{'ObjectID' : '2540', 'ObjectCode' : 'N-6471-00', 'ObjectNumber' : 'NG6471', 'ObjectDateBegin' : '1664-01-01', 'ObjectDateEnd' : '1664-12-31', 'ObjectDisplayDate' : '1664', 'ObjectDimensions' : '87.1 x 151.3 cm', 'ObjectMedium' : 'Oil on canvas', 'ObjectAlphaSort' : 'Claude', 'ObjectAuthor' : 'Claude, 1604/5? - 1682', 'ObjectTitle' : 'Landscape with Psyche outside the Palace of Cupid (\'The Enchanted Castle\')', 'ObjectShortTitle' : 'The Enchanted Castle', 'ObjectCreditLine' : 'Bought with contributions from the National Heritage Memorial Fund and The Art Fund, 1981', 'ObjectString' : 'NG6471: Claude, 1604/5? - 1682, The Enchanted Castle, 1664, Oil on canvas, (87.1 x 151.3 cm), Bought with contributions from the National Heritage Memorial Fund and The Art Fund, 1981.', 'ObjectLocation' : 'Room 20', 'ObjectPrivateLocation' : 'Gallery 20', 'ObjectPublicLocation' : 'Room 20', 'ObjectSchool' : 'French', 'ObjectCurator' : 'Humphrey Wine', 'ObjectDescription' : 'Cupid, the god of love, fell in love with Psyche, a beautiful princess, who entered his palace. Because of his divinity he forbade her to look at him, visiting her only at night. Persuaded by her jealous sisters, but after much hesitation, she resolved to murder Cupid, whom she believed to be a monster, while he slept. She discovered his true identity by lamplight but a drop of the lamp\'s oil woke Cupid. For disobeying him Psyche was abandoned, and attempted to drown herself. Apuleius, The Golden Ass, IV-VI. It is thought that Claude has depicted Psyche brooding over the decision whether or not to murder Cupid.<BR>NG 6471 was executed in 1664 for Prince Lorenzo Onofrio Colonna. The composition corresponds with sheet no. 162 of the Liber Veritatis (London, British Museum). Claude painted a pendant for it - Landscape with Psyche saved from drowning herself (Cologne, Wallraf-Richartz Museum) - in 1665.<BR>Preparatory drawings survive (London, private collection; Chantilly, Musée Condé; Karlsruhe, Staatliche Kunsthalle). The title nThe Enchanted Castle\' dates from William Woollett\'s engraving of 1782. It is thought John Keats referred to NG 6471 in his Ode to a Nightingale.<BR>Lorenzo Onofrio Colonna, 1664; Marchese Pallavicini by 1696; in England by 1730; bought, 1981.<BR>Roethlisberger 1961, pp. 384-6, no. 162<BR>Roethlisberger 1975, p. 118, no. 233<BR>Kitson 1978, pp. 153-4<BR>Wilson 1982<BR>Russell 1982-3, pp. 177-9, no. 45A<BR>Russell 1984, pp. 67-8<BR>Levey 1988, pp. 812-20<BR>Langdon 1989, p. 133<BR>Wine 1992, pp. 150-3<BR>Wine 1994, p. 86, no. 38', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '2482', 'ImageFile' : 'N-6471-00-000030-WZ-PYR.tif', 'ImageCode' : 'N-6471-00-000030-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '6000', 'ImageYsize' : '3423', 'FileGroup_ID' : '14', 'impos' : '436'}

/*
Array
(
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<table border="1" align="center" width="95%"><tr><td width="30"><b></b></td><td align="left"><pre>Array
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    [what] => details
    [val] => 2482
    [crop] => false
    [sqllimit] =>  AND FileGroup_id in (14) 
    [whichdb] => externalIIP
    [whichtable] => Image
    [sortby] => ObjectAlphaSort
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</pre></td></tr></table>
    [1] => 
<table border="1" align="center" width="95%"><tr><td width="30"><b></b></td><td align="left"><br>SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID  AND ImageID = '2482' <br><br></td></tr></table>
    [2] => 
<table border="1" align="center" width="95%"><tr><td width="30"><b></b></td><td align="left">SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID  AND FileGroup_id in (14) ORDER BY Object.ObjectAlphaSort</td></tr></table>
    [3] => 
<table border="1" align="center" width="95%"><tr><td width="30"><b></b></td><td align="left">436 --> 2482 N-6471-00 Claude, 1604/5? - 1682</td></tr></table>
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<table border="1" align="center" width="95%"><tr><td width="30"><b></b></td><td align="left"><pre>Array
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    [ObjectCode] => N-6471-00
    [ObjectNumber] => NG6471
    [ObjectDateBegin] => 1664-01-01
    [ObjectDateEnd] => 1664-12-31
    [ObjectDisplayDate] => 1664
    [ObjectDimensions] => 87.1 x 151.3 cm
    [ObjectMedium] => Oil on canvas
    [ObjectAlphaSort] => Claude
    [ObjectAuthor] => Claude, 1604/5? - 1682
    [ObjectTitle] => Landscape with Psyche outside the Palace of Cupid (\'The Enchanted Castle\')
    [ObjectShortTitle] => The Enchanted Castle
    [ObjectCreditLine] => Bought with contributions from the National Heritage Memorial Fund and The Art Fund, 1981
    [ObjectString] => NG6471: Claude, 1604/5? - 1682, The Enchanted Castle, 1664, Oil on canvas, (87.1 x 151.3 cm), Bought with contributions from the National Heritage Memorial Fund and The Art Fund, 1981.
    [ObjectLocation] => Room 20
    [ObjectPrivateLocation] => Gallery 20
    [ObjectPublicLocation] => Room 20
    [ObjectSchool] => French
    [ObjectCurator] => Humphrey Wine
    [ObjectDescription] => Cupid, the god of love, fell in love with Psyche, a beautiful princess, who entered his palace. Because of his divinity he forbade her to look at him, visiting her only at night. Persuaded by her jealous sisters, but after much hesitation, she resolved to murder Cupid, whom she believed to be a monster, while he slept. She discovered his true identity by lamplight but a drop of the lamp\'s oil woke Cupid. For disobeying him Psyche was abandoned, and attempted to drown herself. Apuleius, The Golden Ass, IV-VI. It is thought that Claude has depicted Psyche brooding over the decision whether or not to murder Cupid.<BR>NG 6471 was executed in 1664 for Prince Lorenzo Onofrio Colonna. The composition corresponds with sheet no. 162 of the Liber Veritatis (London, British Museum). Claude painted a pendant for it - Landscape with Psyche saved from drowning herself (Cologne, Wallraf-Richartz Museum) - in 1665.<BR>Preparatory drawings survive (London, private collection; Chantilly, Musée Condé; Karlsruhe, Staatliche Kunsthalle). The title nThe Enchanted Castle\' dates from William Woollett\'s engraving of 1782. It is thought John Keats referred to NG 6471 in his Ode to a Nightingale.<BR>Lorenzo Onofrio Colonna, 1664; Marchese Pallavicini by 1696; in England by 1730; bought, 1981.<BR>Roethlisberger 1961, pp. 384-6, no. 162<BR>Roethlisberger 1975, p. 118, no. 233<BR>Kitson 1978, pp. 153-4<BR>Wilson 1982<BR>Russell 1982-3, pp. 177-9, no. 45A<BR>Russell 1984, pp. 67-8<BR>Levey 1988, pp. 812-20<BR>Langdon 1989, p. 133<BR>Wine 1992, pp. 150-3<BR>Wine 1994, p. 86, no. 38
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    [PublicAccess] => 1
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    [ImageID] => 2482
    [ImageFile] => N-6471-00-000030-WZ-PYR.tif
    [ImageCode] => N-6471-00-000030-WZ
    [ImagePath] => /pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/
    [ImageLevels] => 6
    [ImageXsize] => 6000
    [ImageYsize] => 3423
    [FileGroup_ID] => 14
    [impos] => 436
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</pre></td></tr></table>
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*/