{'ObjectID' : '2558', 'ObjectCode' : 'N-6533-00', 'ObjectNumber' : 'NG6533', 'ObjectDateBegin' : '1648-01-01', 'ObjectDateEnd' : '1648-12-31', 'ObjectDisplayDate' : '1648', 'ObjectDimensions' : '90.5 x 78.4 cm', 'ObjectMedium' : 'Oil on oak', 'ObjectAlphaSort' : 'Treck, Jan Jansz.', 'ObjectAuthor' : 'Jan Jansz. Treck, 1605/6 - 1652', 'ObjectTitle' : 'Vanitas Still Life', 'ObjectShortTitle' : 'Vanitas Still Life', 'ObjectCreditLine' : 'Presented by Anthony N. Sturt and his wife Marjorie, 1991', 'ObjectString' : 'NG6533: Jan Jansz. Treck, 1605/6 - 1652, Vanitas Still Life, 1648, Oil on oak, (90.5 x 78.4 cm), Presented by Anthony N. Sturt and his wife Marjorie, 1991.', 'ObjectLocation' : 'Room 23', 'ObjectPrivateLocation' : 'Gallery 23', 'ObjectPublicLocation' : 'Room 23', 'ObjectSchool' : 'Dutch', 'ObjectCurator' : 'Betsy Wieseman', 'ObjectDescription' : 'Inscribed on the jug: Treck/1648; and on the title page of a play at the left: TQUAEDT syn Meester loont, Bly eynde spel (Evil Pays Its Master, or Evil is its Own Reward, a comedy).
The objects shown here are intended to make the viewer reflect on the inevitability of death and the transience of human actions. Such a moralising work is called a vanitas in reference to the biblical quotation - \'Vanity of vanities, saith the Preacher, vanity of vanities: all is vanity\' (Ecclesiastes 1: 2). The painting contains a number of objects often found in such images: skull, hourglass, extinguished pipe and tapers, and shell used for blowing bubbles. Human actions, which in this context are regarded as futile, are referred to by the armour, musical instruments, musical score, drawing, jug and the title page of the play at the left. This work was written by Theodoor Rodenburgh (about 1578-1644), a member of the Amsterdam Chamber of Rhetoric. It was based on a Spanish play and first printed in Dutch in 1618.
NG 6533 predates the other painting by Treck in the National Gallery (NG 4562) by a year.
Bought by Robert Philip Wood (1818-98), a Liverpool merchant; presented by his great-grandson, Anthony N. Sturt, and his wife, Marjorie, 1990.
National Gallery Report 1990-1, pp. 14-15', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '2501', 'ImageFile' : 'N-6533-00-000013-WZ-PYR.tif', 'ImageCode' : 'N-6533-00-000013-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '5107', 'ImageYsize' : '6000', 'FileGroup_ID' : '14', 'impos' : '2411'} /* Array ( [0] =>

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2411 --> 2501 N-6533-00 Jan Jansz. Treck, 1605/6 - 1652

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    [ObjectID] => 2558
    [ObjectCode] => N-6533-00
    [ObjectNumber] => NG6533
    [ObjectDateBegin] => 1648-01-01
    [ObjectDateEnd] => 1648-12-31
    [ObjectDisplayDate] => 1648
    [ObjectDimensions] => 90.5 x 78.4 cm
    [ObjectMedium] => Oil on oak
    [ObjectAlphaSort] => Treck, Jan Jansz.
    [ObjectAuthor] => Jan Jansz. Treck, 1605/6 - 1652
    [ObjectTitle] => Vanitas Still Life
    [ObjectShortTitle] => Vanitas Still Life
    [ObjectCreditLine] => Presented by Anthony N. Sturt and his wife Marjorie, 1991
    [ObjectString] => NG6533: Jan Jansz. Treck, 1605/6 - 1652, Vanitas Still Life, 1648, Oil on oak, (90.5 x 78.4 cm), Presented by Anthony N. Sturt and his wife Marjorie, 1991.
    [ObjectLocation] => Room 23
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    [ObjectSchool] => Dutch
    [ObjectCurator] => Betsy Wieseman
    [ObjectDescription] => Inscribed on the jug: Treck/1648; and on the title page of a play at the left: TQUAEDT syn Meester loont, Bly eynde spel (Evil Pays Its Master, or Evil is its Own Reward, a comedy).
The objects shown here are intended to make the viewer reflect on the inevitability of death and the transience of human actions. Such a moralising work is called a vanitas in reference to the biblical quotation - \'Vanity of vanities, saith the Preacher, vanity of vanities: all is vanity\' (Ecclesiastes 1: 2). The painting contains a number of objects often found in such images: skull, hourglass, extinguished pipe and tapers, and shell used for blowing bubbles. Human actions, which in this context are regarded as futile, are referred to by the armour, musical instruments, musical score, drawing, jug and the title page of the play at the left. This work was written by Theodoor Rodenburgh (about 1578-1644), a member of the Amsterdam Chamber of Rhetoric. It was based on a Spanish play and first printed in Dutch in 1618.
NG 6533 predates the other painting by Treck in the National Gallery (NG 4562) by a year.
Bought by Robert Philip Wood (1818-98), a Liverpool merchant; presented by his great-grandson, Anthony N. Sturt, and his wife, Marjorie, 1990.
National Gallery Report 1990-1, pp. 14-15
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