{'ObjectID' : '2477', 'ObjectCode' : 'N-5930-00', 'ObjectNumber' : 'NG5930', 'ObjectDateBegin' : '1348-01-01', 'ObjectDateEnd' : '1352-12-31', 'ObjectDisplayDate' : 'about 1350', 'ObjectDimensions' : '83 x 51 cm', 'ObjectMedium' : 'Tempera on wood', 'ObjectAlphaSort' : 'Allegretto Nuzi', 'ObjectAuthor' : 'Attributed to Allegretto Nuzi, 1316/20 - 1373/4', 'ObjectTitle' : 'Saint Catherine and Saint Bartholomew', 'ObjectShortTitle' : 'Saint Catherine and Saint Bartholomew', 'ObjectCreditLine' : 'Bequeathed by Herbert Charles Coleman, 1949', 'ObjectString' : 'NG5930: Attributed to Allegretto Nuzi, 1316/20 - 1373/4, Saint Catherine and Saint Bartholomew, about 1350, Tempera on wood, (83 x 51 cm), Bequeathed by Herbert Charles Coleman, 1949.', 'ObjectLocation' : 'Room A Screen 3', 'ObjectPrivateLocation' : 'Gallery A Screen 03', 'ObjectPublicLocation' : 'Room A Screen 3', 'ObjectSchool' : 'Italian (Marchigian)', 'ObjectCurator' : 'Dillian Gordon', 'ObjectDescription' : 'Inscribed at the top on the left: [S] / .CHATERINA.; on the right: S. / .BARTHOLOMEV.
Saint Catherine stands by the wheel on which she was tortured and Saint Bartholomew holds a flaying knife, the instrument of his martyrdom. The panel was the right-hand panel of a triptych, or possibly a polyptych.
Once catalogued as Florentine School, the panel is now attributed to Allegretto Nuzi on the basis of the decorative punchwork which is similar to that on other works associated with Allegretto, including a signed triptych dated 1365 (Rome, Vatican Museums). No surviving fragments appear to be directly related to this panel.
Allegretto shows the influence of Florentine painters, especially that of Bernardo Daddi, in this and other works.
Collection of Herbert Charles Coleman by 1920; by whom bequeathed, 1949.
Gordon 1988, pp. 1-2', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '2419', 'ImageFile' : 'N-5930-00-000021-WZ-PYR.tif', 'ImageCode' : 'N-5930-00-000021-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '3677', 'ImageYsize' : '6000', 'FileGroup_ID' : '14', 'impos' : '6'} /* Array ( [0] => 
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SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND ImageID = '2419'

[2] =>
SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND FileGroup_id in (14) ORDER BY Object.ObjectAlphaSort
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6 --> 2419 N-5930-00 Attributed to Allegretto Nuzi, 1316/20 - 1373/4
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    [ObjectID] => 2477
    [ObjectCode] => N-5930-00
    [ObjectNumber] => NG5930
    [ObjectDateBegin] => 1348-01-01
    [ObjectDateEnd] => 1352-12-31
    [ObjectDisplayDate] => about 1350
    [ObjectDimensions] => 83 x 51 cm
    [ObjectMedium] => Tempera on wood
    [ObjectAlphaSort] => Allegretto Nuzi
    [ObjectAuthor] => Attributed to Allegretto Nuzi, 1316/20 - 1373/4
    [ObjectTitle] => Saint Catherine and Saint Bartholomew
    [ObjectShortTitle] => Saint Catherine and Saint Bartholomew
    [ObjectCreditLine] => Bequeathed by Herbert Charles Coleman, 1949
    [ObjectString] => NG5930: Attributed to Allegretto Nuzi, 1316/20 - 1373/4, Saint Catherine and Saint Bartholomew, about 1350, Tempera on wood, (83 x 51 cm), Bequeathed by Herbert Charles Coleman, 1949.
    [ObjectLocation] => Room A Screen 3
    [ObjectPrivateLocation] => Gallery A  Screen 03
    [ObjectPublicLocation] => Room A Screen 3
    [ObjectSchool] => Italian (Marchigian)
    [ObjectCurator] => Dillian Gordon
    [ObjectDescription] => Inscribed at the top on the left: [S] / .CHATERINA.; on the right: S. / .BARTHOLOMEV.
Saint Catherine stands by the wheel on which she was tortured and Saint Bartholomew holds a flaying knife, the instrument of his martyrdom. The panel was the right-hand panel of a triptych, or possibly a polyptych.
Once catalogued as Florentine School, the panel is now attributed to Allegretto Nuzi on the basis of the decorative punchwork which is similar to that on other works associated with Allegretto, including a signed triptych dated 1365 (Rome, Vatican Museums). No surviving fragments appear to be directly related to this panel.
Allegretto shows the influence of Florentine painters, especially that of Bernardo Daddi, in this and other works.
Collection of Herbert Charles Coleman by 1920; by whom bequeathed, 1949.
Gordon 1988, pp. 1-2
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    [ImageID] => 2419
    [ImageFile] => N-5930-00-000021-WZ-PYR.tif
    [ImageCode] => N-5930-00-000021-WZ
    [ImagePath] => /pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/
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