{'ObjectID' : '534', 'ObjectCode' : 'N-1699-00', 'ObjectNumber' : 'NG1699', 'ObjectDateBegin' : '1653-01-01', 'ObjectDateEnd' : '1657-12-31', 'ObjectDisplayDate' : 'about 1655', 'ObjectDimensions' : '178 x 235 cm', 'ObjectMedium' : 'Oil on canvas', 'ObjectAlphaSort' : 'Nouts, Michiel', 'ObjectAuthor' : 'Attributed to Michiel Nouts, active about 1656', 'ObjectTitle' : 'A Family Group', 'ObjectShortTitle' : 'A Family Group', 'ObjectCreditLine' : 'The left half presented by Charles Fairfax Murray, 1900; the right half bought, 1910', 'ObjectString' : 'NG1699: Attributed to Michiel Nouts, active about 1656, A Family Group, about 1655, Oil on canvas, (178 x 235 cm), The left half presented by Charles Fairfax Murray, 1900; the right half bought, 1910.', 'ObjectLocation' : 'Not on display', 'ObjectPrivateLocation' : 'H Store Loose', 'ObjectPublicLocation' : 'Not on display', 'ObjectSchool' : 'Dutch', 'ObjectCurator' : 'Betsy Wieseman', 'ObjectDescription' : 'It has been suggested that this portrait shows the family of Vincent Laurensz. van der Vinne (born 1629) on the basis of comparison with a drawing of a man by Leendert van der Cooghen (1610-81) in Berlin. But the resemblance is only slight, and the painting is quite unlike the work of Cooghen.
The costumes of the sitters appear to be typical of the early 1650s. NG 1699 has in the past been attributed to Vermeer and to Michiel Sweerts (1618-62/4). Neither suggestion is tenable, but the work does appear to be by an artist familiar with painting in Delft in the 1650s, and perhaps slightly predates, stylistically, Nouts\'s portrait in the Rijksmuseum (see biography) of 1656.
Before 1900 the picture was cut in half. In 1915, after both halves had entered the collection, they were rejoined, and replacements of missing portions were added at the top, bottom and centre between the two sections.
The left half presented by Charles Fairfax Murray, 1900; the right half bought, 1910.
MacLaren/Brown 1991, pp. 290-1', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '548', 'ImageFile' : 'N-1699-00-000013-WZ-PYR.tif', 'ImageCode' : 'N-1699-00-000013-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '6000', 'ImageYsize' : '4572', 'FileGroup_ID' : '14', 'impos' : '1795'} /* Array ( [0] => 
Array
(
    [what] => details
    [val] => 548
    [crop] => false
    [sqllimit] =>  AND FileGroup_id in (14) 
    [whichdb] => externalIIP
    [whichtable] => Image
    [sortby] => ObjectAlphaSort
)
[1] =>

SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND ImageID = '548'

[2] =>
SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND FileGroup_id in (14) ORDER BY Object.ObjectAlphaSort
[3] =>
1795 --> 548 N-1699-00 Attributed to Michiel Nouts, active about 1656
[4] => 
Array
(
    [ObjectID] => 534
    [ObjectCode] => N-1699-00
    [ObjectNumber] => NG1699
    [ObjectDateBegin] => 1653-01-01
    [ObjectDateEnd] => 1657-12-31
    [ObjectDisplayDate] => about 1655
    [ObjectDimensions] => 178 x 235 cm
    [ObjectMedium] => Oil on canvas
    [ObjectAlphaSort] => Nouts, Michiel
    [ObjectAuthor] => Attributed to Michiel Nouts, active about 1656
    [ObjectTitle] => A Family Group
    [ObjectShortTitle] => A Family Group
    [ObjectCreditLine] => The left half presented by Charles Fairfax Murray, 1900; the right half bought, 1910
    [ObjectString] => NG1699: Attributed to Michiel Nouts, active about 1656, A Family Group, about 1655, Oil on canvas, (178 x 235 cm), The left half presented by Charles Fairfax Murray, 1900; the right half bought, 1910.
    [ObjectLocation] => Not on display
    [ObjectPrivateLocation] => H Store Loose
    [ObjectPublicLocation] => Not on display
    [ObjectSchool] => Dutch
    [ObjectCurator] => Betsy Wieseman
    [ObjectDescription] => It has been suggested that this portrait shows the family of Vincent Laurensz. van der Vinne (born 1629) on the basis of comparison with a drawing of a man by Leendert van der Cooghen (1610-81) in Berlin. But the resemblance is only slight, and the painting is quite unlike the work of Cooghen.
The costumes of the sitters appear to be typical of the early 1650s. NG 1699 has in the past been attributed to Vermeer and to Michiel Sweerts (1618-62/4). Neither suggestion is tenable, but the work does appear to be by an artist familiar with painting in Delft in the 1650s, and perhaps slightly predates, stylistically, Nouts\'s portrait in the Rijksmuseum (see biography) of 1656.
Before 1900 the picture was cut in half. In 1915, after both halves had entered the collection, they were rejoined, and replacements of missing portions were added at the top, bottom and centre between the two sections.
The left half presented by Charles Fairfax Murray, 1900; the right half bought, 1910.
MacLaren/Brown 1991, pp. 290-1
    [ObjectStatusID] => 1
    [PublicAccess] => 1
    [GroupNumber] => 
    [GroupTitle] => 
    [GroupArtist] => 
    [GroupDate] => 
    [GroupParts] => 
    [ImageID] => 548
    [ImageFile] => N-1699-00-000013-WZ-PYR.tif
    [ImageCode] => N-1699-00-000013-WZ
    [ImagePath] => /pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/
    [ImageLevels] => 6
    [ImageXsize] => 6000
    [ImageYsize] => 4572
    [FileGroup_ID] => 14
    [impos] => 1795
)
) */