{'ObjectID' : '4', 'ObjectCode' : 'N-0009-00', 'ObjectNumber' : 'NG9', 'ObjectDateBegin' : '1601-01-01', 'ObjectDateEnd' : '1602-12-31', 'ObjectDisplayDate' : '1601-2', 'ObjectDimensions' : '77.4 x 56.3 cm', 'ObjectMedium' : 'Oil on wood', 'ObjectAlphaSort' : 'Carracci, Annibale', 'ObjectAuthor' : 'Annibale Carracci, 1560 - 1609', 'ObjectTitle' : 'Christ appearing to Saint Peter on the Appian Way (Domine, Quo Vadis?)', 'ObjectShortTitle' : 'Christ appearing to Saint Peter on the Appian Way', 'ObjectCreditLine' : 'Bought, 1826', 'ObjectString' : 'NG9: Annibale Carracci, 1560 - 1609, Christ appearing to Saint Peter on the Appian Way, 1601-2, Oil on wood, (77.4 x 56.3 cm), Bought, 1826.', 'ObjectLocation' : 'Room 37', 'ObjectPrivateLocation' : 'Gallery 37', 'ObjectPublicLocation' : 'Room 37', 'ObjectSchool' : 'Italian (Bolognese)', 'ObjectCurator' : 'Dawson Carr', 'ObjectDescription' : 'This incident is not recounted in the New Testament, but forms part of an old tradition and is described in The Golden Legend. Saint Peter fled Rome during the persecutions of the Christians under Nero. On the Appian Way he had a vision of Christ carrying his cross. He asked, nDomine, Quo Vadis\' (Lord, where are you going?), and Jesus replied that he was on his way to Rome to be crucified again. Peter was inspired also to return to the city, where he was later martyred.
NG 9 is dated to 1601-2; similarities in handling are apparent with the artist\'s Assumption of the Virgin of this period in the Cerasi Chapel in S. Maria del Popolo, Rome. The Christian name of its first recorded owner, Cardinal Pietro Aldobrandini, links with the subject; it is assumed that he commissioned the work, presumably after his return to Rome from France in March 1601.
A preparatory drawing survives (Munich, Graphische Sammlung). Pentimenti in the figure of Peter in NG 9 show how he was moved further away from Christ, probably in order to emphasise his surprise.
Inventory of the Cardinal Pietro Aldobrandini collection, 1603; Alexander Day by 1800; bought, 1826.
Levey 1971, pp. 62-4
Posner 1971, p. 60', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '5', 'ImageFile' : 'N-0009-00-000040-WZ-PYR.tif', 'ImageCode' : 'N-0009-00-000040-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '4336', 'ImageYsize' : '6000', 'FileGroup_ID' : '14', 'impos' : '338'} /* Array ( [0] =>

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SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND FileGroup_id in (14) ORDER BY Object.ObjectAlphaSort

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338 --> 5 N-0009-00 Annibale Carracci, 1560 - 1609

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    [ObjectID] => 4
    [ObjectCode] => N-0009-00
    [ObjectNumber] => NG9
    [ObjectDateBegin] => 1601-01-01
    [ObjectDateEnd] => 1602-12-31
    [ObjectDisplayDate] => 1601-2
    [ObjectDimensions] => 77.4 x 56.3 cm
    [ObjectMedium] => Oil on wood
    [ObjectAlphaSort] => Carracci, Annibale
    [ObjectAuthor] => Annibale Carracci, 1560 - 1609
    [ObjectTitle] => Christ appearing to Saint Peter on the Appian Way (Domine, Quo Vadis?)
    [ObjectShortTitle] => Christ appearing to Saint Peter on the Appian Way
    [ObjectCreditLine] => Bought, 1826
    [ObjectString] => NG9: Annibale Carracci, 1560 - 1609, Christ appearing to Saint Peter on the Appian Way, 1601-2, Oil on wood, (77.4 x 56.3 cm), Bought, 1826.
    [ObjectLocation] => Room 37
    [ObjectPrivateLocation] => Gallery 37
    [ObjectPublicLocation] => Room 37
    [ObjectSchool] => Italian (Bolognese)
    [ObjectCurator] => Dawson Carr
    [ObjectDescription] => This incident is not recounted in the New Testament, but forms part of an old tradition and is described in The Golden Legend. Saint Peter fled Rome during the persecutions of the Christians under Nero. On the Appian Way he had a vision of Christ carrying his cross. He asked, nDomine, Quo Vadis\' (Lord, where are you going?), and Jesus replied that he was on his way to Rome to be crucified again. Peter was inspired also to return to the city, where he was later martyred.
NG 9 is dated to 1601-2; similarities in handling are apparent with the artist\'s Assumption of the Virgin of this period in the Cerasi Chapel in S. Maria del Popolo, Rome. The Christian name of its first recorded owner, Cardinal Pietro Aldobrandini, links with the subject; it is assumed that he commissioned the work, presumably after his return to Rome from France in March 1601.
A preparatory drawing survives (Munich, Graphische Sammlung). Pentimenti in the figure of Peter in NG 9 show how he was moved further away from Christ, probably in order to emphasise his surprise.
Inventory of the Cardinal Pietro Aldobrandini collection, 1603; Alexander Day by 1800; bought, 1826.
Levey 1971, pp. 62-4
Posner 1971, p. 60
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