{'ObjectID' : '2551', 'ObjectCode' : 'N-6513-00', 'ObjectNumber' : 'NG6513', 'ObjectDateBegin' : '1652-01-01', 'ObjectDateEnd' : '1652-12-31', 'ObjectDisplayDate' : '1652', 'ObjectDimensions' : '97.7 x 138 cm', 'ObjectMedium' : 'Oil on canvas', 'ObjectAlphaSort' : 'Patel, Pierre', 'ObjectAuthor' : 'Pierre Patel, about 1605 - 1676', 'ObjectTitle' : 'Landscape with the Rest on the Flight into Egypt', 'ObjectShortTitle' : 'Landscape with the Rest on the Flight into Egypt', 'ObjectCreditLine' : 'Bought, 1988', 'ObjectString' : 'NG6513: Pierre Patel, about 1605 - 1676, Landscape with the Rest on the Flight into Egypt, 1652, Oil on canvas, (97.7 x 138 cm), Bought, 1988.', 'ObjectLocation' : 'Room 20', 'ObjectPrivateLocation' : 'Gallery 20', 'ObjectPublicLocation' : 'Room 20', 'ObjectSchool' : 'French', 'ObjectCurator' : 'Humphrey Wine', 'ObjectDescription' : 'Signed and dated at the bottom : P. PATEL INVE-PIN/.1652 (Pierre Patel invented and painted this, 1652).
Joseph was warned in a dream that King Herod was searching for the Christ Child and so took Mary and the infant to Egypt for safety. New Testament (Matthew 2: 13-15). Their rest during the journey is a frequently depicted incident which is not actually described in the Bible. In NG 6513 they have paused beside a derelict temple covered with picturesque (but almost certainly fantastic) antique bas-reliefs.
Patel\'s landscape demonstrates the impact on Parisian taste of French classical landscapes arriving from Rome. In NG 6513 Patel, who had probably never visited Italy, represents the Roman campagna in the manner of Claude. There is a related drawing in the Ecole Nationale Supérieure des Beaux-Arts, Paris.
Bought, 1988.
National Gallery Report 1985-7, pp. 35-6', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '2494', 'ImageFile' : 'N-6513-00-000025-WZ-PYR.tif', 'ImageCode' : 'N-6513-00-000025-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '6000', 'ImageYsize' : '4211', 'FileGroup_ID' : '14', 'impos' : '1847'} /* Array ( [0] => 
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SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND ImageID = '2494'

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1847 --> 2494 N-6513-00 Pierre Patel, about 1605 - 1676
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    [ObjectID] => 2551
    [ObjectCode] => N-6513-00
    [ObjectNumber] => NG6513
    [ObjectDateBegin] => 1652-01-01
    [ObjectDateEnd] => 1652-12-31
    [ObjectDisplayDate] => 1652
    [ObjectDimensions] => 97.7 x 138 cm
    [ObjectMedium] => Oil on canvas
    [ObjectAlphaSort] => Patel, Pierre
    [ObjectAuthor] => Pierre Patel, about 1605 - 1676
    [ObjectTitle] => Landscape with the Rest on the Flight into Egypt
    [ObjectShortTitle] => Landscape with the Rest on the Flight into Egypt
    [ObjectCreditLine] => Bought, 1988
    [ObjectString] => NG6513: Pierre Patel, about 1605 - 1676, Landscape with the Rest on the Flight into Egypt, 1652, Oil on canvas, (97.7 x 138 cm), Bought, 1988.
    [ObjectLocation] => Room 20
    [ObjectPrivateLocation] => Gallery 20
    [ObjectPublicLocation] => Room 20
    [ObjectSchool] => French
    [ObjectCurator] => Humphrey Wine
    [ObjectDescription] => Signed and dated at the bottom : P. PATEL INVE-PIN/.1652 (Pierre Patel invented and painted this, 1652).
Joseph was warned in a dream that King Herod was searching for the Christ Child and so took Mary and the infant to Egypt for safety. New Testament (Matthew 2: 13-15). Their rest during the journey is a frequently depicted incident which is not actually described in the Bible. In NG 6513 they have paused beside a derelict temple covered with picturesque (but almost certainly fantastic) antique bas-reliefs.
Patel\'s landscape demonstrates the impact on Parisian taste of French classical landscapes arriving from Rome. In NG 6513 Patel, who had probably never visited Italy, represents the Roman campagna in the manner of Claude. There is a related drawing in the Ecole Nationale Supérieure des Beaux-Arts, Paris.
Bought, 1988.
National Gallery Report 1985-7, pp. 35-6
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    [ImageID] => 2494
    [ImageFile] => N-6513-00-000025-WZ-PYR.tif
    [ImageCode] => N-6513-00-000025-WZ
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