{'ObjectID' : '2307', 'ObjectCode' : 'N-3069-00', 'ObjectNumber' : 'NG3069', 'ObjectDateBegin' : '1475-01-01', 'ObjectDateEnd' : '1499-12-31', 'ObjectDisplayDate' : 'late 15th century', 'ObjectDimensions' : '50.8 x 33.3 cm', 'ObjectMedium' : 'Tempera on wood', 'ObjectAlphaSort' : 'Cicognara, Antonio', 'ObjectAuthor' : 'Attributed to Antonio Cicognara, active 1480 - 1500', 'ObjectTitle' : 'Mystic Figure of Christ', 'ObjectShortTitle' : 'Mystic Figure of Christ', 'ObjectCreditLine' : 'Layard Bequest, 1916', 'ObjectString' : 'NG3069: Attributed to Antonio Cicognara, active 1480 - 1500, Mystic Figure of Christ, late 15th century, Tempera on wood, (50.8 x 33.3 cm), Layard Bequest, 1916.', 'ObjectLocation' : 'Room A Screen 8', 'ObjectPrivateLocation' : 'Gallery A Screen 08', 'ObjectPublicLocation' : 'Room A Screen 8', 'ObjectSchool' : 'Italian (Ferrarese)', 'ObjectCurator' : 'Luke Syson', 'ObjectDescription' : 'Christ is depicted seated, apparently on a tree trunk, beneath a barrel vault. He wears the crown of thorns and has a rope tied around his neck - objects associated with the Mocking and the Carrying of the Cross. The painting is not intended to illustrate any particular episode in the Passion of Christ but is an image of his suffering. The reverse of the panel is marbled.
NG 3069 has been associated, on grounds of style, with the work of Marco Zoppo. It is closer to the work of Cicognara, which was of Ferrarese inspiration, and in particular with the Ecce Homo adored by Mary Magdalene (Athens, Georgia Museum of Art).
Costabili collection, Ferrara, by 1838; bought by Sir A.H. Layard, probably 1866; Layard Bequest, 1916.
Davies 1961, pp. 177-8', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '2244', 'ImageFile' : 'N-3069-00-000019-WZ-PYR.tif', 'ImageCode' : 'N-3069-00-000019-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '3966', 'ImageYsize' : '6000', 'FileGroup_ID' : '14', 'impos' : '393'} /* Array ( [0] =>
Array
(
    [what] => details
    [val] => 2244
    [crop] => false
    [sqllimit] =>  AND FileGroup_id in (14) 
    [whichdb] => externalIIP
    [whichtable] => Image
    [sortby] => ObjectAlphaSort
)
[1] =>

SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND ImageID = '2244'

[2] =>
SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND FileGroup_id in (14) ORDER BY Object.ObjectAlphaSort
[3] =>
393 --> 2244 N-3069-00 Attributed to Antonio Cicognara, active 1480 - 1500
[4] =>
Array
(
    [ObjectID] => 2307
    [ObjectCode] => N-3069-00
    [ObjectNumber] => NG3069
    [ObjectDateBegin] => 1475-01-01
    [ObjectDateEnd] => 1499-12-31
    [ObjectDisplayDate] => late 15th century
    [ObjectDimensions] => 50.8 x 33.3 cm
    [ObjectMedium] => Tempera on wood
    [ObjectAlphaSort] => Cicognara, Antonio
    [ObjectAuthor] => Attributed to Antonio Cicognara, active 1480 - 1500
    [ObjectTitle] => Mystic Figure of Christ
    [ObjectShortTitle] => Mystic Figure of Christ
    [ObjectCreditLine] => Layard Bequest, 1916
    [ObjectString] => NG3069: Attributed to Antonio Cicognara, active 1480 - 1500, Mystic Figure of Christ, late 15th century, Tempera on wood, (50.8 x 33.3 cm), Layard Bequest, 1916.
    [ObjectLocation] => Room A Screen 8
    [ObjectPrivateLocation] => Gallery A  Screen 08
    [ObjectPublicLocation] => Room A Screen 8
    [ObjectSchool] => Italian (Ferrarese)
    [ObjectCurator] => Luke Syson
    [ObjectDescription] => Christ is depicted seated, apparently on a tree trunk, beneath a barrel vault. He wears the crown of thorns and has a rope tied around his neck - objects associated with the Mocking and the Carrying of the Cross. The painting is not intended to illustrate any particular episode in the Passion of Christ but is an image of his suffering. The reverse of the panel is marbled.
NG 3069 has been associated, on grounds of style, with the work of Marco Zoppo. It is closer to the work of Cicognara, which was of Ferrarese inspiration, and in particular with the Ecce Homo adored by Mary Magdalene (Athens, Georgia Museum of Art).
Costabili collection, Ferrara, by 1838; bought by Sir A.H. Layard, probably 1866; Layard Bequest, 1916.
Davies 1961, pp. 177-8 [ObjectStatusID] => 1 [PublicAccess] => 1 [GroupNumber] => [GroupTitle] => [GroupArtist] => [GroupDate] => [GroupParts] => [ImageID] => 2244 [ImageFile] => N-3069-00-000019-WZ-PYR.tif [ImageCode] => N-3069-00-000019-WZ [ImagePath] => /pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/ [ImageLevels] => 6 [ImageXsize] => 3966 [ImageYsize] => 6000 [FileGroup_ID] => 14 [impos] => 393 )
) */