{'ObjectID' : '67', 'ObjectCode' : 'N-0165-00', 'ObjectNumber' : 'NG165', 'ObjectDateBegin' : '1631-01-01', 'ObjectDateEnd' : '1631-12-31', 'ObjectDisplayDate' : '1631', 'ObjectDimensions' : '129 x 204.5 cm', 'ObjectMedium' : 'Oil on canvas', 'ObjectAlphaSort' : 'Caroselli, Angelo', 'ObjectAuthor' : 'Angelo Caroselli, 1585 - 1652', 'ObjectTitle' : 'The Plague at Ashdod (after Poussin)', 'ObjectShortTitle' : 'The Plague at Ashdod (after Poussin)', 'ObjectCreditLine' : 'Presented by the Duke of Northumberland, 1838', 'ObjectString' : 'NG165: Angelo Caroselli, 1585 - 1652, The Plague at Ashdod (after Poussin), 1631, Oil on canvas, (129 x 204.5 cm), Presented by the Duke of Northumberland, 1838.', 'ObjectLocation' : 'Room A Screen 19', 'ObjectPrivateLocation' : 'Gallery A  Screen 19', 'ObjectPublicLocation' : 'Room A Screen 19', 'ObjectSchool' : 'French', 'ObjectCurator' : 'Humphrey Wine', 'ObjectDescription' : 'The Philistines captured the Ark of the Covenant and placed it in the temple of the idol Dagon in Ashdod, but the Lord caused the idol to be smashed and its worshippers to be plague-stricken. Old Testament (I Samuel 5: 1-6). At the left are the Ark of the Covenant and the broken idol of Dagon.<BR>This is an old copy of Poussin\'s original (Paris, Louvre), which was acquired early in 1631 by Fabrizio Valgnarnera. NG 165 may be by the Italian artist Angelo Caroselli (1585-1653).<BR>In Cardinal Mazarini\'s palace, Rome, by 1645; Palazzo Colonna, Rome probably by 1693; presented by the Duke of Northumberland, 1838.<BR>Davies 1957, p. 185<BR>Blunt 1966, p. 25', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '68', 'ImageFile' : 'N-0165-00-000020-WZ-PYR.tif', 'ImageCode' : 'N-0165-00-000020-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '6000', 'ImageYsize' : '3782', 'FileGroup_ID' : '14', 'impos' : '334'}

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<table border="1" align="center" width="95%"><tr><td width="30"><b></b></td><td align="left"><br>SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID  AND ImageID = '68' <br><br></td></tr></table>
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<table border="1" align="center" width="95%"><tr><td width="30"><b></b></td><td align="left">SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID  AND FileGroup_id in (14) ORDER BY Object.ObjectAlphaSort</td></tr></table>
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<table border="1" align="center" width="95%"><tr><td width="30"><b></b></td><td align="left">334 --> 68 N-0165-00 Angelo Caroselli, 1585 - 1652</td></tr></table>
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<table border="1" align="center" width="95%"><tr><td width="30"><b></b></td><td align="left"><pre>Array
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    [ObjectNumber] => NG165
    [ObjectDateBegin] => 1631-01-01
    [ObjectDateEnd] => 1631-12-31
    [ObjectDisplayDate] => 1631
    [ObjectDimensions] => 129 x 204.5 cm
    [ObjectMedium] => Oil on canvas
    [ObjectAlphaSort] => Caroselli, Angelo
    [ObjectAuthor] => Angelo Caroselli, 1585 - 1652
    [ObjectTitle] => The Plague at Ashdod (after Poussin)
    [ObjectShortTitle] => The Plague at Ashdod (after Poussin)
    [ObjectCreditLine] => Presented by the Duke of Northumberland, 1838
    [ObjectString] => NG165: Angelo Caroselli, 1585 - 1652, The Plague at Ashdod (after Poussin), 1631, Oil on canvas, (129 x 204.5 cm), Presented by the Duke of Northumberland, 1838.
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    [ObjectSchool] => French
    [ObjectCurator] => Humphrey Wine
    [ObjectDescription] => The Philistines captured the Ark of the Covenant and placed it in the temple of the idol Dagon in Ashdod, but the Lord caused the idol to be smashed and its worshippers to be plague-stricken. Old Testament (I Samuel 5: 1-6). At the left are the Ark of the Covenant and the broken idol of Dagon.<BR>This is an old copy of Poussin\'s original (Paris, Louvre), which was acquired early in 1631 by Fabrizio Valgnarnera. NG 165 may be by the Italian artist Angelo Caroselli (1585-1653).<BR>In Cardinal Mazarini\'s palace, Rome, by 1645; Palazzo Colonna, Rome probably by 1693; presented by the Duke of Northumberland, 1838.<BR>Davies 1957, p. 185<BR>Blunt 1966, p. 25
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