{'ObjectID' : '622', 'ObjectCode' : 'N-2514-00', 'ObjectNumber' : 'NG2514', 'ObjectDateBegin' : '1740-01-01', 'ObjectDateEnd' : '1749-12-31', 'ObjectDisplayDate' : 'perhaps 1740s', 'ObjectDimensions' : '59.7 x 92.1 cm', 'ObjectMedium' : 'Oil on canvas', 'ObjectAlphaSort' : 'Bellotto, Bernardo', 'ObjectAuthor' : 'Bernardo Bellotto, 1722 - 1780', 'ObjectTitle' : 'Venice: Upper Reaches of the Grand Canal facing Santa Croce', 'ObjectShortTitle' : 'Venice: The Grand Canal facing Santa Croce', 'ObjectCreditLine' : 'Salting Bequest, 1910', 'ObjectString' : 'NG2514: Bernardo Bellotto, 1722 - 1780, Venice: The Grand Canal facing Santa Croce, perhaps 1740s, Oil on canvas, (59.7 x 92.1 cm), Salting Bequest, 1910.', 'ObjectLocation' : 'Not on display', 'ObjectPrivateLocation' : 'SW Secure Store Screen G', 'ObjectPublicLocation' : 'Not on display', 'ObjectSchool' : 'Italian (Venetian)', 'ObjectCurator' : 'Dawson Carr', 'ObjectDescription' : 'To the right of the Grand Canal is the church of S. Croce. In the distance are the dome of S. Simeone Piccolo and, beyond, the campanile of S. Geremia. On the left is the church of Corpus Domini, and nearer the centre S. Lucia and the Scalzi. There is a burchiello (passenger barge) in the left foreground.
In spite of the correlation between this work and a drawing by Canaletto (see below), NG 2514 is not considered a product of his studio; it is a pastiche in Canaletto\'s manner, perhaps executed after his death.
The composition is derived from a drawing by Canaletto (Windsor, Royal Collection, probably mid-1730s); an engraving of 1742 by Visentini shows a similar view. The right half of the composition appears in another work in the Collection (NG 1886) which may be by the same artist.
Collection of George Salting by 1900; Salting Bequest, 1910.
Levey 1971, pp. 47-8
Constable/Links 1976, pp. 319-20', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '637', 'ImageFile' : 'N-2514-00-000017-WZ-PYR.tif', 'ImageCode' : 'N-2514-00-000017-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '6000', 'ImageYsize' : '3837', 'FileGroup_ID' : '14', 'impos' : '106'} /* Array ( [0] => 
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    [sqllimit] =>  AND FileGroup_id in (14) 
    [whichdb] => externalIIP
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[1] =>

SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND ImageID = '637'

[2] =>
SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND FileGroup_id in (14) ORDER BY Object.ObjectAlphaSort
[3] =>
106 --> 637 N-2514-00 Bernardo Bellotto, 1722 - 1780
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(
    [ObjectID] => 622
    [ObjectCode] => N-2514-00
    [ObjectNumber] => NG2514
    [ObjectDateBegin] => 1740-01-01
    [ObjectDateEnd] => 1749-12-31
    [ObjectDisplayDate] => perhaps 1740s
    [ObjectDimensions] => 59.7 x 92.1 cm
    [ObjectMedium] => Oil on canvas
    [ObjectAlphaSort] => Bellotto, Bernardo
    [ObjectAuthor] => Bernardo Bellotto, 1722 - 1780
    [ObjectTitle] => Venice: Upper Reaches of the Grand Canal facing Santa Croce
    [ObjectShortTitle] => Venice: The Grand Canal facing Santa Croce
    [ObjectCreditLine] => Salting Bequest, 1910
    [ObjectString] => NG2514: Bernardo Bellotto, 1722 - 1780, Venice: The Grand Canal facing Santa Croce, perhaps 1740s, Oil on canvas, (59.7 x 92.1 cm), Salting Bequest, 1910.
    [ObjectLocation] => Not on display
    [ObjectPrivateLocation] => SW Secure Store Screen G
    [ObjectPublicLocation] => Not on display
    [ObjectSchool] => Italian (Venetian)
    [ObjectCurator] => Dawson Carr
    [ObjectDescription] => To the right of the Grand Canal is the church of S. Croce. In the distance are the dome of S. Simeone Piccolo and, beyond, the campanile of S. Geremia. On the left is the church of Corpus Domini, and nearer the centre S. Lucia and the Scalzi. There is a burchiello (passenger barge) in the left foreground.
In spite of the correlation between this work and a drawing by Canaletto (see below), NG 2514 is not considered a product of his studio; it is a pastiche in Canaletto\'s manner, perhaps executed after his death.
The composition is derived from a drawing by Canaletto (Windsor, Royal Collection, probably mid-1730s); an engraving of 1742 by Visentini shows a similar view. The right half of the composition appears in another work in the Collection (NG 1886) which may be by the same artist.
Collection of George Salting by 1900; Salting Bequest, 1910.
Levey 1971, pp. 47-8
Constable/Links 1976, pp. 319-20
    [ObjectStatusID] => 1
    [PublicAccess] => 1
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    [GroupTitle] => 
    [GroupArtist] => 
    [GroupDate] => 
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    [ImageID] => 637
    [ImageFile] => N-2514-00-000017-WZ-PYR.tif
    [ImageCode] => N-2514-00-000017-WZ
    [ImagePath] => /pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/
    [ImageLevels] => 6
    [ImageXsize] => 6000
    [ImageYsize] => 3837
    [FileGroup_ID] => 14
    [impos] => 106
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