{'ObjectID' : '2445', 'ObjectCode' : 'N-5594-00', 'ObjectNumber' : 'NG5594', 'ObjectDateBegin' : '1500-01-01', 'ObjectDateEnd' : '1525-12-31', 'ObjectDisplayDate' : 'early 16th century', 'ObjectDimensions' : '33 x 25.7 cm', 'ObjectMedium' : 'Oil on wood', 'ObjectAlphaSort' : 'Portuguese', 'ObjectAuthor' : 'Portuguese', 'ObjectTitle' : 'The Mystic Marriage of Saint Catherine', 'ObjectShortTitle' : 'The Mystic Marriage of Saint Catherine', 'ObjectCreditLine' : 'Bought, 1945', 'ObjectString' : 'NG5594: Portuguese, The Mystic Marriage of Saint Catherine, early 16th century, Oil on wood, (33 x 25.7 cm), Bought, 1945.', 'ObjectLocation' : 'Room 63', 'ObjectPrivateLocation' : 'Gallery 63', 'ObjectPublicLocation' : 'Room 63', 'ObjectSchool' : 'Portuguese', 'ObjectCurator' : 'Dawson Carr', 'ObjectDescription' : 'Saint Catherine had a vision in which she exchanged rings with the Christ Child, and so became mystically \'wed\' to him. The Virgin is here shown seated in the hortus conclusus, enclosed garden, which is intended as a metaphor for her virginity. Saint Joseph is in the left background, and the woman in the right foreground is probably the Magdalen.
NG 5594 is connected stylistically with a group of works (now mainly in the Lisbon Museum) attributed to Frei Carlos, a painter of Netherlandish extraction who took monastic vows at the Convento do Espinheiro at Evora in 1517. No documentation links the artist with these paintings, but they are generally associated with his name. It has been suggested that he may have been the master of a workshop in the monastery.
Said to have been in the possession of the O\'Neil family, Portugal, since the mid-eighteenth century; sent to London for sale by George O\'Neil of Lisbon, and bought by Herbert Cook, 1906; bought from the Cook collection, 1945.
MacLaren/Braham 1970, p. 142', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '2385', 'ImageFile' : 'N-5594-00-000014-WZ-PYR.tif', 'ImageCode' : 'N-5594-00-000014-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '4651', 'ImageYsize' : '6000', 'FileGroup_ID' : '14', 'impos' : '1928'} /* Array ( [0] => 
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SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND ImageID = '2385'

[2] =>
SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND FileGroup_id in (14) ORDER BY Object.ObjectAlphaSort
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1928 --> 2385 N-5594-00 Portuguese
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Array
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    [ObjectID] => 2445
    [ObjectCode] => N-5594-00
    [ObjectNumber] => NG5594
    [ObjectDateBegin] => 1500-01-01
    [ObjectDateEnd] => 1525-12-31
    [ObjectDisplayDate] => early 16th century
    [ObjectDimensions] => 33 x 25.7 cm
    [ObjectMedium] => Oil on wood
    [ObjectAlphaSort] => Portuguese
    [ObjectAuthor] => Portuguese
    [ObjectTitle] => The Mystic Marriage of Saint Catherine
    [ObjectShortTitle] => The Mystic Marriage of Saint Catherine
    [ObjectCreditLine] => Bought, 1945
    [ObjectString] => NG5594: Portuguese, The Mystic Marriage of Saint Catherine, early 16th century, Oil on wood, (33 x 25.7 cm), Bought, 1945.
    [ObjectLocation] => Room 63
    [ObjectPrivateLocation] => Gallery 63
    [ObjectPublicLocation] => Room 63
    [ObjectSchool] => Portuguese
    [ObjectCurator] => Dawson Carr
    [ObjectDescription] => Saint Catherine had a vision in which she exchanged rings with the Christ Child, and so became mystically \'wed\' to him. The Virgin is here shown seated in the hortus conclusus, enclosed garden, which is intended as a metaphor for her virginity. Saint Joseph is in the left background, and the woman in the right foreground is probably the Magdalen.
NG 5594 is connected stylistically with a group of works (now mainly in the Lisbon Museum) attributed to Frei Carlos, a painter of Netherlandish extraction who took monastic vows at the Convento do Espinheiro at Evora in 1517. No documentation links the artist with these paintings, but they are generally associated with his name. It has been suggested that he may have been the master of a workshop in the monastery.
Said to have been in the possession of the O\'Neil family, Portugal, since the mid-eighteenth century; sent to London for sale by George O\'Neil of Lisbon, and bought by Herbert Cook, 1906; bought from the Cook collection, 1945.
MacLaren/Braham 1970, p. 142
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    [ImageID] => 2385
    [ImageFile] => N-5594-00-000014-WZ-PYR.tif
    [ImageCode] => N-5594-00-000014-WZ
    [ImagePath] => /pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/
    [ImageLevels] => 6
    [ImageXsize] => 4651
    [ImageYsize] => 6000
    [FileGroup_ID] => 14
    [impos] => 1928
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