{'ObjectID' : '2444', 'ObjectCode' : 'N-5592-00', 'ObjectNumber' : 'NG5592', 'ObjectDateBegin' : '1498-01-01', 'ObjectDateEnd' : '1512-12-31', 'ObjectDisplayDate' : 'about 1500-10', 'ObjectDimensions' : '149.2 x 117.2 cm', 'ObjectMedium' : 'Oil on lime', 'ObjectAlphaSort' : 'Dürer, Albrecht', 'ObjectAuthor' : 'Workshop of Albrecht Dürer, 1471 - 1528', 'ObjectTitle' : 'The Virgin and Child (\'The Madonna with the Iris\')', 'ObjectShortTitle' : 'The Virgin and Child (\'The Madonna with the Iris\')', 'ObjectCreditLine' : 'Bought through The Art Fund, 1945', 'ObjectString' : 'NG5592: Workshop of Albrecht Dürer, 1471 - 1528, The Virgin and Child (\'The Madonna with the Iris\'), about 1500-10, Oil on lime, (149.2 x 117.2 cm), Bought through The Art Fund, 1945.', 'ObjectLocation' : 'Room 65', 'ObjectPrivateLocation' : 'Gallery 65', 'ObjectPublicLocation' : 'Room 65', 'ObjectSchool' : 'German', 'ObjectCurator' : 'Susan Foister', 'ObjectDescription' : 'Signed with a false monogram and falsely dated 1508.
The Virgin is seated in a walled garden (the hortus conclusus) and suckles the Christ Child. The ruined arch and the sea visible beyond are unusual features. God the Father appears in the sky above the central group. The iris, to the left of the Virgin, is a flower often associated with her (it is a symbol of the sword of the Seven Sorrows of the Virgin), as is the rose to the right of her hand. The vine might be intended to have eucharistic significance.
NG 5592 was probably painted by an artist in imitation of the style of Dürer, possibly after his death. It is unlikely to have been intended as a forgery, and the false monogram and date appear to have been added later.
Said to have been at Nuremberg before 1821; Felsenberg collection, Vienna, by 1821; bought from the trustees of the Sir Francis Cook collection, through the NACF, 1945.
Levey 1959, pp. 32-7', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '2384', 'ImageFile' : 'N-5592-00-000070-WZ-PYR.tif', 'ImageCode' : 'N-5592-00-000070-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '4932', 'ImageYsize' : '6000', 'FileGroup_ID' : '14', 'impos' : '772'} /* Array ( [0] => 
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    [crop] => false
    [sqllimit] =>  AND FileGroup_id in (14) 
    [whichdb] => externalIIP
    [whichtable] => Image
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[1] =>

SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND ImageID = '2384'

[2] =>
SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND FileGroup_id in (14) ORDER BY Object.ObjectAlphaSort
[3] =>
772 --> 2384 N-5592-00 Workshop of Albrecht Dürer, 1471 - 1528
[4] => 
Array
(
    [ObjectID] => 2444
    [ObjectCode] => N-5592-00
    [ObjectNumber] => NG5592
    [ObjectDateBegin] => 1498-01-01
    [ObjectDateEnd] => 1512-12-31
    [ObjectDisplayDate] => about 1500-10
    [ObjectDimensions] => 149.2 x 117.2 cm
    [ObjectMedium] => Oil on lime
    [ObjectAlphaSort] => Dürer, Albrecht
    [ObjectAuthor] => Workshop of Albrecht Dürer, 1471 - 1528
    [ObjectTitle] => The Virgin and Child (\'The Madonna with the Iris\')
    [ObjectShortTitle] => The Virgin and Child (\'The Madonna with the Iris\')
    [ObjectCreditLine] => Bought through The Art Fund, 1945
    [ObjectString] => NG5592: Workshop of Albrecht Dürer, 1471 - 1528, The Virgin and Child (\'The Madonna with the Iris\'), about 1500-10, Oil on lime, (149.2 x 117.2 cm), Bought through The Art Fund, 1945.
    [ObjectLocation] => Room 65
    [ObjectPrivateLocation] => Gallery 65
    [ObjectPublicLocation] => Room 65
    [ObjectSchool] => German
    [ObjectCurator] => Susan Foister
    [ObjectDescription] => Signed with a false monogram and falsely dated 1508.
The Virgin is seated in a walled garden (the hortus conclusus) and suckles the Christ Child. The ruined arch and the sea visible beyond are unusual features. God the Father appears in the sky above the central group. The iris, to the left of the Virgin, is a flower often associated with her (it is a symbol of the sword of the Seven Sorrows of the Virgin), as is the rose to the right of her hand. The vine might be intended to have eucharistic significance.
NG 5592 was probably painted by an artist in imitation of the style of Dürer, possibly after his death. It is unlikely to have been intended as a forgery, and the false monogram and date appear to have been added later.
Said to have been at Nuremberg before 1821; Felsenberg collection, Vienna, by 1821; bought from the trustees of the Sir Francis Cook collection, through the NACF, 1945.
Levey 1959, pp. 32-7
    [ObjectStatusID] => 1
    [PublicAccess] => 1
    [GroupNumber] => 
    [GroupTitle] => 
    [GroupArtist] => 
    [GroupDate] => 
    [GroupParts] => 
    [ImageID] => 2384
    [ImageFile] => N-5592-00-000070-WZ-PYR.tif
    [ImageCode] => N-5592-00-000070-WZ
    [ImagePath] => /pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/
    [ImageLevels] => 6
    [ImageXsize] => 4932
    [ImageYsize] => 6000
    [FileGroup_ID] => 14
    [impos] => 772
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