{'ObjectID' : '2310', 'ObjectCode' : 'N-3073-00', 'ObjectNumber' : 'NG3073', 'ObjectDateBegin' : '1498-01-01', 'ObjectDateEnd' : '1502-12-31', 'ObjectDisplayDate' : 'about 1500', 'ObjectDimensions' : '56.8 x 55 cm', 'ObjectMedium' : 'Oil on poplar', 'ObjectAlphaSort' : 'Bramantino', 'ObjectAuthor' : 'Bramantino, active 1490; died 1530', 'ObjectTitle' : 'The Adoration of the Kings', 'ObjectShortTitle' : 'The Adoration of the Kings', 'ObjectCreditLine' : 'Layard Bequest, 1916', 'ObjectString' : 'NG3073: Bramantino, active 1490; died 1530, The Adoration of the Kings, about 1500, Oil on poplar, (56.8 x 55 cm), Layard Bequest, 1916.', 'ObjectLocation' : 'Room 51', 'ObjectPrivateLocation' : 'Gallery 51', 'ObjectPublicLocation' : 'Room 51', 'ObjectSchool' : 'Italian (Lombard)', 'ObjectCurator' : 'Luke Syson', 'ObjectDescription' : 'The Magi have come to adore the Christ Child. The figure to the right of the Virgin and Child may be either Saint Joseph or Saint John the Baptist. The figures are arranged in a ruined classical building that is probably intended as a reference to the passing of the old dispensation, which is now to be replaced with Christianity. A tiny figure flying before the mountains at the right may be the angel who announced Christ\'s birth to the shepherds.
NG 3073 is dated on grounds of style to about 1500.
Lines incised in the gesso were used to plot the architectural elements and the perspective. This scheme centres on a single vanishing point, at the centre of the Virgin\'s body, approximately two fifths of the way up the panel.
Manfrin collection, Venice; bought from there by Sir A.H. Layard about 1863; Layard Bequest, 1916
Davies 1961, pp. 128-9
Dunkerton 1991, pp. 173-4
Dunkerton 1993a, pp. 42-61', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '2247', 'ImageFile' : 'N-3073-00-000038-WZ-PYR.tif', 'ImageCode' : 'N-3073-00-000038-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '5733', 'ImageYsize' : '6000', 'FileGroup_ID' : '14', 'impos' : '244'} /* Array ( [0] => 
Array
(
    [what] => details
    [val] => 2247
    [crop] => false
    [sqllimit] =>  AND FileGroup_id in (14) 
    [whichdb] => externalIIP
    [whichtable] => Image
    [sortby] => ObjectAlphaSort
)
[1] =>

SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND ImageID = '2247'

[2] =>
SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND FileGroup_id in (14) ORDER BY Object.ObjectAlphaSort
[3] =>
244 --> 2247 N-3073-00 Bramantino, active 1490; died 1530
[4] => 
Array
(
    [ObjectID] => 2310
    [ObjectCode] => N-3073-00
    [ObjectNumber] => NG3073
    [ObjectDateBegin] => 1498-01-01
    [ObjectDateEnd] => 1502-12-31
    [ObjectDisplayDate] => about 1500
    [ObjectDimensions] => 56.8 x 55 cm
    [ObjectMedium] => Oil on poplar
    [ObjectAlphaSort] => Bramantino
    [ObjectAuthor] => Bramantino, active 1490; died 1530
    [ObjectTitle] => The Adoration of the Kings
    [ObjectShortTitle] => The Adoration of the Kings
    [ObjectCreditLine] => Layard Bequest, 1916
    [ObjectString] => NG3073: Bramantino, active 1490; died 1530, The Adoration of the Kings, about 1500, Oil on poplar, (56.8 x 55 cm), Layard Bequest, 1916.
    [ObjectLocation] => Room 51
    [ObjectPrivateLocation] => Gallery 51
    [ObjectPublicLocation] => Room 51
    [ObjectSchool] => Italian (Lombard)
    [ObjectCurator] => Luke Syson
    [ObjectDescription] => The Magi have come to adore the Christ Child. The figure to the right of the Virgin and Child may be either Saint Joseph or Saint John the Baptist. The figures are arranged in a ruined classical building that is probably intended as a reference to the passing of the old dispensation, which is now to be replaced with Christianity. A tiny figure flying before the mountains at the right may be the angel who announced Christ\'s birth to the shepherds.
NG 3073 is dated on grounds of style to about 1500.
Lines incised in the gesso were used to plot the architectural elements and the perspective. This scheme centres on a single vanishing point, at the centre of the Virgin\'s body, approximately two fifths of the way up the panel.
Manfrin collection, Venice; bought from there by Sir A.H. Layard about 1863; Layard Bequest, 1916
Davies 1961, pp. 128-9
Dunkerton 1991, pp. 173-4
Dunkerton 1993a, pp. 42-61
    [ObjectStatusID] => 1
    [PublicAccess] => 1
    [GroupNumber] => 
    [GroupTitle] => 
    [GroupArtist] => 
    [GroupDate] => 
    [GroupParts] => 
    [ImageID] => 2247
    [ImageFile] => N-3073-00-000038-WZ-PYR.tif
    [ImageCode] => N-3073-00-000038-WZ
    [ImagePath] => /pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/
    [ImageLevels] => 6
    [ImageXsize] => 5733
    [ImageYsize] => 6000
    [FileGroup_ID] => 14
    [impos] => 244
)
) */