{'ObjectID' : '378', 'ObjectCode' : 'N-1018-00', 'ObjectNumber' : 'NG1018', 'ObjectDateBegin' : '1672-01-01', 'ObjectDateEnd' : '1672-12-31', 'ObjectDisplayDate' : '1672', 'ObjectDimensions' : '99.6 x 134.3 cm', 'ObjectMedium' : 'Oil on canvas', 'ObjectAlphaSort' : 'Claude', 'ObjectAuthor' : 'Claude, 1604/5? - 1682', 'ObjectTitle' : 'Landscape with Aeneas at Delos', 'ObjectShortTitle' : 'Landscape with Aeneas at Delos', 'ObjectCreditLine' : 'Wynn Ellis Bequest, 1876', 'ObjectString' : 'NG1018: Claude, 1604/5? - 1682, Landscape with Aeneas at Delos, 1672, Oil on canvas, (99.6 x 134.3 cm), Wynn Ellis Bequest, 1876.', 'ObjectLocation' : 'Room 20', 'ObjectPrivateLocation' : 'Gallery 20', 'ObjectPublicLocation' : 'Room 20', 'ObjectSchool' : 'French', 'ObjectCurator' : 'Humphrey Wine', 'ObjectDescription' : 'Inscribed on the parapet by the figures: ANVIS ROY. SACER(D)OTE (DI) APOLLO., ANCHISE, ENEA. (King Anius priest of Apollo, Anchises, Aeneas.) Signed and dated: CLAVDE. GILLE. INV. FE. ROMAE./1672. (Claude Gellée made this in Rome/ 1672.)
Aeneas, in red, has arrived with his companions on Delos, the home of Apollo. They are shown the sites by its king, Anius, the priest of Apollo. The bearded man in blue is Aeneas\' father, Anchises, and further to the left is his son Ascanius. The king points to a palm and an olive tree, to which Latona clung when she gave birth to Apollo and Diana. The domed building to the right, which recalls the Pantheon, Rome, is the Temple of Apollo. In the upper right a relief illustrates Apollo and Diana killing the giant Tityus who tried to ravish their mother. Virgil, Aeneid, III, 73-82, and Ovid, Metamorphoses, XIII, 630ff.
This composition corresponds with sheet no. 179 in the Liber Veritatis (London, British Museum), the inscription on which indicates the painting to have been made for one Monsieur Dupassy le Gout.
Dupassy le Gout, 1672; De Fonterspuis sale, 1748; Blondel de Gagny collection by 1757; Wynn Ellis Bequest, 1876.
Davies 1957, pp. 47-8
Roethlisberger 1961, pp. 420-4, no. 179
Roethlisberger 1975, p. 121, no. 255
Kitson 1978, pp. 164-5
Langdon 1989, p. 146
Wine 1994, p. 96, no. 53', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '390', 'ImageFile' : 'N-1018-00-000062-WZ-PYR.tif', 'ImageCode' : 'N-1018-00-000062-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '6000', 'ImageYsize' : '4502', 'FileGroup_ID' : '14', 'impos' : '425'} /* Array ( [0] =>

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425 --> 390 N-1018-00 Claude, 1604/5? - 1682

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    [ObjectCode] => N-1018-00
    [ObjectNumber] => NG1018
    [ObjectDateBegin] => 1672-01-01
    [ObjectDateEnd] => 1672-12-31
    [ObjectDisplayDate] => 1672
    [ObjectDimensions] => 99.6 x 134.3 cm
    [ObjectMedium] => Oil on canvas
    [ObjectAlphaSort] => Claude
    [ObjectAuthor] => Claude, 1604/5? - 1682
    [ObjectTitle] => Landscape with Aeneas at Delos
    [ObjectShortTitle] => Landscape with Aeneas at Delos
    [ObjectCreditLine] => Wynn Ellis Bequest, 1876
    [ObjectString] => NG1018: Claude, 1604/5? - 1682, Landscape with Aeneas at Delos, 1672, Oil on canvas, (99.6 x 134.3 cm), Wynn Ellis Bequest, 1876.
    [ObjectLocation] => Room 20
    [ObjectPrivateLocation] => Gallery 20
    [ObjectPublicLocation] => Room 20
    [ObjectSchool] => French
    [ObjectCurator] => Humphrey Wine
    [ObjectDescription] => Inscribed on the parapet by the figures: ANVIS ROY. SACER(D)OTE (DI) APOLLO., ANCHISE, ENEA. (King Anius priest of Apollo, Anchises, Aeneas.) Signed and dated: CLAVDE. GILLE. INV. FE. ROMAE./1672. (Claude Gellée made this in Rome/ 1672.)
Aeneas, in red, has arrived with his companions on Delos, the home of Apollo. They are shown the sites by its king, Anius, the priest of Apollo. The bearded man in blue is Aeneas\' father, Anchises, and further to the left is his son Ascanius. The king points to a palm and an olive tree, to which Latona clung when she gave birth to Apollo and Diana. The domed building to the right, which recalls the Pantheon, Rome, is the Temple of Apollo. In the upper right a relief illustrates Apollo and Diana killing the giant Tityus who tried to ravish their mother. Virgil, Aeneid, III, 73-82, and Ovid, Metamorphoses, XIII, 630ff.
This composition corresponds with sheet no. 179 in the Liber Veritatis (London, British Museum), the inscription on which indicates the painting to have been made for one Monsieur Dupassy le Gout.
Dupassy le Gout, 1672; De Fonterspuis sale, 1748; Blondel de Gagny collection by 1757; Wynn Ellis Bequest, 1876.
Davies 1957, pp. 47-8
Roethlisberger 1961, pp. 420-4, no. 179
Roethlisberger 1975, p. 121, no. 255
Kitson 1978, pp. 164-5
Langdon 1989, p. 146
Wine 1994, p. 96, no. 53
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