{'ObjectID' : '34', 'ObjectCode' : 'N-0064-00', 'ObjectNumber' : 'NG64', 'ObjectDateBegin' : '1659-01-01', 'ObjectDateEnd' : '1659-12-31', 'ObjectDisplayDate' : '1659', 'ObjectDimensions' : '105.3 x 134.6 cm', 'ObjectMedium' : 'Oil on canvas', 'ObjectAlphaSort' : 'Bourdon, Sébastien', 'ObjectAuthor' : 'Sébastien Bourdon, 1616 - 1671', 'ObjectTitle' : 'The Return of the Ark', 'ObjectShortTitle' : 'The Return of the Ark', 'ObjectCreditLine' : 'Presented by Sir George Beaumont, 1826', 'ObjectString' : 'NG64: Sébastien Bourdon, 1616 - 1671, The Return of the Ark, 1659, Oil on canvas, (105.3 x 134.6 cm), Presented by Sir George Beaumont, 1826.', 'ObjectLocation' : 'Room A Screen 21', 'ObjectPrivateLocation' : 'Gallery A Screen 21', 'ObjectPublicLocation' : 'Room A Screen 21', 'ObjectSchool' : 'French', 'ObjectCurator' : 'Humphrey Wine', 'ObjectDescription' : 'The Ark of the Covenant which held the tablets of the law (the Ten Commandments) is being transported by the plague-stricken Philistines back to the Beth-shemites. Old Testament (1 Samuel 6).
The Philistines are crossing the bridge behind the Ark which is pulled by two oxen. It has been miraculously stopped by the stone of Abel and is hailed by a group of Beth-shemites.
NG 64 is inspired in part by the style of the landscapes of Poussin of the later 1640s. According to an inscription on the back of the original canvas the work dates from 1659 and was intended for a \'Mr Thomas\'.
In his Fourteenth Discourse at the Royal Academy of Arts in 1788 Sir Joshua Reynolds referred to this picture as a work \'in which the poetical style of landscape may be seen happily executed\'.
Collection of Jean Baptiste Maximilien Titon by 1768?; Robert Strange sale, London, 1775; according to a worn inscription at bottom right, repeated on the back of the canvas, bequeathed to Sir George Beaumont by Sir Joshua Reynolds, 1792; Sir George Beaumont Gift, 1823/8.
Ponsonailhe 1883, p. 298
Davies 1957, p. 21
Wilson 1985, p. 66
Owen 1988, p. 35, no. 2
Lavergne-Durey 1989, p. 99', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '35', 'ImageFile' : 'N-0064-00-000033-WZ-PYR.tif', 'ImageCode' : 'N-0064-00-000033-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '6000', 'ImageYsize' : '4702', 'FileGroup_ID' : '14', 'impos' : '232'} /* Array ( [0] => 
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232 --> 35 N-0064-00 Sébastien Bourdon, 1616 - 1671
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    [ObjectID] => 34
    [ObjectCode] => N-0064-00
    [ObjectNumber] => NG64
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    [ObjectDisplayDate] => 1659
    [ObjectDimensions] => 105.3 x 134.6 cm
    [ObjectMedium] => Oil on canvas
    [ObjectAlphaSort] => Bourdon, Sébastien
    [ObjectAuthor] => Sébastien Bourdon, 1616 - 1671
    [ObjectTitle] => The Return of the Ark
    [ObjectShortTitle] => The Return of the Ark
    [ObjectCreditLine] => Presented by Sir George Beaumont, 1826
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    [ObjectLocation] => Room A Screen 21
    [ObjectPrivateLocation] => Gallery A  Screen 21
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    [ObjectSchool] => French
    [ObjectCurator] => Humphrey Wine
    [ObjectDescription] => The Ark of the Covenant which held the tablets of the law (the Ten Commandments) is being transported by the plague-stricken Philistines back to the Beth-shemites. Old Testament (1 Samuel 6).
The Philistines are crossing the bridge behind the Ark which is pulled by two oxen. It has been miraculously stopped by the stone of Abel and is hailed by a group of Beth-shemites.
NG 64 is inspired in part by the style of the landscapes of Poussin of the later 1640s. According to an inscription on the back of the original canvas the work dates from 1659 and was intended for a \'Mr Thomas\'.
In his Fourteenth Discourse at the Royal Academy of Arts in 1788 Sir Joshua Reynolds referred to this picture as a work \'in which the poetical style of landscape may be seen happily executed\'.
Collection of Jean Baptiste Maximilien Titon by 1768?; Robert Strange sale, London, 1775; according to a worn inscription at bottom right, repeated on the back of the canvas, bequeathed to Sir George Beaumont by Sir Joshua Reynolds, 1792; Sir George Beaumont Gift, 1823/8.
Ponsonailhe 1883, p. 298
Davies 1957, p. 21
Wilson 1985, p. 66
Owen 1988, p. 35, no. 2
Lavergne-Durey 1989, p. 99
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