{'ObjectID' : '2231', 'ObjectCode' : 'N-0232-00', 'ObjectNumber' : 'NG232', 'ObjectDateBegin' : '1630-01-01', 'ObjectDateEnd' : '1639-12-31', 'ObjectDisplayDate' : 'probably 1630s', 'ObjectDimensions' : '228 x 164.5 cm', 'ObjectMedium' : 'Oil on canvas', 'ObjectAlphaSort' : 'Italian, Neapolitan', 'ObjectAuthor' : 'Italian, Neapolitan', 'ObjectTitle' : 'The Adoration of the Shepherds', 'ObjectShortTitle' : 'The Adoration of the Shepherds', 'ObjectCreditLine' : 'Bought, 1853', 'ObjectString' : 'NG232: Italian, Neapolitan, The Adoration of the Shepherds, probably 1630s, Oil on canvas, (228 x 164.5 cm), Bought, 1853.', 'ObjectLocation' : 'Room 32', 'ObjectPrivateLocation' : 'Gallery 32', 'ObjectPublicLocation' : 'Room 32', 'ObjectSchool' : 'Italian or Spanish', 'ObjectCurator' : 'Dawson Carr', 'ObjectDescription' : 'The Virgin kneels, supporting the Christ Child. Behind them Saint Joseph rests on his staff. On the right are the shepherds. New Testament (Luke: 2). The two bound lambs in the foreground are probably intended as an allusion to the future sacrifice of Christ. In the right background the Annunciation to the shepherds is depicted.<BR>NG 232 was formerly attributed to Murillo, but it has also been thought to be a work by Velázquez, Zurbarán, Francesco Fracanzano and Giovanni Do, the last two of whom were active in Naples. The style and technique of the picture would indeed seem to indicate a Neapolitan origin, but at present it is not possible to attribute it to a particular artist. The picture is recorded in Seville from 1777, although it was certainly there from much earlier, and several copies and variants were made in Spain. There are some pentimenti.<BR>Collection of Don Miguel Espinosa y Maldonado Saavedra, Conde del Agulia, Seville, 1777; King Louis-Philippe, Paris, 1832/3; bought in London, 1853.<BR>MacLaren/Braham 1970, pp. 74-7', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '2167', 'ImageFile' : 'N-0232-00-000039-WZ-PYR.tif', 'ImageCode' : 'N-0232-00-000039-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '4376', 'ImageYsize' : '6000', 'FileGroup_ID' : '14', 'impos' : '1229'}

/*
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<table border="1" align="center" width="95%"><tr><td width="30"><b></b></td><td align="left"><pre>Array
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    [sqllimit] =>  AND FileGroup_id in (14) 
    [whichdb] => externalIIP
    [whichtable] => Image
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</pre></td></tr></table>
    [1] => 
<table border="1" align="center" width="95%"><tr><td width="30"><b></b></td><td align="left"><br>SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID  AND ImageID = '2167' <br><br></td></tr></table>
    [2] => 
<table border="1" align="center" width="95%"><tr><td width="30"><b></b></td><td align="left">SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID  AND FileGroup_id in (14) ORDER BY Object.ObjectAlphaSort</td></tr></table>
    [3] => 
<table border="1" align="center" width="95%"><tr><td width="30"><b></b></td><td align="left">1229 --> 2167 N-0232-00 Italian, Neapolitan</td></tr></table>
    [4] => 
<table border="1" align="center" width="95%"><tr><td width="30"><b></b></td><td align="left"><pre>Array
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    [ObjectCode] => N-0232-00
    [ObjectNumber] => NG232
    [ObjectDateBegin] => 1630-01-01
    [ObjectDateEnd] => 1639-12-31
    [ObjectDisplayDate] => probably 1630s
    [ObjectDimensions] => 228 x 164.5 cm
    [ObjectMedium] => Oil on canvas
    [ObjectAlphaSort] => Italian, Neapolitan
    [ObjectAuthor] => Italian, Neapolitan
    [ObjectTitle] => The Adoration of the Shepherds
    [ObjectShortTitle] => The Adoration of the Shepherds
    [ObjectCreditLine] => Bought, 1853
    [ObjectString] => NG232: Italian, Neapolitan, The Adoration of the Shepherds, probably 1630s, Oil on canvas, (228 x 164.5 cm), Bought, 1853.
    [ObjectLocation] => Room 32
    [ObjectPrivateLocation] => Gallery 32
    [ObjectPublicLocation] => Room 32
    [ObjectSchool] => Italian or Spanish
    [ObjectCurator] => Dawson Carr
    [ObjectDescription] => The Virgin kneels, supporting the Christ Child. Behind them Saint Joseph rests on his staff. On the right are the shepherds. New Testament (Luke: 2). The two bound lambs in the foreground are probably intended as an allusion to the future sacrifice of Christ. In the right background the Annunciation to the shepherds is depicted.<BR>NG 232 was formerly attributed to Murillo, but it has also been thought to be a work by Velázquez, Zurbarán, Francesco Fracanzano and Giovanni Do, the last two of whom were active in Naples. The style and technique of the picture would indeed seem to indicate a Neapolitan origin, but at present it is not possible to attribute it to a particular artist. The picture is recorded in Seville from 1777, although it was certainly there from much earlier, and several copies and variants were made in Spain. There are some pentimenti.<BR>Collection of Don Miguel Espinosa y Maldonado Saavedra, Conde del Agulia, Seville, 1777; King Louis-Philippe, Paris, 1832/3; bought in London, 1853.<BR>MacLaren/Braham 1970, pp. 74-7
    [ObjectStatusID] => 1
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    [ImageFile] => N-0232-00-000039-WZ-PYR.tif
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    [ImagePath] => /pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/
    [ImageLevels] => 6
    [ImageXsize] => 4376
    [ImageYsize] => 6000
    [FileGroup_ID] => 14
    [impos] => 1229
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</pre></td></tr></table>
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*/