{'ObjectID' : '220', 'ObjectCode' : 'N-0683-00', 'ObjectNumber' : 'NG683', 'ObjectDateBegin' : '1785-01-01', 'ObjectDateEnd' : '1785-12-31', 'ObjectDisplayDate' : '1785', 'ObjectDimensions' : '126 x 99.5 cm', 'ObjectMedium' : 'Oil on canvas', 'ObjectAlphaSort' : 'Gainsborough, Thomas', 'ObjectAuthor' : 'Thomas Gainsborough, 1727 - 1788', 'ObjectTitle' : 'Mrs Siddons', 'ObjectShortTitle' : 'Mrs Siddons', 'ObjectCreditLine' : 'Bought, 1862', 'ObjectString' : 'NG683: Thomas Gainsborough, 1727 - 1788, Mrs Siddons, 1785, Oil on canvas, (126 x 99.5 cm), Bought, 1862.', 'ObjectLocation' : 'Room 34', 'ObjectPrivateLocation' : 'Gallery 34', 'ObjectPublicLocation' : 'Room 34', 'ObjectSchool' : 'British', 'ObjectCurator' : 'Susan Foister', 'ObjectDescription' : 'Sarah Siddons (1755-1831) was the outstanding tragic actress of her day. The daughter of Roger Kemble, she married William Siddons in 1773.
Gainsborough had finished NG 683 by the end of March 1785. He is said to have begun a full-length portrait of her in 1783; she was also portrayed by Reynolds and other artists.
Gainsborough is reported to have had difficulties with the nose and to have exclaimed: \'Confound the nose, there\'s no end to it.\' Pentimenti can be seen in both the nose and the right hand.
Bought from the husband of a descendant of the sitter, 1862.
Davies 1959, p. 35', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '227', 'ImageFile' : 'N-0683-00-000032-WZ-PYR.tif', 'ImageCode' : 'N-0683-00-000032-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '4742', 'ImageYsize' : '6000', 'FileGroup_ID' : '14', 'impos' : '874'} /* Array ( [0] =>
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874 --> 227 N-0683-00 Thomas Gainsborough, 1727 - 1788
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    [ObjectID] => 220
    [ObjectCode] => N-0683-00
    [ObjectNumber] => NG683
    [ObjectDateBegin] => 1785-01-01
    [ObjectDateEnd] => 1785-12-31
    [ObjectDisplayDate] => 1785
    [ObjectDimensions] => 126 x 99.5 cm
    [ObjectMedium] => Oil on canvas
    [ObjectAlphaSort] => Gainsborough, Thomas
    [ObjectAuthor] => Thomas Gainsborough, 1727 - 1788
    [ObjectTitle] => Mrs Siddons
    [ObjectShortTitle] => Mrs Siddons
    [ObjectCreditLine] => Bought, 1862
    [ObjectString] => NG683: Thomas Gainsborough, 1727 - 1788, Mrs Siddons, 1785, Oil on canvas, (126 x 99.5 cm), Bought, 1862.
    [ObjectLocation] => Room 34
    [ObjectPrivateLocation] => Gallery 34
    [ObjectPublicLocation] => Room 34
    [ObjectSchool] => British
    [ObjectCurator] => Susan Foister
    [ObjectDescription] => Sarah Siddons (1755-1831) was the outstanding tragic actress of her day. The daughter of Roger Kemble, she married William Siddons in 1773.
Gainsborough had finished NG 683 by the end of March 1785. He is said to have begun a full-length portrait of her in 1783; she was also portrayed by Reynolds and other artists.
Gainsborough is reported to have had difficulties with the nose and to have exclaimed: \'Confound the nose, there\'s no end to it.\' Pentimenti can be seen in both the nose and the right hand.
Bought from the husband of a descendant of the sitter, 1862.
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