{'ObjectID' : '2164', 'ObjectCode' : 'N-1468-00', 'ObjectNumber' : 'NG1468', 'ObjectDateBegin' : '1366-01-01', 'ObjectDateEnd' : '1372-12-31', 'ObjectDisplayDate' : 'about 1368-70', 'ObjectDimensions' : '154 x 138.5 cm', 'ObjectMedium' : 'Tempera on poplar', 'ObjectAlphaSort' : 'Cione, Jacopo di', 'ObjectAuthor' : 'Attributed to Jacopo di Cione, probably active 1362; died 1398/1400', 'ObjectTitle' : 'The Crucifixion', 'ObjectShortTitle' : 'The Crucifixion', 'ObjectCreditLine' : 'Bequeathed by the Revd Jarvis Holland Ash, 1896', 'ObjectString' : 'NG1468: Attributed to Jacopo di Cione, probably active 1362; died 1398/1400, The Crucifixion, about 1368-70, Tempera on poplar, (154 x 138.5 cm), Bequeathed by the Revd Jarvis Holland Ash, 1896.', 'ObjectLocation' : 'Room 53', 'ObjectPrivateLocation' : 'Gallery 53', 'ObjectPublicLocation' : 'Room 53', 'ObjectSchool' : 'Italian (Florentine)', 'ObjectCurator' : 'Dillian Gordon', 'ObjectDescription' : 'Inscribed on the book held by Saint Bernard: Dic mat[er] / domini si / in ierusale[m] / eras qua[n]/do captus / fuit filius / tuus & vi[nc]/tus. Cui illa / R[espond]et. / In ierusa/lem era[m] / qua[n]do / hoc aud(i)/vi & gres(su) (Say, Mother of the Lord, whether you were in Jerusalem when your son was captured and bound ... To which she replies. I was in Jerusalem when I heard this and by walking ... [where I could I came weeping to my Lord]).
Inscribed on some of the arms and armour: S.P.Q.R. (The Senate and the People of Rome). Inscribed on the cross: I.N.R.Y.
Centre: the Crucifixion. On Christ\'s right is the good thief with a polygonal halo; angels carry his soul to heaven. On his left is the bad thief whose pink flesh colour shows he is still alive; his legs are being broken and devils hold a brazier with burning coals over his head. In the frame, on the left of the Crucifixion: Saints John the Baptist and Paul; on the right, Saints James the Greater and Bartholomew. The predella depicts (left to right) a female saint, Saint Bernard with a book inscribed from his Liber de Passione Christi et doloribus et planctibus matris ejus (Book of the Passion of Christ and the Sorrows and Lamentations of his Mother), the Virgin and Child, a monk saint, probably Anthony Abbot, and Saint Catherine of Alexandria.
NG 1468 was possibly painted for a sacristy or private oratory and perhaps for a Cistercian foundation - as suggested by the inclusion of Saint Bernard of Clairvaux. It appears to be the work of at least two artists, principally Jacopo di Cione. The frame with its starred canopy and the pilasters with decorative pastiglia and painted shields are original.
Beckford collection by 1823 (said to be from the Camposanto, Pisa); bequeathed by the Revd Jarvis Holland Ash, 1896.
Gordon 1988, pp. 54-6
Bomford 1989, pp. 140-55', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '2099', 'ImageFile' : 'N-1468-00-000066-WZ-PYR.tif', 'ImageCode' : 'N-1468-00-000066-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '5389', 'ImageYsize' : '6000', 'FileGroup_ID' : '14', 'impos' : '411'} /* Array ( [0] => 
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SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND ImageID = '2099'

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411 --> 2099 N-1468-00 Attributed to Jacopo di Cione, probably active 1362; died 1398/1400
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    [ObjectNumber] => NG1468
    [ObjectDateBegin] => 1366-01-01
    [ObjectDateEnd] => 1372-12-31
    [ObjectDisplayDate] => about 1368-70
    [ObjectDimensions] => 154 x 138.5 cm
    [ObjectMedium] => Tempera on poplar
    [ObjectAlphaSort] => Cione, Jacopo di
    [ObjectAuthor] => Attributed to Jacopo di Cione, probably active 1362; died 1398/1400
    [ObjectTitle] => The Crucifixion
    [ObjectShortTitle] => The Crucifixion
    [ObjectCreditLine] => Bequeathed by the Revd Jarvis Holland Ash, 1896
    [ObjectString] => NG1468: Attributed to Jacopo di Cione, probably active 1362; died 1398/1400, The Crucifixion, about 1368-70, Tempera on poplar, (154 x 138.5 cm), Bequeathed by the Revd Jarvis Holland Ash, 1896.
    [ObjectLocation] => Room 53
    [ObjectPrivateLocation] => Gallery 53
    [ObjectPublicLocation] => Room 53
    [ObjectSchool] => Italian (Florentine)
    [ObjectCurator] => Dillian Gordon
    [ObjectDescription] => Inscribed on the book held by Saint Bernard: Dic mat[er] / domini si / in ierusale[m] / eras qua[n]/do captus / fuit filius / tuus & vi[nc]/tus. Cui illa / R[espond]et. / In ierusa/lem era[m] / qua[n]do / hoc aud(i)/vi & gres(su) (Say, Mother of the Lord, whether you were in Jerusalem when your son was captured and bound ... To which she replies. I was in Jerusalem when I heard this and by walking ... [where I could I came weeping to my Lord]).
Inscribed on some of the arms and armour: S.P.Q.R. (The Senate and the People of Rome). Inscribed on the cross: I.N.R.Y.
Centre: the Crucifixion. On Christ\'s right is the good thief with a polygonal halo; angels carry his soul to heaven. On his left is the bad thief whose pink flesh colour shows he is still alive; his legs are being broken and devils hold a brazier with burning coals over his head. In the frame, on the left of the Crucifixion: Saints John the Baptist and Paul; on the right, Saints James the Greater and Bartholomew. The predella depicts (left to right) a female saint, Saint Bernard with a book inscribed from his Liber de Passione Christi et doloribus et planctibus matris ejus (Book of the Passion of Christ and the Sorrows and Lamentations of his Mother), the Virgin and Child, a monk saint, probably Anthony Abbot, and Saint Catherine of Alexandria.
NG 1468 was possibly painted for a sacristy or private oratory and perhaps for a Cistercian foundation - as suggested by the inclusion of Saint Bernard of Clairvaux. It appears to be the work of at least two artists, principally Jacopo di Cione. The frame with its starred canopy and the pilasters with decorative pastiglia and painted shields are original.
Beckford collection by 1823 (said to be from the Camposanto, Pisa); bequeathed by the Revd Jarvis Holland Ash, 1896.
Gordon 1988, pp. 54-6
Bomford 1989, pp. 140-55
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    [ImageID] => 2099
    [ImageFile] => N-1468-00-000066-WZ-PYR.tif
    [ImageCode] => N-1468-00-000066-WZ
    [ImagePath] => /pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/
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