{'ObjectID' : '382', 'ObjectCode' : 'N-1034-00', 'ObjectNumber' : 'NG1034', 'ObjectDateBegin' : '1500-01-01', 'ObjectDateEnd' : '1500-12-31', 'ObjectDisplayDate' : '1500', 'ObjectDimensions' : '108.6 x 74.9 cm', 'ObjectMedium' : 'Oil on canvas', 'ObjectAlphaSort' : 'Botticelli, Sandro', 'ObjectAuthor' : 'Sandro Botticelli, about 1445 - 1510', 'ObjectTitle' : '\'Mystic Nativity\'', 'ObjectShortTitle' : '\'Mystic Nativity\'', 'ObjectCreditLine' : 'Bought, 1878', 'ObjectString' : 'NG1034: Sandro Botticelli, about 1445 - 1510, \'Mystic Nativity\', 1500, Oil on canvas, (108.6 x 74.9 cm), Bought, 1878.', 'ObjectLocation' : 'Room 57', 'ObjectPrivateLocation' : 'Gallery 57', 'ObjectPublicLocation' : 'Room 57', 'ObjectSchool' : 'Italian (Florentine)', 'ObjectCurator' : 'Luke Syson', 'ObjectDescription' : 'Inscribed in Greek at the top: I Alessandro made this picture at the conclusion of the year 1500 in the troubles of Italy in the half time after the time according to the 11th [chapter] of Saint John in the second woe of the Apocalypse during the loosing of the devil for three and a half years then he will be chained in the 12th [chapter] and we shall see him burying himself as in this picture. Inscribed in Latin on the scrolls held by the angels above the stable: SACRA/RIVM. I(INEFFABILE) (ineffable sanctuary); MATER DE(I) (Mother of God); VIRGO VIRGINVM (Virgin of virgins); SPO[N]SA DEI PATRIS ADMIRANDA (admirable bride of God the Father); VE[RGO?] FECHVNDA (fecund [virgin]); SPERAN[ZA] (hoped for...); REGINA SOPRA TVT... (Queen above all...); REGINA SOLA MV[N]DI (Sole Queen of the world); GLORIA IN EXCELSIS DEO (Glory to God on high) and on the scrolls held by the angels in the foreground: [H]OMINIBVS BO[NAE VOLVNTATIS] (to men of goodwill); ET IN TER[R]A PAX (and [peace] on earth); [H]OMINIBVS. BON[A]E VOLVNTATIS (to men of goodwill [a continuation of the last inscription held by one of the angels above]). And in addition inscribed in Latin on the scroll of one of the angels who point at the Christ child: [AG]NVS DEI ([Behold] the lamb of
The Virgin, kneeling to adore the new-born Christ in front of the stable, is larger in scale than the adoring shepherds (to the right) and the three figures, perhaps the Magi (to the left). The scrolls in the foreground abbreviate a quotation from the New Testament (Luke 2: 14), and the devils bury themselves. The inscription at the top has been the subject of much debate, but essentially links the picture to the New Testament Book of Revelation, and to the Incarnation as the way in which peace was brought to earth (symbolised by olive branches being passed by angels to men).
NG 1034 is dated 1500 and was probably painted as a private devotional work for a Florentine patron.
Aldobrandini collection, Rome, by about 1791-9; co', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '394', 'ImageFile' : 'N-1034-00-000060-WZ-PYR.tif', 'ImageCode' : 'N-1034-00-000060-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '4224', 'ImageYsize' : '6000', 'FileGroup_ID' : '14', 'impos' : '209'} /* Array ( [0] => 
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SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND ImageID = '394'

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209 --> 394 N-1034-00 Sandro Botticelli, about 1445 - 1510
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    [ObjectCode] => N-1034-00
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    [ObjectDimensions] => 108.6 x 74.9 cm
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    [ObjectTitle] => \'Mystic Nativity\'
    [ObjectShortTitle] => \'Mystic Nativity\'
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    [ObjectLocation] => Room 57
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    [ObjectSchool] => Italian (Florentine)
    [ObjectCurator] => Luke Syson
    [ObjectDescription] => Inscribed in Greek at the top: I Alessandro made this picture at the conclusion of the year 1500 in the troubles of Italy in the half time after the time according to the 11th [chapter] of Saint John in the second woe of the Apocalypse during the loosing of the devil for three and a half years then he will be chained in the 12th [chapter] and we shall see him burying himself as in this picture. Inscribed in Latin on the scrolls held by the angels above the stable: SACRA/RIVM. I(INEFFABILE) (ineffable sanctuary); MATER DE(I) (Mother of God); VIRGO VIRGINVM (Virgin of virgins); SPO[N]SA DEI PATRIS ADMIRANDA (admirable bride of God the Father); VE[RGO?] FECHVNDA (fecund [virgin]); SPERAN[ZA] (hoped for...); REGINA SOPRA TVT... (Queen above all...); REGINA SOLA MV[N]DI (Sole Queen of the world); GLORIA IN EXCELSIS DEO (Glory to God on high) and on the scrolls held by the angels in the foreground: [H]OMINIBVS BO[NAE VOLVNTATIS] (to men of goodwill); ET IN TER[R]A PAX (and [peace] on earth); [H]OMINIBVS. BON[A]E VOLVNTATIS (to men of goodwill [a continuation of the last inscription held by one of the angels above]). And in addition inscribed in Latin on the scroll of one of the angels who point at the Christ child: [AG]NVS DEI ([Behold] the lamb of
The Virgin, kneeling to adore the new-born Christ in front of the stable, is larger in scale than the adoring shepherds (to the right) and the three figures, perhaps the Magi (to the left). The scrolls in the foreground abbreviate a quotation from the New Testament (Luke 2: 14), and the devils bury themselves. The inscription at the top has been the subject of much debate, but essentially links the picture to the New Testament Book of Revelation, and to the Incarnation as the way in which peace was brought to earth (symbolised by olive branches being passed by angels to men).
NG 1034 is dated 1500 and was probably painted as a private devotional work for a Florentine patron.
Aldobrandini collection, Rome, by about 1791-9; co
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