{'ObjectID' : '247', 'ObjectCode' : 'N-0744-00', 'ObjectNumber' : 'NG744', 'ObjectDateBegin' : '1507-01-01', 'ObjectDateEnd' : '1512-12-31', 'ObjectDisplayDate' : 'about 1509-10', 'ObjectDimensions' : '38.9 x 32.9 cm', 'ObjectMedium' : 'Oil on wood', 'ObjectAlphaSort' : 'Raphael', 'ObjectAuthor' : 'Raphael, 1483 - 1520', 'ObjectTitle' : 'The Madonna and Child with the Infant Baptist (The Garvagh Madonna)', 'ObjectShortTitle' : 'The Garvagh Madonna', 'ObjectCreditLine' : 'Bought, 1865', 'ObjectString' : 'NG744: Raphael, 1483 - 1520, The Garvagh Madonna, about 1509-10, Oil on wood, (38.9 x 32.9 cm), Bought, 1865.', 'ObjectLocation' : 'Room 8', 'ObjectPrivateLocation' : 'Gallery 08', 'ObjectPublicLocation' : 'Room 8', 'ObjectSchool' : 'Italian', 'ObjectCurator' : 'Carol Plazzotta', 'ObjectDescription' : 'This painting of the Virgin and Child with Saint John has traditionally been entitled the \'Aldobrandini Madonna\' or the \'Garvagh Madonna\' (after families who owned it in the eighteenth and nineteenth centuries).
NG 744 was probably painted when Raphael was working in the Stanza della Segnatura in the Vatican Palace, Rome. Raphael made numerous studies of the Virgin and Child in his drawings of this period, but none corresponds exactly with the composition in NG 744. There is however a detailed underdrawing (visible in infra-red); this seems to be both in metalpoint and in black chalk.
Described in 1787 in the collection of Prince Aldobrandini in the Palazzo Borghese, Rome (and possibly identifiable with a picture described at the Villa Borghese in 1650); acquired by Alexander Day before 1800; bought by Lord Garvagh in 1818; bought from his widow and heirs, 1865.
Dussler 1971, pp. 26-7
Gould 1975, pp. 215-16
Dunkerton 1993, pp. 7-21', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '259', 'ImageFile' : 'N-0744-00-000033-WZ-PYR.tif', 'ImageCode' : 'N-0744-00-000033-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '5204', 'ImageYsize' : '6000', 'FileGroup_ID' : '14', 'impos' : '1990'} /* Array ( [0] => 
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    [crop] => false
    [sqllimit] =>  AND FileGroup_id in (14) 
    [whichdb] => externalIIP
    [whichtable] => Image
    [sortby] => ObjectAlphaSort
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[1] =>

SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND ImageID = '259'

[2] =>
SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND FileGroup_id in (14) ORDER BY Object.ObjectAlphaSort
[3] =>
1990 --> 259 N-0744-00 Raphael, 1483 - 1520
[4] => 
Array
(
    [ObjectID] => 247
    [ObjectCode] => N-0744-00
    [ObjectNumber] => NG744
    [ObjectDateBegin] => 1507-01-01
    [ObjectDateEnd] => 1512-12-31
    [ObjectDisplayDate] => about 1509-10
    [ObjectDimensions] => 38.9 x 32.9 cm
    [ObjectMedium] => Oil on wood
    [ObjectAlphaSort] => Raphael
    [ObjectAuthor] => Raphael, 1483 - 1520
    [ObjectTitle] => The Madonna and Child with the Infant Baptist (The Garvagh Madonna)
    [ObjectShortTitle] => The Garvagh Madonna
    [ObjectCreditLine] => Bought, 1865
    [ObjectString] => NG744: Raphael, 1483 - 1520, The Garvagh Madonna, about 1509-10, Oil on wood, (38.9 x 32.9 cm), Bought, 1865.
    [ObjectLocation] => Room 8
    [ObjectPrivateLocation] => Gallery 08
    [ObjectPublicLocation] => Room 8
    [ObjectSchool] => Italian
    [ObjectCurator] => Carol Plazzotta
    [ObjectDescription] => This painting of the Virgin and Child with Saint John has traditionally been entitled the \'Aldobrandini Madonna\' or the \'Garvagh Madonna\' (after families who owned it in the eighteenth and nineteenth centuries).
NG 744 was probably painted when Raphael was working in the Stanza della Segnatura in the Vatican Palace, Rome. Raphael made numerous studies of the Virgin and Child in his drawings of this period, but none corresponds exactly with the composition in NG 744. There is however a detailed underdrawing (visible in infra-red); this seems to be both in metalpoint and in black chalk.
Described in 1787 in the collection of Prince Aldobrandini in the Palazzo Borghese, Rome (and possibly identifiable with a picture described at the Villa Borghese in 1650); acquired by Alexander Day before 1800; bought by Lord Garvagh in 1818; bought from his widow and heirs, 1865.
Dussler 1971, pp. 26-7
Gould 1975, pp. 215-16
Dunkerton 1993, pp. 7-21
    [ObjectStatusID] => 1
    [PublicAccess] => 1
    [GroupNumber] => 
    [GroupTitle] => 
    [GroupArtist] => 
    [GroupDate] => 
    [GroupParts] => 
    [ImageID] => 259
    [ImageFile] => N-0744-00-000033-WZ-PYR.tif
    [ImageCode] => N-0744-00-000033-WZ
    [ImagePath] => /pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/
    [ImageLevels] => 6
    [ImageXsize] => 5204
    [ImageYsize] => 6000
    [FileGroup_ID] => 14
    [impos] => 1990
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