{'ObjectID' : '2610', 'ObjectCode' : 'N-0809-00', 'ObjectNumber' : 'NG809', 'ObjectDateBegin' : '1495-01-01', 'ObjectDateEnd' : '1499-12-31', 'ObjectDisplayDate' : 'about 1497', 'ObjectDimensions' : '104.5 x 77 cm', 'ObjectMedium' : 'Tempera on wood', 'ObjectAlphaSort' : 'Michelangelo', 'ObjectAuthor' : 'Michelangelo, 1475 - 1564', 'ObjectTitle' : 'The Virgin and Child with Saint John and Angels (\'The Manchester Madonna\')', 'ObjectShortTitle' : '\'The Manchester Madonna\'', 'ObjectCreditLine' : 'Bought, 1870', 'ObjectString' : 'NG809: Michelangelo, 1475 - 1564, \'The Manchester Madonna\', about 1497, Tempera on wood, (104.5 x 77 cm), Bought, 1870.', 'ObjectLocation' : 'Room 8', 'ObjectPrivateLocation' : 'Gallery 08', 'ObjectPublicLocation' : 'Room 8', 'ObjectSchool' : 'Italian (Florentine)', 'ObjectCurator' : 'Carol Plazzotta', 'ObjectDescription' : 'Christ indicates a passage in the book held by the Virgin which one pair of angels contemplates. The other angels study a scroll perhaps given to them by the young John the Baptist. Both book and scroll may carry prophecies of Christ\'s future sacrifice.
NG 809 is unfinished, especially on the left. The picture has been known as \'The Manchester Madonna\' since its inclusion in the 1857 exhibition at Manchester. It was attributed to Michelangelo by about 1700, and it is now widely accepted as an autograph - if very early - work by him. The style of the drapery folds, the compositional arrangement and the rock plinth all have parallels in his earliest sculpture.
Almost certainly the picture described at the Villa Borghese, Rome, 1700; collection of Alexander Day by 1833 (and probably from about 1798/9); collection of H. Labouchère, 1849; bought from Labouchère\'s executors, 1870.
Gould 1975, pp. 148-50
Hirst 1994, pp. 37-46, 83-106', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '2553', 'ImageFile' : 'N-0809-00-000064-WZ-PYR.tif', 'ImageCode' : 'N-0809-00-000064-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '4462', 'ImageYsize' : '6000', 'FileGroup_ID' : '14', 'impos' : '1633'} /* Array ( [0] => 
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SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND ImageID = '2553'

[2] =>
SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND FileGroup_id in (14) ORDER BY Object.ObjectAlphaSort
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1633 --> 2553 N-0809-00 Michelangelo, 1475 - 1564
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    [ObjectID] => 2610
    [ObjectCode] => N-0809-00
    [ObjectNumber] => NG809
    [ObjectDateBegin] => 1495-01-01
    [ObjectDateEnd] => 1499-12-31
    [ObjectDisplayDate] => about 1497
    [ObjectDimensions] => 104.5 x 77 cm
    [ObjectMedium] => Tempera on wood
    [ObjectAlphaSort] => Michelangelo
    [ObjectAuthor] => Michelangelo, 1475 - 1564
    [ObjectTitle] => The Virgin and Child with Saint John and Angels (\'The Manchester Madonna\')
    [ObjectShortTitle] => \'The Manchester Madonna\'
    [ObjectCreditLine] => Bought, 1870
    [ObjectString] => NG809: Michelangelo, 1475 - 1564, \'The Manchester Madonna\', about 1497, Tempera on wood, (104.5 x 77 cm), Bought, 1870.
    [ObjectLocation] => Room 8
    [ObjectPrivateLocation] => Gallery 08
    [ObjectPublicLocation] => Room 8
    [ObjectSchool] => Italian (Florentine)
    [ObjectCurator] => Carol Plazzotta
    [ObjectDescription] => Christ indicates a passage in the book held by the Virgin which one pair of angels contemplates. The other angels study a scroll perhaps given to them by the young John the Baptist. Both book and scroll may carry prophecies of Christ\'s future sacrifice.
NG 809 is unfinished, especially on the left. The picture has been known as \'The Manchester Madonna\' since its inclusion in the 1857 exhibition at Manchester. It was attributed to Michelangelo by about 1700, and it is now widely accepted as an autograph - if very early - work by him. The style of the drapery folds, the compositional arrangement and the rock plinth all have parallels in his earliest sculpture.
Almost certainly the picture described at the Villa Borghese, Rome, 1700; collection of Alexander Day by 1833 (and probably from about 1798/9); collection of H. Labouchère, 1849; bought from Labouchère\'s executors, 1870.
Gould 1975, pp. 148-50
Hirst 1994, pp. 37-46, 83-106
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    [ImageID] => 2553
    [ImageFile] => N-0809-00-000064-WZ-PYR.tif
    [ImageCode] => N-0809-00-000064-WZ
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