{'ObjectID' : '2421', 'ObjectCode' : 'N-4889-00', 'ObjectNumber' : 'NG4889', 'ObjectDateBegin' : '1634-01-01', 'ObjectDateEnd' : '1635-12-31', 'ObjectDisplayDate' : '1634-5', 'ObjectDimensions' : '106.7 x 120 cm', 'ObjectMedium' : 'Oil on canvas', 'ObjectAlphaSort' : 'Dyck, Anthony van', 'ObjectAuthor' : 'Anthony van Dyck, 1599 - 1641', 'ObjectTitle' : 'The Abbé Scaglia adoring the Virgin and Child', 'ObjectShortTitle' : 'The Abbé Scaglia adoring the Virgin and Child', 'ObjectCreditLine' : 'Presented by Anthony de Rothschild in memory of Louisa, Lady de Rothschild, and Constance, Lady Battersea, 1937', 'ObjectString' : 'NG4889: Anthony van Dyck, 1599 - 1641, The Abbé Scaglia adoring the Virgin and Child, 1634-5, Oil on canvas, (106.7 x 120 cm), Presented by Anthony de Rothschild in memory of Louisa, Lady de Rothschild, and Constance, Lady Battersea, 1937.', 'ObjectLocation' : 'Not on display', 'ObjectPrivateLocation' : 'On Loan', 'ObjectPublicLocation' : 'Not on display', 'ObjectSchool' : 'Flemish', 'ObjectCurator' : 'David Jaffé', 'ObjectDescription' : 'Cesare Alessandro Scaglia (died 1641) was identified in the inscription on an engraving after NG 4889 by Coenrad Waumans (1619-after 1675). The identification is confirmed by comparing the features of the donor with the engraved portrait of the Abbé Scaglia in The Iconography and with Van Dyck\'s full-length portrait of Scaglia (private collection). The features of the Virgin Mary may have been modelled on those of the Duchess of Savoy, Christina of France (1606-63).
NG 4889 was painted in Brussels in 1634 or 1635. The full-length portrait and a Lamentation (Antwerp, Museum voor Schone Kunsten) were painted for Scaglia at the same time. The Abbé was a diplomat in the service of the House of Savoy who had retired to Brussels. He was a discerning patron of the arts and a friend of Rubens.
Van Dyck\'s composition derives from a lost painting by Titian recorded in a pen drawing in Van Dyck\'s Italian Sketchbook (London, British Museum). There is a preparatory drawing in black chalk for the position of Scaglia\'s head which is also in the British Museum.
Bequeathed by Scaglia to the Princess of Phalsbourg; collection of Madame La Douairière Peytier de Merchten by 1791; collection of John Knight by 1819; Anthony de Rothschild collection, 1846; presented by Anthony de Rothschild in memory of Louisa, Lady de Rothschild, and Constance, Lady Battersea, 1937.
Martin 1970, pp. 48-52
Brown 1974
Brown 1987, p. 86
Larsen 1988, II, p. 406, no. 1035', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '2361', 'ImageFile' : 'N-4889-00-000035-WZ-PYR.tif', 'ImageCode' : 'N-4889-00-000035-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '6000', 'ImageYsize' : '5317', 'FileGroup_ID' : '14', 'impos' : '746'} /* Array ( [0] => 
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SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND ImageID = '2361'

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746 --> 2361 N-4889-00 Anthony van Dyck, 1599 - 1641
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    [ObjectID] => 2421
    [ObjectCode] => N-4889-00
    [ObjectNumber] => NG4889
    [ObjectDateBegin] => 1634-01-01
    [ObjectDateEnd] => 1635-12-31
    [ObjectDisplayDate] => 1634-5
    [ObjectDimensions] => 106.7 x 120 cm
    [ObjectMedium] => Oil on canvas
    [ObjectAlphaSort] => Dyck, Anthony van
    [ObjectAuthor] => Anthony van Dyck, 1599 - 1641
    [ObjectTitle] => The Abbé Scaglia adoring the Virgin and Child
    [ObjectShortTitle] => The Abbé Scaglia adoring the Virgin and Child
    [ObjectCreditLine] => Presented by Anthony de Rothschild in memory of Louisa, Lady de Rothschild, and Constance, Lady Battersea, 1937
    [ObjectString] => NG4889: Anthony van Dyck, 1599 - 1641, The Abbé Scaglia adoring the Virgin and Child, 1634-5, Oil on canvas, (106.7 x 120 cm), Presented by Anthony de Rothschild in memory of Louisa, Lady de Rothschild, and Constance, Lady Battersea, 1937.
    [ObjectLocation] => Not on display
    [ObjectPrivateLocation] => On Loan
    [ObjectPublicLocation] => Not on display
    [ObjectSchool] => Flemish
    [ObjectCurator] => David Jaffé
    [ObjectDescription] => Cesare Alessandro Scaglia (died 1641) was identified in the inscription on an engraving after NG 4889 by Coenrad Waumans (1619-after 1675). The identification is confirmed by comparing the features of the donor with the engraved portrait of the Abbé Scaglia in The Iconography and with Van Dyck\'s full-length portrait of Scaglia (private collection). The features of the Virgin Mary may have been modelled on those of the Duchess of Savoy, Christina of France (1606-63).
NG 4889 was painted in Brussels in 1634 or 1635. The full-length portrait and a Lamentation (Antwerp, Museum voor Schone Kunsten) were painted for Scaglia at the same time. The Abbé was a diplomat in the service of the House of Savoy who had retired to Brussels. He was a discerning patron of the arts and a friend of Rubens.
Van Dyck\'s composition derives from a lost painting by Titian recorded in a pen drawing in Van Dyck\'s Italian Sketchbook (London, British Museum). There is a preparatory drawing in black chalk for the position of Scaglia\'s head which is also in the British Museum.
Bequeathed by Scaglia to the Princess of Phalsbourg; collection of Madame La Douairière Peytier de Merchten by 1791; collection of John Knight by 1819; Anthony de Rothschild collection, 1846; presented by Anthony de Rothschild in memory of Louisa, Lady de Rothschild, and Constance, Lady Battersea, 1937.
Martin 1970, pp. 48-52
Brown 1974
Brown 1987, p. 86
Larsen 1988, II, p. 406, no. 1035
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