{'ObjectID' : '2413', 'ObjectCode' : 'N-4744-00', 'ObjectNumber' : 'NG4744', 'ObjectDateBegin' : '1488-01-01', 'ObjectDateEnd' : '1502-12-31', 'ObjectDisplayDate' : 'about 1490-1500', 'ObjectDimensions' : '73.5 x 59.1 cm', 'ObjectMedium' : 'Oil on oak', 'ObjectAlphaSort' : 'Bosch, Hieronymus', 'ObjectAuthor' : 'Hieronymus Bosch, living 1474; died 1516', 'ObjectTitle' : 'Christ Mocked (The Crowning with Thorns)', 'ObjectShortTitle' : 'Christ Mocked (The Crowning with Thorns)', 'ObjectCreditLine' : 'Bought, 1934', 'ObjectString' : 'NG4744: Hieronymus Bosch, living 1474; died 1516, Christ Mocked (The Crowning with Thorns), about 1490-1500, Oil on oak, (73.5 x 59.1 cm), Bought, 1934.', 'ObjectLocation' : 'Room 5', 'ObjectPrivateLocation' : 'Gallery 05', 'ObjectPublicLocation' : 'Room 5', 'ObjectSchool' : 'Netherlandish', 'ObjectCurator' : 'Susan Foister', 'ObjectDescription' : 'In this devotional image four torturers surround Christ. In contemporary accounts of Christ\'s Passion his torturers were frequently compared to savage beasts - this may explain why the man at the top right appears to wear a spiked dog collar. The figure at the lower left has a crescent moon and star on his head-dress. In paintings of the Passion of the period the tormentors are often shown with yellow stars marking them as Jews. In addition the Islamic crescent may suggest that he is in every sense an infidel.
NG 4744 is probably one of the artist\'s earlier paintings. There are a number of pictures of this subject by Bosch and his followers in existence (e.g. El Escorial).
In many areas, the paint is thinly applied and the layers have become transparent, notably on Christ\'s garment, so revealing the drawing beneath. By contrast the crown of thorns and the oak sprig have been very meticulously defined.
Collection of Hollingworth Magniac, Colworth, before 1867; bought from the Sangiorgi Gallery, Rome (Temple-West Fund), 1934.
Davies 1953, pp. 18-21
Davies 1968, p. 12
Dunkerton 1991, pp. 348-9', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '2352', 'ImageFile' : 'N-4744-00-000028-WZ-PYR.tif', 'ImageCode' : 'N-4744-00-000028-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '4790', 'ImageYsize' : '6000', 'FileGroup_ID' : '14', 'impos' : '184'} /* Array ( [0] => 
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SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND ImageID = '2352'

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SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND FileGroup_id in (14) ORDER BY Object.ObjectAlphaSort
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184 --> 2352 N-4744-00 Hieronymus Bosch, living 1474; died 1516
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    [ObjectID] => 2413
    [ObjectCode] => N-4744-00
    [ObjectNumber] => NG4744
    [ObjectDateBegin] => 1488-01-01
    [ObjectDateEnd] => 1502-12-31
    [ObjectDisplayDate] => about 1490-1500
    [ObjectDimensions] => 73.5 x 59.1 cm
    [ObjectMedium] => Oil on oak
    [ObjectAlphaSort] => Bosch, Hieronymus
    [ObjectAuthor] => Hieronymus Bosch, living 1474; died 1516
    [ObjectTitle] => Christ Mocked (The Crowning with Thorns)
    [ObjectShortTitle] => Christ Mocked (The Crowning with Thorns)
    [ObjectCreditLine] => Bought, 1934
    [ObjectString] => NG4744: Hieronymus Bosch, living 1474; died 1516, Christ Mocked (The Crowning with Thorns), about 1490-1500, Oil on oak, (73.5 x 59.1 cm), Bought, 1934.
    [ObjectLocation] => Room 5
    [ObjectPrivateLocation] => Gallery 05
    [ObjectPublicLocation] => Room 5
    [ObjectSchool] => Netherlandish
    [ObjectCurator] => Susan Foister
    [ObjectDescription] => In this devotional image four torturers surround Christ. In contemporary accounts of Christ\'s Passion his torturers were frequently compared to savage beasts - this may explain why the man at the top right appears to wear a spiked dog collar. The figure at the lower left has a crescent moon and star on his head-dress. In paintings of the Passion of the period the tormentors are often shown with yellow stars marking them as Jews. In addition the Islamic crescent may suggest that he is in every sense an infidel.
NG 4744 is probably one of the artist\'s earlier paintings. There are a number of pictures of this subject by Bosch and his followers in existence (e.g. El Escorial).
In many areas, the paint is thinly applied and the layers have become transparent, notably on Christ\'s garment, so revealing the drawing beneath. By contrast the crown of thorns and the oak sprig have been very meticulously defined.
Collection of Hollingworth Magniac, Colworth, before 1867; bought from the Sangiorgi Gallery, Rome (Temple-West Fund), 1934.
Davies 1953, pp. 18-21
Davies 1968, p. 12
Dunkerton 1991, pp. 348-9
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    [ImageID] => 2352
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