{'ObjectID' : '2277', 'ObjectCode' : 'N-2651-00', 'ObjectNumber' : 'NG2651', 'ObjectDateBegin' : '1820-01-01', 'ObjectDateEnd' : '1820-12-31', 'ObjectDisplayDate' : '1820', 'ObjectDimensions' : '52.7 x 77 cm', 'ObjectMedium' : 'Oil on canvas', 'ObjectAlphaSort' : 'Constable, John', 'ObjectAuthor' : 'John Constable, 1776 - 1837', 'ObjectTitle' : 'Salisbury Cathedral and Leadenhall from the River Avon', 'ObjectShortTitle' : 'Salisbury Cathedral and Leadenhall from the River Avon', 'ObjectCreditLine' : 'Salting Bequest, 1910', 'ObjectString' : 'NG2651: John Constable, 1776 - 1837, Salisbury Cathedral and Leadenhall from the River Avon, 1820, Oil on canvas, (52.7 x 77 cm), Salting Bequest, 1910.', 'ObjectLocation' : 'Room 34', 'ObjectPrivateLocation' : 'Gallery 34', 'ObjectPublicLocation' : 'Room 34', 'ObjectSchool' : 'British', 'ObjectCurator' : 'Susan Foister', 'ObjectDescription' : 'This animated sketch shows a view across the river Avon towards Salisbury Cathedral, the spire of which can be seen rising above the trees. A rowing boat is tied up, and people promenade by the water. The white building at the right, partly hidden by trees, is the canonical house, Leydenhall, which Constable\'s friend Archdeacon John Fisher was granted as a residence for life in 1819. To the left are the grounds of King\'s House.
Constable travelled to Salisbury on a number of occasions to visit Archdeacon John Fisher. NG 2651 can probably be dated to the early 1820s, and may have originated when Constable and his family stayed with Fisher in July and August 1821.
The artist made a number of sketches of similar views of the cathedral; this one does not recur in his work, but such studies culminated in large finished paintings (see Constable L47, Salisbury Cathedral from the Meadows). The freedom of the handling suggests that it was painted out of doors.
Possibly the sketch (no. 294) lent to the Grosvenor Gallery by Isabel Constable, 1889; Salting Bequest, 1910.
Davies 1959, p. 20', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '2214', 'ImageFile' : 'N-2651-00-000019-WZ-PYR.tif', 'ImageCode' : 'N-2651-00-000019-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '6000', 'ImageYsize' : '4099', 'FileGroup_ID' : '14', 'impos' : '458'} /* Array ( [0] =>
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SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND ImageID = '2214'

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SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND FileGroup_id in (14) ORDER BY Object.ObjectAlphaSort
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458 --> 2214 N-2651-00 John Constable, 1776 - 1837
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    [ObjectID] => 2277
    [ObjectCode] => N-2651-00
    [ObjectNumber] => NG2651
    [ObjectDateBegin] => 1820-01-01
    [ObjectDateEnd] => 1820-12-31
    [ObjectDisplayDate] => 1820
    [ObjectDimensions] => 52.7 x 77 cm
    [ObjectMedium] => Oil on canvas
    [ObjectAlphaSort] => Constable, John
    [ObjectAuthor] => John Constable, 1776 - 1837
    [ObjectTitle] => Salisbury Cathedral and Leadenhall from the River Avon
    [ObjectShortTitle] => Salisbury Cathedral and Leadenhall from the River Avon
    [ObjectCreditLine] => Salting Bequest, 1910
    [ObjectString] => NG2651: John Constable, 1776 - 1837, Salisbury Cathedral and Leadenhall from the River Avon, 1820, Oil on canvas, (52.7 x 77 cm), Salting Bequest, 1910.
    [ObjectLocation] => Room 34
    [ObjectPrivateLocation] => Gallery 34
    [ObjectPublicLocation] => Room 34
    [ObjectSchool] => British
    [ObjectCurator] => Susan Foister
    [ObjectDescription] => This animated sketch shows a view across the river Avon towards Salisbury Cathedral, the spire of which can be seen rising above the trees. A rowing boat is tied up, and people promenade by the water. The white building at the right, partly hidden by trees, is the canonical house, Leydenhall, which Constable\'s friend Archdeacon John Fisher was granted as a residence for life in 1819. To the left are the grounds of King\'s House.
Constable travelled to Salisbury on a number of occasions to visit Archdeacon John Fisher. NG 2651 can probably be dated to the early 1820s, and may have originated when Constable and his family stayed with Fisher in July and August 1821.
The artist made a number of sketches of similar views of the cathedral; this one does not recur in his work, but such studies culminated in large finished paintings (see Constable L47, Salisbury Cathedral from the Meadows). The freedom of the handling suggests that it was painted out of doors.
Possibly the sketch (no. 294) lent to the Grosvenor Gallery by Isabel Constable, 1889; Salting Bequest, 1910.
Davies 1959, p. 20 [ObjectStatusID] => 1 [PublicAccess] => 1 [GroupNumber] => [GroupTitle] => [GroupArtist] => [GroupDate] => [GroupParts] => [ImageID] => 2214 [ImageFile] => N-2651-00-000019-WZ-PYR.tif [ImageCode] => N-2651-00-000019-WZ [ImagePath] => /pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/ [ImageLevels] => 6 [ImageXsize] => 6000 [ImageYsize] => 4099 [FileGroup_ID] => 14 [impos] => 458 )
) */