectAuthor] => Vittore Carpaccio, active 1490; died 1525/6
    [ObjectTitle] => The Departure of Ceyx
    [ObjectShortTitle] => The Departure of Ceyx
    [ObjectCreditLine] => Layard Bequest, 1916
    [ObjectString] => NG3085: Vittore Carpaccio, active 1490; died 1525/6, The Departure of Ceyx, probably about 1502-7, Oil on spruce, (74.9 x 88.9 cm), Layard Bequest, 1916.
    [ObjectLocation] => Room A Screen 10
    [ObjectPrivateLocation] => Gallery A  Screen 10
    [ObjectPublicLocation] => Room A Screen 10
    [ObjectSchool] => Italian (Venetian)
    [ObjectCurator] => Luke Syson
    [ObjectDescription] => The subject of NG 3085 is obscure. The principal figures may be Saint Ursula, her father, King Maurus, and a few of the 11,000 virgins who accompanied her to Cologne. However, the episode is treated differently by Carpaccio in his painting of the same subject in Venice (Accademia) and the crowned figure seems to be too young to be Ursula\'s father. The pieces of paper on the parapet in the foreground are not legible; the goldfinch has not been explained. The picture has also been related to Boccaccio\'s Decameron.<BR>NG 3085 may be partly the work of Carpaccio\'s studio, but in general it has been accepted as by the artist. A drawing for the woman on the left is in St Petersburg (Hermitage).<BR>Bought by Sir A.H. Layard from the Manfrin collection, Venice, about 1862; Layard Bequest, 1916.<BR>Davies 1961, pp. 134-5<BR>Lauts 1962, pp. 244-5
    [ObjectStatusID] => 1
    [PublicAccess] => 1
    [GroupNumber] => 
    [GroupTitle] => 
    [GroupArtist] => 
    [GroupDate] => 
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    [ImageID] => 735
    [ImageFile] => N-3085-00-000023-WZ-PYR.tif
    [ImageCode] => N-3085-00-000023-WZ
    [ImagePath] => /pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/
    [ImageLevels] => 6
    [ImageXsize] => 6000
    [ImageYsize] => 5101
    [FileGroup_ID] => 14
    [impos] => 335
)
</pre></td></tr></table>
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*/