{'ObjectID' : '226', 'ObjectCode' : 'N-0698-00', 'ObjectNumber' : 'NG698', 'ObjectDateBegin' : '1493-01-01', 'ObjectDateEnd' : '1497-12-31', 'ObjectDisplayDate' : 'about 1495', 'ObjectDimensions' : '65.4 x 184.2 cm', 'ObjectMedium' : 'Oil on poplar', 'ObjectAlphaSort' : 'Piero di Cosimo', 'ObjectAuthor' : 'Piero di Cosimo, 1462-1522', 'ObjectTitle' : 'A Satyr mourning over a Nymph', 'ObjectShortTitle' : 'A Satyr mourning over a Nymph', 'ObjectCreditLine' : 'Bought, 1862', 'ObjectString' : 'NG698: Piero di Cosimo, 1462-1522, A Satyr mourning over a Nymph, about 1495, Oil on poplar, (65.4 x 184.2 cm), Bought, 1862.', 'ObjectLocation' : 'Room 58', 'ObjectPrivateLocation' : 'Gallery 58', 'ObjectPublicLocation' : 'Room 58', 'ObjectSchool' : 'Italian (Florentine)', 'ObjectCurator' : 'Luke Syson', 'ObjectDescription' : 'A nymph lies on the grass, displaying wounds on her hand, wrist and throat. A satyr kneels, apparently mourning over her, while a dog sits at her feet. In the background other creatures, including a pelican, are depicted. The subject may be linked with the Death of Procris: in Ovid\'s Metamorphoses (VII, 752-65) Procris is described as being killed in error by her husband, Cephalus, to whom she had given a magical dog and spear. Ovid does not mention a satyr, but one appears in a play of this subject in 1486, entitled Cefalu, by Niccolò da Coreggio (see also Claude NG 2). On the reverse of the panel is a drawing which may be of a frame pilaster.
The painting probably served as a spalliera (a backboard for a bench or chest), or as part of the panelling in a Florentine palace.
Underdrawing is visible notably on the bodies of the figures. Revisions include the readjustment of the position of the dog\'s head.
Collection of Conte Ferdinando Guicciardini (1782-1833), Florence; bought, 1862.
Davies 1961, pp. 421-2
Dunkerton 1991, pp. 350-1', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '234', 'ImageFile' : 'N-0698-00-000075-WZ-PYR.tif', 'ImageCode' : 'N-0698-00-000075-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '5344', 'ImageYsize' : '6000', 'FileGroup_ID' : '14', 'impos' : '1888'}
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[sqllimit] => AND FileGroup_id in (14)
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[1] =>
| SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND ImageID = '234'
|
[2] =>
| SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND FileGroup_id in (14) ORDER BY Object.ObjectAlphaSort |
[3] =>
| 1888 --> 234 N-0698-00 Piero di Cosimo, 1462-1522 |
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[ObjectID] => 226
[ObjectCode] => N-0698-00
[ObjectNumber] => NG698
[ObjectDateBegin] => 1493-01-01
[ObjectDateEnd] => 1497-12-31
[ObjectDisplayDate] => about 1495
[ObjectDimensions] => 65.4 x 184.2 cm
[ObjectMedium] => Oil on poplar
[ObjectAlphaSort] => Piero di Cosimo
[ObjectAuthor] => Piero di Cosimo, 1462-1522
[ObjectTitle] => A Satyr mourning over a Nymph
[ObjectShortTitle] => A Satyr mourning over a Nymph
[ObjectCreditLine] => Bought, 1862
[ObjectString] => NG698: Piero di Cosimo, 1462-1522, A Satyr mourning over a Nymph, about 1495, Oil on poplar, (65.4 x 184.2 cm), Bought, 1862.
[ObjectLocation] => Room 58
[ObjectPrivateLocation] => Gallery 58
[ObjectPublicLocation] => Room 58
[ObjectSchool] => Italian (Florentine)
[ObjectCurator] => Luke Syson
[ObjectDescription] => A nymph lies on the grass, displaying wounds on her hand, wrist and throat. A satyr kneels, apparently mourning over her, while a dog sits at her feet. In the background other creatures, including a pelican, are depicted. The subject may be linked with the Death of Procris: in Ovid\'s Metamorphoses (VII, 752-65) Procris is described as being killed in error by her husband, Cephalus, to whom she had given a magical dog and spear. Ovid does not mention a satyr, but one appears in a play of this subject in 1486, entitled Cefalu, by Niccolò da Coreggio (see also Claude NG 2). On the reverse of the panel is a drawing which may be of a frame pilaster. The painting probably served as a spalliera (a backboard for a bench or chest), or as part of the panelling in a Florentine palace. Underdrawing is visible notably on the bodies of the figures. Revisions include the readjustment of the position of the dog\'s head. Collection of Conte Ferdinando Guicciardini (1782-1833), Florence; bought, 1862. Davies 1961, pp. 421-2 Dunkerton 1991, pp. 350-1
[ObjectStatusID] => 1
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[ImageID] => 234
[ImageFile] => N-0698-00-000075-WZ-PYR.tif
[ImageCode] => N-0698-00-000075-WZ
[ImagePath] => /pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/
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[ImageYsize] => 6000
[FileGroup_ID] => 14
[impos] => 1888
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