{'ObjectID' : '264', 'ObjectCode' : 'N-0781-00', 'ObjectNumber' : 'NG781', 'ObjectDateBegin' : '1470-01-01', 'ObjectDateEnd' : '1480-12-31', 'ObjectDisplayDate' : '1470-80', 'ObjectDimensions' : '83.6 x 66 cm', 'ObjectMedium' : 'Tempera on poplar', 'ObjectAlphaSort' : 'Verrocchio, Andrea del', 'ObjectAuthor' : 'Workshop of Andrea del Verrocchio, about 1435 - 1488', 'ObjectTitle' : 'Tobias and the Angel', 'ObjectShortTitle' : 'Tobias and the Angel', 'ObjectCreditLine' : 'Bought, 1867', 'ObjectString' : 'NG781: Workshop of Andrea del Verrocchio, about 1435 - 1488, Tobias and the Angel, 1470-80, Tempera on poplar, (83.6 x 66 cm), Bought, 1867.', 'ObjectLocation' : 'Room 57', 'ObjectPrivateLocation' : 'Gallery 57', 'ObjectPublicLocation' : 'Room 57', 'ObjectSchool' : 'Italian (Florentine)', 'ObjectCurator' : 'Luke Syson', 'ObjectDescription' : 'Inscribed in Italian on the paper held by Tobias: Ricord (for Ricordo - a memorandum).
Tobias was sent by his blind father Tobit to collect a debt (hence the paper he carries in one hand) from a distant city. The Archangel Raphael, who escorts him, bade him extract the heart, liver and gall from a fish (that he caught as it tried to devour him in the river Tigris). The gall was to restore his father\'s eyesight. Raphael was venerated as a protector of travellers and as a healer. Book of Tobit (4: 3-4).
Paintings such as NG 781 were especially popular in Florence among members of a lay association devoted to the Archangel Raphael. This picture has also sometimes been attributed to the young Perugino, and to a follower of Verrocchio.
Collection of Conte Angiolo Galli Tassi, Florence, by 1863; bought from G. Baslini, Milan, 1867.
Davies 1961, pp. 555-7
Gombrich 1972, pp. 28-30
Scarpellini 1984, p. 69
Dunkerton 1991, p. 314', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '276', 'ImageFile' : 'N-0781-00-000050-WZ-PYR.tif', 'ImageCode' : 'N-0781-00-000050-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '4692', 'ImageYsize' : '6000', 'FileGroup_ID' : '14', 'impos' : '2518'} /* Array ( [0] =>

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[1] =>

SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND ImageID = '276'

[2] =>

SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND FileGroup_id in (14) ORDER BY Object.ObjectAlphaSort

[3] =>

2518 --> 276 N-0781-00 Workshop of Andrea del Verrocchio, about 1435 - 1488

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Array
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    [ObjectID] => 264
    [ObjectCode] => N-0781-00
    [ObjectNumber] => NG781
    [ObjectDateBegin] => 1470-01-01
    [ObjectDateEnd] => 1480-12-31
    [ObjectDisplayDate] => 1470-80
    [ObjectDimensions] => 83.6 x 66 cm
    [ObjectMedium] => Tempera on poplar
    [ObjectAlphaSort] => Verrocchio, Andrea del
    [ObjectAuthor] => Workshop of Andrea del Verrocchio, about 1435 - 1488
    [ObjectTitle] => Tobias and the Angel
    [ObjectShortTitle] => Tobias and the Angel
    [ObjectCreditLine] => Bought, 1867
    [ObjectString] => NG781: Workshop of Andrea del Verrocchio, about 1435 - 1488, Tobias and the Angel, 1470-80, Tempera on poplar, (83.6 x 66 cm), Bought, 1867.
    [ObjectLocation] => Room 57
    [ObjectPrivateLocation] => Gallery 57
    [ObjectPublicLocation] => Room 57
    [ObjectSchool] => Italian (Florentine)
    [ObjectCurator] => Luke Syson
    [ObjectDescription] => Inscribed in Italian on the paper held by Tobias: Ricord (for Ricordo - a memorandum).
Tobias was sent by his blind father Tobit to collect a debt (hence the paper he carries in one hand) from a distant city. The Archangel Raphael, who escorts him, bade him extract the heart, liver and gall from a fish (that he caught as it tried to devour him in the river Tigris). The gall was to restore his father\'s eyesight. Raphael was venerated as a protector of travellers and as a healer. Book of Tobit (4: 3-4).
Paintings such as NG 781 were especially popular in Florence among members of a lay association devoted to the Archangel Raphael. This picture has also sometimes been attributed to the young Perugino, and to a follower of Verrocchio.
Collection of Conte Angiolo Galli Tassi, Florence, by 1863; bought from G. Baslini, Milan, 1867.
Davies 1961, pp. 555-7
Gombrich 1972, pp. 28-30
Scarpellini 1984, p. 69
Dunkerton 1991, p. 314
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