{'ObjectID' : '2402', 'ObjectCode' : 'N-0043-00', 'ObjectNumber' : 'NG43', 'ObjectDateBegin' : '1633-01-01', 'ObjectDateEnd' : '1637-12-31', 'ObjectDisplayDate' : 'about 1635', 'ObjectDimensions' : '31.9 x 26.7 cm', 'ObjectMedium' : 'Oil on paper and pieces of canvas, mounted onto oak', 'ObjectAlphaSort' : 'Rembrandt', 'ObjectAuthor' : 'Rembrandt, 1606 - 1669', 'ObjectTitle' : 'The Lamentation over the Dead Christ', 'ObjectShortTitle' : 'The Lamentation over the Dead Christ', 'ObjectCreditLine' : 'Presented by Sir George Beaumont, 1823/8', 'ObjectString' : 'NG43: Rembrandt, 1606 - 1669, The Lamentation over the Dead Christ, about 1635, Oil on paper and pieces of canvas, mounted onto oak, (31.9 x 26.7 cm), Presented by Sir George Beaumont, 1823/8.', 'ObjectLocation' : 'Not on display', 'ObjectPrivateLocation' : 'SW Secure Store Rack 18G', 'ObjectPublicLocation' : 'Not on display', 'ObjectSchool' : 'Dutch', 'ObjectCurator' : 'Betsy Wieseman', 'ObjectDescription' : 'An inscription by Jonathan Richardson the Younger on the reverse of the British Museum drawing (see below) was copied by Sir Joshua Reynolds and pasted on the back of NG 43.
Christ\'s body, taken down from the cross, is laid across the Virgin\'s lap; the weeping Magdalen clasps his feet. The good thief (right) and the bad thief (left) are still on their crosses.
NG 43 is painted in grisaille. Rembrandt treated a number of biblical subjects in this manner in the 1630s (see NG 1400). They may have been intended to be used for a series of prints.
Initially the composition was painted in oil on paper, which was then mounted on a slightly larger piece of canvas over which the design was continued. It was then pasted to a larger panel, probably in the artist\'s studio. The composition was then extended at the top and bottom by painting up to the edge of the panel, probably by an artist working under Rembrandt\'s supervision. A drawing in which Rembrandt worked out the composition, making a number of changes, is in the British Museum, London. Another drawing by Ferdinand Bol (private collection) shows the composition before the final alterations. (See Giovanni Domenico Tiepolo NG 1333 and 5589.)
J. Barij collection, Amsterdam, by 1730; Joseph (Consul) Smith collection, Venice, by 1738; Richard Dalton sale, London, 1791; Sir Joshua Reynolds sale, London, 1795; Sir George Beaumont Gift, 1823/8.
Bredius 1969, p. 608, no. 565
Bruyn 1982-9, III, pp. 89-100, no. A107
Owen 1988, p. 48, no. 9
Bomford 1988, pp. 66-73, no. 6
MacLaren/Brown 1991, pp. 321-8', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '2341', 'ImageFile' : 'N-0043-00-000022-WZ-PYR.tif', 'ImageCode' : 'N-0043-00-000022-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '5041', 'ImageYsize' : '6000', 'FileGroup_ID' : '14', 'impos' : '2002'} /* Array ( [0] => 
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SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND ImageID = '2341'

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2002 --> 2341 N-0043-00 Rembrandt, 1606 - 1669
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    [ObjectID] => 2402
    [ObjectCode] => N-0043-00
    [ObjectNumber] => NG43
    [ObjectDateBegin] => 1633-01-01
    [ObjectDateEnd] => 1637-12-31
    [ObjectDisplayDate] => about 1635
    [ObjectDimensions] => 31.9 x 26.7 cm
    [ObjectMedium] => Oil on paper and pieces of canvas, mounted onto oak
    [ObjectAlphaSort] => Rembrandt
    [ObjectAuthor] => Rembrandt, 1606 - 1669
    [ObjectTitle] => The Lamentation over the Dead Christ
    [ObjectShortTitle] => The Lamentation over the Dead Christ
    [ObjectCreditLine] => Presented by Sir George Beaumont, 1823/8
    [ObjectString] => NG43: Rembrandt, 1606 - 1669, The Lamentation over the Dead Christ, about 1635, Oil on paper and pieces of canvas, mounted onto oak, (31.9 x 26.7 cm), Presented by Sir George Beaumont, 1823/8.
    [ObjectLocation] => Not on display
    [ObjectPrivateLocation] => SW Secure Store Rack 18G
    [ObjectPublicLocation] => Not on display
    [ObjectSchool] => Dutch
    [ObjectCurator] => Betsy Wieseman
    [ObjectDescription] => An inscription by Jonathan Richardson the Younger on the reverse of the British Museum drawing (see below) was copied by Sir Joshua Reynolds and pasted on the back of NG 43.
Christ\'s body, taken down from the cross, is laid across the Virgin\'s lap; the weeping Magdalen clasps his feet. The good thief (right) and the bad thief (left) are still on their crosses.
NG 43 is painted in grisaille. Rembrandt treated a number of biblical subjects in this manner in the 1630s (see NG 1400). They may have been intended to be used for a series of prints.
Initially the composition was painted in oil on paper, which was then mounted on a slightly larger piece of canvas over which the design was continued. It was then pasted to a larger panel, probably in the artist\'s studio. The composition was then extended at the top and bottom by painting up to the edge of the panel, probably by an artist working under Rembrandt\'s supervision. A drawing in which Rembrandt worked out the composition, making a number of changes, is in the British Museum, London. Another drawing by Ferdinand Bol (private collection) shows the composition before the final alterations. (See Giovanni Domenico Tiepolo NG 1333 and 5589.)
J. Barij collection, Amsterdam, by 1730; Joseph (Consul) Smith collection, Venice, by 1738; Richard Dalton sale, London, 1791; Sir Joshua Reynolds sale, London, 1795; Sir George Beaumont Gift, 1823/8.
Bredius 1969, p. 608, no. 565
Bruyn 1982-9, III, pp. 89-100, no. A107
Owen 1988, p. 48, no. 9
Bomford 1988, pp. 66-73, no. 6
MacLaren/Brown 1991, pp. 321-8
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    [ImageID] => 2341
    [ImageFile] => N-0043-00-000022-WZ-PYR.tif
    [ImageCode] => N-0043-00-000022-WZ
    [ImagePath] => /pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/
    [ImageLevels] => 6
    [ImageXsize] => 5041
    [ImageYsize] => 6000
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