{'ObjectID' : '2152', 'ObjectCode' : 'N-1400-00', 'ObjectNumber' : 'NG1400', 'ObjectDateBegin' : '1634-01-01', 'ObjectDateEnd' : '1634-12-31', 'ObjectDisplayDate' : '1634', 'ObjectDimensions' : '54.5 x 44.5 cm', 'ObjectMedium' : 'Oil on paper mounted onto canvas', 'ObjectAlphaSort' : 'Rembrandt', 'ObjectAuthor' : 'Rembrandt, 1606 - 1669', 'ObjectTitle' : 'Ecce Homo', 'ObjectShortTitle' : 'Ecce Homo', 'ObjectCreditLine' : 'Bought, 1894', 'ObjectString' : 'NG1400: Rembrandt, 1606 - 1669, Ecce Homo, 1634, Oil on paper mounted onto canvas, (54.5 x 44.5 cm), Bought, 1894.', 'ObjectLocation' : 'Room 16', 'ObjectPrivateLocation' : 'Gallery 16', 'ObjectPublicLocation' : 'Room 16', 'ObjectSchool' : 'Dutch', 'ObjectCurator' : 'Betsy Wieseman', 'ObjectDescription' : 'Signed and dated in the right background beneath the clock: Rembrandtnfn/1634. On the edge of the head-dress of the high priest with the rod in Hebrew letters is the name of God (JHWH) followed by AL or EL which may be the beginning of the word Elohim, or God.
\'Ecce Homo\' (Behold the Man) were Pilate\'s words to the people when he presented Christ to them before the Crucifixion. Jesus stands with his hands bound, crowned with thorns. Pilate rises from his seat, rejecting the rod of justice the Jewish elders offer him. The hand of the clock points to six in accordance with the Gospel (John 19: 4-5, 13-16): \'[at] about the sixth hour n he saith unto the Jews, Behold your King!\' The priests declared, \'We have no King but Caesar\', which is referred to by the bust at the right, a symbol of temporal Roman power.
NG 1400 is painted in grisaille and was used as a preparatory study for an etching by Rembrandt known in two states (1635, unfinished, and 1636). It was laid onto the etching plate and the outlines of the design transferred onto the plate with a stylus: the indentations of this transfer can be clearly seen.
Possibly mentioned in the inventory of Rembrandt\'s possessions, 1656; collection of Valerius Röver, Amsterdam, 1738; bought from the executors of Lady Eastlake, widow of Sir Charles Eastlake, 1894.
Bredius 1969, p. 605, no. 546
Bruyn 1982-9, II, pp. 459-68, no. A89
Royalton-Kisch 1984, pp. 130-2
Bomford 1988, pp. 42-7, no. 2
MacLaren/Brown 1991, pp. 346-9
Brown 1991-2, pp. 164-6, no. 15', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '2086', 'ImageFile' : 'N-1400-00-000032-WZ-PYR.tif', 'ImageCode' : 'N-1400-00-000032-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '4918', 'ImageYsize' : '6000', 'FileGroup_ID' : '14', 'impos' : '1998'} /* Array ( [0] =>

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1998 --> 2086 N-1400-00 Rembrandt, 1606 - 1669

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    [ObjectCode] => N-1400-00
    [ObjectNumber] => NG1400
    [ObjectDateBegin] => 1634-01-01
    [ObjectDateEnd] => 1634-12-31
    [ObjectDisplayDate] => 1634
    [ObjectDimensions] => 54.5 x 44.5 cm
    [ObjectMedium] => Oil on paper mounted onto canvas
    [ObjectAlphaSort] => Rembrandt
    [ObjectAuthor] => Rembrandt, 1606 - 1669
    [ObjectTitle] => Ecce Homo
    [ObjectShortTitle] => Ecce Homo
    [ObjectCreditLine] => Bought, 1894
    [ObjectString] => NG1400: Rembrandt, 1606 - 1669, Ecce Homo, 1634, Oil on paper mounted onto canvas, (54.5 x 44.5 cm), Bought, 1894.
    [ObjectLocation] => Room 16
    [ObjectPrivateLocation] => Gallery 16
    [ObjectPublicLocation] => Room 16
    [ObjectSchool] => Dutch
    [ObjectCurator] => Betsy Wieseman
    [ObjectDescription] => Signed and dated in the right background beneath the clock: Rembrandtnfn/1634. On the edge of the head-dress of the high priest with the rod in Hebrew letters is the name of God (JHWH) followed by AL or EL which may be the beginning of the word Elohim, or God.
\'Ecce Homo\' (Behold the Man) were Pilate\'s words to the people when he presented Christ to them before the Crucifixion. Jesus stands with his hands bound, crowned with thorns. Pilate rises from his seat, rejecting the rod of justice the Jewish elders offer him. The hand of the clock points to six in accordance with the Gospel (John 19: 4-5, 13-16): \'[at] about the sixth hour n he saith unto the Jews, Behold your King!\' The priests declared, \'We have no King but Caesar\', which is referred to by the bust at the right, a symbol of temporal Roman power.
NG 1400 is painted in grisaille and was used as a preparatory study for an etching by Rembrandt known in two states (1635, unfinished, and 1636). It was laid onto the etching plate and the outlines of the design transferred onto the plate with a stylus: the indentations of this transfer can be clearly seen.
Possibly mentioned in the inventory of Rembrandt\'s possessions, 1656; collection of Valerius Röver, Amsterdam, 1738; bought from the executors of Lady Eastlake, widow of Sir Charles Eastlake, 1894.
Bredius 1969, p. 605, no. 546
Bruyn 1982-9, II, pp. 459-68, no. A89
Royalton-Kisch 1984, pp. 130-2
Bomford 1988, pp. 42-7, no. 2
MacLaren/Brown 1991, pp. 346-9
Brown 1991-2, pp. 164-6, no. 15
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