{'ObjectID' : '48', 'ObjectCode' : 'N-0094-00', 'ObjectNumber' : 'NG94', 'ObjectDateBegin' : '1597-01-01', 'ObjectDateEnd' : '1600-12-31', 'ObjectDisplayDate' : '1597-1600', 'ObjectDimensions' : '34.4 x 84.2 cm', 'ObjectMedium' : 'Oil on wood', 'ObjectAlphaSort' : 'Carracci, Annibale', 'ObjectAuthor' : 'Annibale Carracci, 1560 - 1609', 'ObjectTitle' : 'Marsyas and Olympus', 'ObjectShortTitle' : 'Marsyas and Olympus', 'ObjectCreditLine' : 'Bought, 1824', 'ObjectString' : 'NG94: Annibale Carracci, 1560 - 1609, Marsyas and Olympus, 1597-1600, Oil on wood, (34.4 x 84.2 cm), Bought, 1824.', 'ObjectLocation' : 'Room 37', 'ObjectPrivateLocation' : 'Gallery 37', 'ObjectPublicLocation' : 'Room 37', 'ObjectSchool' : 'Italian (Bolognese)', 'ObjectCurator' : 'Dawson Carr', 'ObjectDescription' : 'Marsyas, a musician satyr, was the teacher of Olympus, who plays a syrinx. The figure of Marsyas is closely based on an antique gem, and that of Olympus is derived from an ancient sculpture. Both were in the Farnese collection. On the reverse is a decoration of formal diamond patterns and a small chequerwork framing.
It is thought that NG 94 originally decorated the lid of a keyboard instrument, probably a harpsichord, of which NG 93 may also have formed part. (For further discussion see the entry for the latter picture.)
A preparatory drawing for the whole composition is in Frankfurt and shows a cupid in the place of Olympus.
Probably part of one of the instruments mentioned in the will of Fulvio Orsini, 1600; Palazzo Lancellotti, Rome, 1664; J.J. Angerstein, 1810; bought, 1824.
Levey 1971, pp. 65-9
Posner 1971, p. 51', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : 'GROUP28', 'GroupTitle' : 'Panels for a Musical Instrument', 'GroupArtist' : 'Agostino Carracci', 'GroupDate' : '1597-1600', 'GroupParts' : 'NG93.1-NG93.2; NG94', 'ImageID' : '49', 'ImageFile' : 'N-0094-00-000022-WZ-PYR.tif', 'ImageCode' : 'N-0094-00-000022-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '6000', 'ImageYsize' : '2344', 'FileGroup_ID' : '14', 'impos' : '341'} /* Array ( [0] => 
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    [crop] => false
    [sqllimit] =>  AND FileGroup_id in (14) 
    [whichdb] => externalIIP
    [whichtable] => Image
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[1] =>

SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND ImageID = '49'

[2] =>
SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND FileGroup_id in (14) ORDER BY Object.ObjectAlphaSort
[3] =>
341 --> 49 N-0094-00 Annibale Carracci, 1560 - 1609
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Array
(
    [ObjectID] => 48
    [ObjectCode] => N-0094-00
    [ObjectNumber] => NG94
    [ObjectDateBegin] => 1597-01-01
    [ObjectDateEnd] => 1600-12-31
    [ObjectDisplayDate] => 1597-1600
    [ObjectDimensions] => 34.4 x 84.2 cm
    [ObjectMedium] => Oil on wood
    [ObjectAlphaSort] => Carracci, Annibale
    [ObjectAuthor] => Annibale Carracci, 1560 - 1609
    [ObjectTitle] => Marsyas and Olympus
    [ObjectShortTitle] => Marsyas and Olympus
    [ObjectCreditLine] => Bought, 1824
    [ObjectString] => NG94: Annibale Carracci, 1560 - 1609, Marsyas and Olympus, 1597-1600, Oil on wood, (34.4 x 84.2 cm), Bought, 1824.
    [ObjectLocation] => Room 37
    [ObjectPrivateLocation] => Gallery 37
    [ObjectPublicLocation] => Room 37
    [ObjectSchool] => Italian (Bolognese)
    [ObjectCurator] => Dawson Carr
    [ObjectDescription] => Marsyas, a musician satyr, was the teacher of Olympus, who plays a syrinx. The figure of Marsyas is closely based on an antique gem, and that of Olympus is derived from an ancient sculpture. Both were in the Farnese collection. On the reverse is a decoration of formal diamond patterns and a small chequerwork framing.
It is thought that NG 94 originally decorated the lid of a keyboard instrument, probably a harpsichord, of which NG 93 may also have formed part. (For further discussion see the entry for the latter picture.)
A preparatory drawing for the whole composition is in Frankfurt and shows a cupid in the place of Olympus.
Probably part of one of the instruments mentioned in the will of Fulvio Orsini, 1600; Palazzo Lancellotti, Rome, 1664; J.J. Angerstein, 1810; bought, 1824.
Levey 1971, pp. 65-9
Posner 1971, p. 51
    [ObjectStatusID] => 1
    [PublicAccess] => 1
    [GroupNumber] => GROUP28
    [GroupTitle] => Panels for a Musical Instrument
    [GroupArtist] => Agostino Carracci
    [GroupDate] => 1597-1600
    [GroupParts] => NG93.1-NG93.2; NG94
    [ImageID] => 49
    [ImageFile] => N-0094-00-000022-WZ-PYR.tif
    [ImageCode] => N-0094-00-000022-WZ
    [ImagePath] => /pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/
    [ImageLevels] => 6
    [ImageXsize] => 6000
    [ImageYsize] => 2344
    [FileGroup_ID] => 14
    [impos] => 341
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