{'ObjectID' : '2433', 'ObjectCode' : 'N-5282-00', 'ObjectNumber' : 'NG5282', 'ObjectDateBegin' : '1661-01-01', 'ObjectDateEnd' : '1661-12-31', 'ObjectDisplayDate' : '1661', 'ObjectDimensions' : '75.3 x 63.8 cm', 'ObjectMedium' : 'Oil on canvas', 'ObjectAlphaSort' : 'Rembrandt', 'ObjectAuthor' : 'Attributed to Rembrandt, 1606 - 1669', 'ObjectTitle' : 'Portrait of Margaretha de Geer, Wife of Jacob Trip', 'ObjectShortTitle' : 'Portrait of Margaretha de Geer, Wife of Jacob Trip', 'ObjectCreditLine' : 'Presented by The Art Fund, 1941', 'ObjectString' : 'NG5282: Attributed to Rembrandt, 1606 - 1669, Portrait of Margaretha de Geer, Wife of Jacob Trip, 1661, Oil on canvas, (75.3 x 63.8 cm), Presented by The Art Fund, 1941.', 'ObjectLocation' : 'Room 23', 'ObjectPrivateLocation' : 'Gallery 23', 'ObjectPublicLocation' : 'Room 23', 'ObjectSchool' : 'Dutch', 'ObjectCurator' : 'Betsy Wieseman', 'ObjectDescription' : 'Signed and dated left: Rembrandt.f / 1661
Margaretha de Geer (1583-1672) was the wife of the wealthy Dordrecht merchant Jacob Trip (1575-1661). The couple were depicted by Rembrandt in a pair of portraits in the National Gallery (NG 1674 and 1675). In the present portrait the sitter wears the same peaked head-dress and millstone ruff as in NG 1675 but is shown closer to half-length and with her body turned slightly to the left (compared to the frontal, more formal pose of the other portrait).
The exact relationship between the two portraits of Margaretha de Geer is unclear because certain technical features of this work make it impossible to be certain that it was painted by Rembrandt himself, rather than by a follower. It is either a more freely painted variant by Rembrandt of the larger picture, based upon the same series of sittings and intended for another member of the Trip family, or a skilful imitation of the artist\'s work painted before 1818 when it was in the collection of Lord Townsend.
Lord Charles Townsend collection by 1818; presented by the NACF, 1941.
Bredius 1969, p. 581, no. 395
Bomford 1988, pp. 130-3, no. 18
MacLaren/Brown 1991, pp. 367-9', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '2373', 'ImageFile' : 'N-5282-00-000026-WZ-PYR.tif', 'ImageCode' : 'N-5282-00-000026-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '4922', 'ImageYsize' : '6000', 'FileGroup_ID' : '14', 'impos' : '2004'} /* Array ( [0] =>
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SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND ImageID = '2373'

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2004 --> 2373 N-5282-00 Attributed to Rembrandt, 1606 - 1669
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(
    [ObjectID] => 2433
    [ObjectCode] => N-5282-00
    [ObjectNumber] => NG5282
    [ObjectDateBegin] => 1661-01-01
    [ObjectDateEnd] => 1661-12-31
    [ObjectDisplayDate] => 1661
    [ObjectDimensions] => 75.3 x 63.8 cm
    [ObjectMedium] => Oil on canvas
    [ObjectAlphaSort] => Rembrandt
    [ObjectAuthor] => Attributed to Rembrandt, 1606 - 1669
    [ObjectTitle] => Portrait of Margaretha de Geer, Wife of Jacob Trip
    [ObjectShortTitle] => Portrait of Margaretha de Geer, Wife of Jacob Trip
    [ObjectCreditLine] => Presented by The Art Fund, 1941
    [ObjectString] => NG5282: Attributed to Rembrandt, 1606 - 1669, Portrait of Margaretha de Geer, Wife of Jacob Trip, 1661, Oil on canvas, (75.3 x 63.8 cm), Presented by The Art Fund, 1941.
    [ObjectLocation] => Room 23
    [ObjectPrivateLocation] => Gallery 23
    [ObjectPublicLocation] => Room 23
    [ObjectSchool] => Dutch
    [ObjectCurator] => Betsy Wieseman
    [ObjectDescription] => Signed and dated left: Rembrandt.f / 1661
Margaretha de Geer (1583-1672) was the wife of the wealthy Dordrecht merchant Jacob Trip (1575-1661). The couple were depicted by Rembrandt in a pair of portraits in the National Gallery (NG 1674 and 1675). In the present portrait the sitter wears the same peaked head-dress and millstone ruff as in NG 1675 but is shown closer to half-length and with her body turned slightly to the left (compared to the frontal, more formal pose of the other portrait).
The exact relationship between the two portraits of Margaretha de Geer is unclear because certain technical features of this work make it impossible to be certain that it was painted by Rembrandt himself, rather than by a follower. It is either a more freely painted variant by Rembrandt of the larger picture, based upon the same series of sittings and intended for another member of the Trip family, or a skilful imitation of the artist\'s work painted before 1818 when it was in the collection of Lord Townsend.
Lord Charles Townsend collection by 1818; presented by the NACF, 1941.
Bredius 1969, p. 581, no. 395
Bomford 1988, pp. 130-3, no. 18
MacLaren/Brown 1991, pp. 367-9 [ObjectStatusID] => 1 [PublicAccess] => 1 [GroupNumber] => [GroupTitle] => [GroupArtist] => [GroupDate] => [GroupParts] => [ImageID] => 2373 [ImageFile] => N-5282-00-000026-WZ-PYR.tif [ImageCode] => N-5282-00-000026-WZ [ImagePath] => /pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/ [ImageLevels] => 6 [ImageXsize] => 4922 [ImageYsize] => 6000 [FileGroup_ID] => 14 [impos] => 2004 )
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