{'ObjectID' : '2389', 'ObjectCode' : 'N-4042-00', 'ObjectNumber' : 'NG4042', 'ObjectDateBegin' : '1654-01-01', 'ObjectDateEnd' : '1654-12-31', 'ObjectDisplayDate' : '1654', 'ObjectDimensions' : '70.5 x 61.5 cm', 'ObjectMedium' : 'Oil on canvas', 'ObjectAlphaSort' : 'Fabritius, Carel', 'ObjectAuthor' : 'Carel Fabritius, 1622 - 1654', 'ObjectTitle' : 'A Young Man in a Fur Cap and a Cuirass (probably a Self Portrait)', 'ObjectShortTitle' : 'Young Man in a Fur Cap', 'ObjectCreditLine' : 'Bought, 1924', 'ObjectString' : 'NG4042: Carel Fabritius, 1622 - 1654, Young Man in a Fur Cap, 1654, Oil on canvas, (70.5 x 61.5 cm), Bought, 1924.', 'ObjectLocation' : 'Room 25', 'ObjectPrivateLocation' : 'Gallery 25', 'ObjectPublicLocation' : 'Room 25', 'ObjectSchool' : 'Dutch', 'ObjectCurator' : 'Betsy Wieseman', 'ObjectDescription' : 'Signed and dated bottom right: c. fabritius./.1654.
The sitter wears a steel breastplate and backplate. He has been generally accepted as Fabritius, although no documented portrait of the artist is known. The same man appears in a bust portrait (Rotterdam, Museum Boymans-van Beuningen) which can be dated to about 1648-50. The directness of the gaze and the unconventionality of dress and pose in both works support their identification as self portraits. In NG 4042 use has been made of a self-portrait type familiar from the work of Rembrandt and his pupils. Rembrandt had painted a number of self portraits wearing a breastplate or gorget in the late 1620s and 1630s. Fabritius was clearly aware of these precedents, but chose a highly original background - he placed himself starkly against a cloudy sky.
An undescribed portrait of Fabritius was in the inventory of Catharina Scharkens, widow of Cornelis Smout, Amsterdam, 1654; NG 4042 was bought in Bruges by George Rimington, Penrith, about 1824; bought (Claude Phillips Fund) at the T. A. Brewerton sale, London, 12 December 1924 (lot 135).
MacLaren/Brown 1991, pp. 139-40', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '2328', 'ImageFile' : 'N-4042-00-000020-WZ-PYR.tif', 'ImageCode' : 'N-4042-00-000020-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '5194', 'ImageYsize' : '6000', 'FileGroup_ID' : '14', 'impos' : '794'} /* Array ( [0] => 
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SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND ImageID = '2328'

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794 --> 2328 N-4042-00 Carel Fabritius, 1622 - 1654
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    [ObjectID] => 2389
    [ObjectCode] => N-4042-00
    [ObjectNumber] => NG4042
    [ObjectDateBegin] => 1654-01-01
    [ObjectDateEnd] => 1654-12-31
    [ObjectDisplayDate] => 1654
    [ObjectDimensions] => 70.5 x 61.5 cm
    [ObjectMedium] => Oil on canvas
    [ObjectAlphaSort] => Fabritius, Carel
    [ObjectAuthor] => Carel Fabritius, 1622 - 1654
    [ObjectTitle] => A Young Man in a Fur Cap and a Cuirass (probably a Self Portrait)
    [ObjectShortTitle] => Young Man in a Fur Cap
    [ObjectCreditLine] => Bought, 1924
    [ObjectString] => NG4042: Carel Fabritius, 1622 - 1654, Young Man in a Fur Cap, 1654, Oil on canvas, (70.5 x 61.5 cm), Bought, 1924.
    [ObjectLocation] => Room 25
    [ObjectPrivateLocation] => Gallery 25
    [ObjectPublicLocation] => Room 25
    [ObjectSchool] => Dutch
    [ObjectCurator] => Betsy Wieseman
    [ObjectDescription] => Signed and dated bottom right: c. fabritius./.1654.
The sitter wears a steel breastplate and backplate. He has been generally accepted as Fabritius, although no documented portrait of the artist is known. The same man appears in a bust portrait (Rotterdam, Museum Boymans-van Beuningen) which can be dated to about 1648-50. The directness of the gaze and the unconventionality of dress and pose in both works support their identification as self portraits. In NG 4042 use has been made of a self-portrait type familiar from the work of Rembrandt and his pupils. Rembrandt had painted a number of self portraits wearing a breastplate or gorget in the late 1620s and 1630s. Fabritius was clearly aware of these precedents, but chose a highly original background - he placed himself starkly against a cloudy sky.
An undescribed portrait of Fabritius was in the inventory of Catharina Scharkens, widow of Cornelis Smout, Amsterdam, 1654; NG 4042 was bought in Bruges by George Rimington, Penrith, about 1824; bought (Claude Phillips Fund) at the T. A. Brewerton sale, London, 12 December 1924 (lot 135).
MacLaren/Brown 1991, pp. 139-40
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    [ImageID] => 2328
    [ImageFile] => N-4042-00-000020-WZ-PYR.tif
    [ImageCode] => N-4042-00-000020-WZ
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