{'ObjectID' : '2619', 'ObjectCode' : 'N-0839-00', 'ObjectNumber' : 'NG839', 'ObjectDateBegin' : '1663-01-01', 'ObjectDateEnd' : '1667-12-31', 'ObjectDisplayDate' : 'about 1665', 'ObjectDimensions' : '38.4 x 32.2 cm', 'ObjectMedium' : 'Oil on oak', 'ObjectAlphaSort' : 'Metsu, Gabriel', 'ObjectAuthor' : 'Gabriel Metsu, 1629 - 1667', 'ObjectTitle' : 'A Man and a Woman seated by a Virginal', 'ObjectShortTitle' : 'A Man and a Woman seated by a Virginal', 'ObjectCreditLine' : 'Bought, 1871', 'ObjectString' : 'NG839: Gabriel Metsu, 1629 - 1667, A Man and a Woman seated by a Virginal, about 1665, Oil on oak, (38.4 x 32.2 cm), Bought, 1871.', 'ObjectLocation' : 'Room 27', 'ObjectPrivateLocation' : 'Gallery 27', 'ObjectPublicLocation' : 'Room 27', 'ObjectSchool' : 'Dutch', 'ObjectCurator' : 'Betsy Wieseman', 'ObjectDescription' : 'Signed top right: G. Metsu. Inscribed on the lid of the virginal: IN . TE . D[O]MINE . SPERAVI . NON . CONF[UN]DAR . I[N] . AETERNV[M]. (In thee, O Lord, do I put my trust; never let me be put to confusion.) Inscribed on the inside of the keyboard cover: OMNIS . [SPIRITUS LAUDE]T . DOMINVM. (Let every thing that hath breath praise the Lord.)
The inscriptions are from the Old Testament (Psalms 31: 1 or 71: 1 on the lid of the virginal; Psalms 150: 6 on the inside of the keyboard cover); they occur on virginals in other pictures by Metsu (e.g. Rotterdam, Museum Boymans-van Beuningen); the second inscription appears on a virginal of 1620 in the Musée Instrumental du Conservatoire in Brussels. In the left background is a painting of a Twelfth Night feast; Metsu painted this subject in a similar composition (though reversed) in the early 1650s (Munich, Alte Pinakothek). In the centre background is a landscape in the style of Ruisdael.
Collection of Michael Bryan by 1798; collection of Sir Robert Peel, Bt, by 1833 (and possibly by 1823); bought with the Peel collection, 1871.
MacLaren/Brown 1991, pp. 255-6', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '2562', 'ImageFile' : 'N-0839-00-000024-WZ-PYR.tif', 'ImageCode' : 'N-0839-00-000024-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '5081', 'ImageYsize' : '6000', 'FileGroup_ID' : '14', 'impos' : '1621'} /* Array ( [0] => 
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SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND ImageID = '2562'

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1621 --> 2562 N-0839-00 Gabriel Metsu, 1629 - 1667
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    [ObjectID] => 2619
    [ObjectCode] => N-0839-00
    [ObjectNumber] => NG839
    [ObjectDateBegin] => 1663-01-01
    [ObjectDateEnd] => 1667-12-31
    [ObjectDisplayDate] => about 1665
    [ObjectDimensions] => 38.4 x 32.2 cm
    [ObjectMedium] => Oil on oak
    [ObjectAlphaSort] => Metsu, Gabriel
    [ObjectAuthor] => Gabriel Metsu, 1629 - 1667
    [ObjectTitle] => A Man and a Woman seated by a Virginal
    [ObjectShortTitle] => A Man and a Woman seated by a Virginal
    [ObjectCreditLine] => Bought, 1871
    [ObjectString] => NG839: Gabriel Metsu, 1629 - 1667, A Man and a Woman seated by a Virginal, about 1665, Oil on oak, (38.4 x 32.2 cm), Bought, 1871.
    [ObjectLocation] => Room 27
    [ObjectPrivateLocation] => Gallery 27
    [ObjectPublicLocation] => Room 27
    [ObjectSchool] => Dutch
    [ObjectCurator] => Betsy Wieseman
    [ObjectDescription] => Signed top right: G. Metsu. Inscribed on the lid of the virginal: IN . TE . D[O]MINE . SPERAVI . NON . CONF[UN]DAR . I[N] . AETERNV[M]. (In thee, O Lord, do I put my trust; never let me be put to confusion.) Inscribed on the inside of the keyboard cover: OMNIS . [SPIRITUS LAUDE]T . DOMINVM. (Let every thing that hath breath praise the Lord.)
The inscriptions are from the Old Testament (Psalms 31: 1 or 71: 1 on the lid of the virginal; Psalms 150: 6 on the inside of the keyboard cover); they occur on virginals in other pictures by Metsu (e.g. Rotterdam, Museum Boymans-van Beuningen); the second inscription appears on a virginal of 1620 in the Musée Instrumental du Conservatoire in Brussels. In the left background is a painting of a Twelfth Night feast; Metsu painted this subject in a similar composition (though reversed) in the early 1650s (Munich, Alte Pinakothek). In the centre background is a landscape in the style of Ruisdael.
Collection of Michael Bryan by 1798; collection of Sir Robert Peel, Bt, by 1833 (and possibly by 1823); bought with the Peel collection, 1871.
MacLaren/Brown 1991, pp. 255-6
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    [ImageID] => 2562
    [ImageFile] => N-0839-00-000024-WZ-PYR.tif
    [ImageCode] => N-0839-00-000024-WZ
    [ImagePath] => /pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/
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