{'ObjectID' : '2599', 'ObjectCode' : 'N-0753-00', 'ObjectNumber' : 'NG753', 'ObjectDateBegin' : '1514-01-01', 'ObjectDateEnd' : '1519-12-31', 'ObjectDisplayDate' : 'about 1516-17', 'ObjectDimensions' : '145.5 x 144.2 cm', 'ObjectMedium' : 'Oil on wood', 'ObjectAlphaSort' : 'Melone, Altobello', 'ObjectAuthor' : 'Altobello Melone, about 1490; died before 1543', 'ObjectTitle' : 'The Road to Emmaus', 'ObjectShortTitle' : 'The Road to Emmaus', 'ObjectCreditLine' : 'Bought, 1864', 'ObjectString' : 'NG753: Altobello Melone, about 1490; died before 1543, The Road to Emmaus, about 1516-17, Oil on wood, (145.5 x 144.2 cm), Bought, 1864.', 'ObjectLocation' : 'Room 12', 'ObjectPrivateLocation' : 'Gallery 12', 'ObjectPublicLocation' : 'Room 12', 'ObjectSchool' : 'Italian (Cremonese)', 'ObjectCurator' : 'Carol Plazzotta', 'ObjectDescription' : 'On the day after Christ\'s tomb had been found empty he appeared to two disciples, but they remained unaware of his true identity until they invited him to dine with them in the village of Emmaus, when he broke bread as he had at the Last Supper. New Testament (Luke 24: 13-35). Here he is depicted as a pilgrim with a hat, staff and shell, encountering them on the road. In the background he appears again, this time between the disciples, approaching the village.
The style of NG 753 accords with that of the frescoes in Cremona by the artist (see biography).
Carmelite church of S. Bartolomeo, Cremona, by 1627; Gioseppe Aglio (1794) states that when the church was suppressed the painting entered the Fraganechi collection, Villa Rocca, Cremona; a label on the back bears this family name; seen by Otto Mündler in the possession of Conte Castelbarco, Milan, 1856; from whom bought, 1864.
Gould 1975, pp. 144-5', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '2542', 'ImageFile' : 'N-0753-00-000037-WZ-PYR.tif', 'ImageCode' : 'N-0753-00-000037-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '6000', 'ImageYsize' : '5744', 'FileGroup_ID' : '14', 'impos' : '1603'} /* Array ( [0] => 
Array
(
    [what] => details
    [val] => 2542
    [crop] => false
    [sqllimit] =>  AND FileGroup_id in (14) 
    [whichdb] => externalIIP
    [whichtable] => Image
    [sortby] => ObjectAlphaSort
)
[1] =>

SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND ImageID = '2542'

[2] =>
SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND FileGroup_id in (14) ORDER BY Object.ObjectAlphaSort
[3] =>
1603 --> 2542 N-0753-00 Altobello Melone, about 1490; died before 1543
[4] => 
Array
(
    [ObjectID] => 2599
    [ObjectCode] => N-0753-00
    [ObjectNumber] => NG753
    [ObjectDateBegin] => 1514-01-01
    [ObjectDateEnd] => 1519-12-31
    [ObjectDisplayDate] => about 1516-17
    [ObjectDimensions] => 145.5 x 144.2 cm
    [ObjectMedium] => Oil on wood
    [ObjectAlphaSort] => Melone, Altobello
    [ObjectAuthor] => Altobello Melone, about 1490; died before 1543
    [ObjectTitle] => The Road to Emmaus
    [ObjectShortTitle] => The Road to Emmaus
    [ObjectCreditLine] => Bought, 1864
    [ObjectString] => NG753: Altobello Melone, about 1490; died before 1543, The Road to Emmaus, about 1516-17, Oil on wood, (145.5 x 144.2 cm), Bought, 1864.
    [ObjectLocation] => Room 12
    [ObjectPrivateLocation] => Gallery 12
    [ObjectPublicLocation] => Room 12
    [ObjectSchool] => Italian (Cremonese)
    [ObjectCurator] => Carol Plazzotta
    [ObjectDescription] => On the day after Christ\'s tomb had been found empty he appeared to two disciples, but they remained unaware of his true identity until they invited him to dine with them in the village of Emmaus, when he broke bread as he had at the Last Supper. New Testament (Luke 24: 13-35). Here he is depicted as a pilgrim with a hat, staff and shell, encountering them on the road. In the background he appears again, this time between the disciples, approaching the village.
The style of NG 753 accords with that of the frescoes in Cremona by the artist (see biography).
Carmelite church of S. Bartolomeo, Cremona, by 1627; Gioseppe Aglio (1794) states that when the church was suppressed the painting entered the Fraganechi collection, Villa Rocca, Cremona; a label on the back bears this family name; seen by Otto Mündler in the possession of Conte Castelbarco, Milan, 1856; from whom bought, 1864.
Gould 1975, pp. 144-5
    [ObjectStatusID] => 1
    [PublicAccess] => 1
    [GroupNumber] => 
    [GroupTitle] => 
    [GroupArtist] => 
    [GroupDate] => 
    [GroupParts] => 
    [ImageID] => 2542
    [ImageFile] => N-0753-00-000037-WZ-PYR.tif
    [ImageCode] => N-0753-00-000037-WZ
    [ImagePath] => /pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/
    [ImageLevels] => 6
    [ImageXsize] => 6000
    [ImageYsize] => 5744
    [FileGroup_ID] => 14
    [impos] => 1603
)
) */