{'ObjectID' : '506', 'ObjectCode' : 'N-1418-00', 'ObjectNumber' : 'NG1418', 'ObjectDateBegin' : '1473-01-01', 'ObjectDateEnd' : '1477-12-31', 'ObjectDisplayDate' : 'about 1475', 'ObjectDimensions' : '45.7 x 36.2 cm', 'ObjectMedium' : 'Oil on lime', 'ObjectAlphaSort' : 'Antonello da Messina', 'ObjectAuthor' : 'Antonello da Messina, active 1456; died 1479', 'ObjectTitle' : 'Saint Jerome in his Study', 'ObjectShortTitle' : 'Saint Jerome in his Study', 'ObjectCreditLine' : 'Bought, 1894', 'ObjectString' : 'NG1418: Antonello da Messina, active 1456; died 1479, Saint Jerome in his Study, about 1475, Oil on lime, (45.7 x 36.2 cm), Bought, 1894.', 'ObjectLocation' : 'Room 62', 'ObjectPrivateLocation' : 'Gallery 62', 'ObjectPublicLocation' : 'Room 62', 'ObjectSchool' : 'Italian', 'ObjectCurator' : 'Luke Syson', 'ObjectDescription' : 'Saint Jerome (about 342-420), who translated the Bible into Latin from the original Greek and Hebrew, is shown reading in his study. He is surrounded by books, an inkwell and a crucifix. Jerome\'s traditional attribute of a lion (from whose paw, according to legend, the saint had removed a thorn) is seen in the shadows on the right, and there are also a cat, a peacock (often a symbol of immortality) and a partridge (perhaps an allusion to the truth of Christ).
NG 1418 is now accepted as the work of Antonello da Messina, and generally dated about 1475. Even in the early sixteenth century the attribution of this picture was disputed - some considering it to be partly by Jacometto and others regarding it as Netherlandish.
NG 1418 is an extraordinary imitation of a Netherlandish style and subject (Jerome had not normally been represented in his study in Italy) by an Italian artist of the fifteenth century. To a sophisticated pattern of linear perspective the artist has added the depiction of light entering the room from in front (where we stand) and behind.
Collection of Antonio Pasqualino, Venice, by 1529; collection of Thomas Baring by 1835; bought by William Coningham, 1848; bought from the Earl of Northbrook, 1894.
Davies 1961, pp. 40-1
Fletcher 1981, p. 453
Howell Jolly 1982, pp. 152-259
Howell Jolly 1982a, pp. 27-9
Dunkerton 1991, p. 318
Haskell 1991, pp. 678, 680', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '519', 'ImageFile' : 'N-1418-00-000028-WZ-PYR.tif', 'ImageCode' : 'N-1418-00-000028-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '4691', 'ImageYsize' : '6000', 'FileGroup_ID' : '14', 'impos' : '25'} /* Array ( [0] =>
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SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND ImageID = '519'

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SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND FileGroup_id in (14) ORDER BY Object.ObjectAlphaSort
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25 --> 519 N-1418-00 Antonello da Messina, active 1456; died 1479
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(
    [ObjectID] => 506
    [ObjectCode] => N-1418-00
    [ObjectNumber] => NG1418
    [ObjectDateBegin] => 1473-01-01
    [ObjectDateEnd] => 1477-12-31
    [ObjectDisplayDate] => about 1475
    [ObjectDimensions] => 45.7 x 36.2 cm
    [ObjectMedium] => Oil on lime
    [ObjectAlphaSort] => Antonello da Messina
    [ObjectAuthor] => Antonello da Messina, active 1456; died 1479
    [ObjectTitle] => Saint Jerome in his Study
    [ObjectShortTitle] => Saint Jerome in his Study
    [ObjectCreditLine] => Bought, 1894
    [ObjectString] => NG1418: Antonello da Messina, active 1456; died 1479, Saint Jerome in his Study, about 1475, Oil on lime, (45.7 x 36.2 cm), Bought, 1894.
    [ObjectLocation] => Room 62
    [ObjectPrivateLocation] => Gallery 62
    [ObjectPublicLocation] => Room 62
    [ObjectSchool] => Italian
    [ObjectCurator] => Luke Syson
    [ObjectDescription] => Saint Jerome (about 342-420), who translated the Bible into Latin from the original Greek and Hebrew, is shown reading in his study. He is surrounded by books, an inkwell and a crucifix. Jerome\'s traditional attribute of a lion (from whose paw, according to legend, the saint had removed a thorn) is seen in the shadows on the right, and there are also a cat, a peacock (often a symbol of immortality) and a partridge (perhaps an allusion to the truth of Christ).
NG 1418 is now accepted as the work of Antonello da Messina, and generally dated about 1475. Even in the early sixteenth century the attribution of this picture was disputed - some considering it to be partly by Jacometto and others regarding it as Netherlandish.
NG 1418 is an extraordinary imitation of a Netherlandish style and subject (Jerome had not normally been represented in his study in Italy) by an Italian artist of the fifteenth century. To a sophisticated pattern of linear perspective the artist has added the depiction of light entering the room from in front (where we stand) and behind.
Collection of Antonio Pasqualino, Venice, by 1529; collection of Thomas Baring by 1835; bought by William Coningham, 1848; bought from the Earl of Northbrook, 1894.
Davies 1961, pp. 40-1
Fletcher 1981, p. 453
Howell Jolly 1982, pp. 152-259
Howell Jolly 1982a, pp. 27-9
Dunkerton 1991, p. 318
Haskell 1991, pp. 678, 680 [ObjectStatusID] => 1 [PublicAccess] => 1 [GroupNumber] => [GroupTitle] => [GroupArtist] => [GroupDate] => [GroupParts] => [ImageID] => 519 [ImageFile] => N-1418-00-000028-WZ-PYR.tif [ImageCode] => N-1418-00-000028-WZ [ImagePath] => /pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/ [ImageLevels] => 6 [ImageXsize] => 4691 [ImageYsize] => 6000 [FileGroup_ID] => 14 [impos] => 25 )
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