{'ObjectID' : '2141', 'ObjectCode' : 'N-1326-00', 'ObjectNumber' : 'NG1326', 'ObjectDateBegin' : '1573-01-01', 'ObjectDateEnd' : '1577-12-31', 'ObjectDisplayDate' : 'about 1575', 'ObjectDimensions' : '187.4 x 186.7 cm', 'ObjectMedium' : 'Oil on canvas', 'ObjectAlphaSort' : 'Veronese, Paolo', 'ObjectAuthor' : 'Paolo Veronese, 1528 - 1588', 'ObjectTitle' : 'Happy Union', 'ObjectShortTitle' : 'Happy Union', 'ObjectCreditLine' : 'Bought, 1891', 'ObjectString' : 'NG1326: Paolo Veronese, 1528 - 1588, Happy Union, about 1575, Oil on canvas, (187.4 x 186.7 cm), Bought, 1891.', 'ObjectLocation' : 'Room 9', 'ObjectPrivateLocation' : 'Gallery 09', 'ObjectPublicLocation' : 'Room 9', 'ObjectSchool' : 'Italian (Venetian)', 'ObjectCurator' : 'Carol Plazzotta', 'ObjectDescription' : 'The title of this allegory (\'Happy Union\') is traditional. A woman (perhaps Venus, the goddess of Love, or an allegorical figure of Abundance - suggested by the horn of plenty on which she sits) places a crown (probably myrtle) on the head of a woman who is united in peace (symbolised by an olive branch) with the bearded man. The dog may represent fidelity. The scene is likely to be the culmination of the series.
NG 1318, 1324, 1325 and 1326 were probably painted for a ceiling and form a complete series; for further comment see under NG 1318.
Collection of Rudolph II, Prague, by 1637; collection of Queen Christina of Sweden by 1652; collection of the Duc d\'Orléans by 1727; collection of Lord Darnley by 1818; bought, 1891.
Gould 1975, pp. 326-30
Pignatti 1976, pp. 145-6
Cocke 1984, pp. 184-5
Rearick 1988, pp. 126-9', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : 'GROUP72', 'GroupTitle' : 'Four Allegories of Love', 'GroupArtist' : 'Paolo Veronese', 'GroupDate' : 'about 1575', 'GroupParts' : 'NG1318; NG1324-NG1326', 'ImageID' : '2074', 'ImageFile' : 'N-1326-00-000032-WZ-PYR.tif', 'ImageCode' : 'N-1326-00-000032-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '5999', 'ImageYsize' : '6000', 'FileGroup_ID' : '14', 'impos' : '2509'} /* Array ( [0] =>
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    [whichdb] => externalIIP
    [whichtable] => Image
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SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND ImageID = '2074'

[2] =>
SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND FileGroup_id in (14) ORDER BY Object.ObjectAlphaSort
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2509 --> 2074 N-1326-00 Paolo Veronese, 1528 - 1588
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Array
(
    [ObjectID] => 2141
    [ObjectCode] => N-1326-00
    [ObjectNumber] => NG1326
    [ObjectDateBegin] => 1573-01-01
    [ObjectDateEnd] => 1577-12-31
    [ObjectDisplayDate] => about 1575
    [ObjectDimensions] => 187.4 x 186.7 cm
    [ObjectMedium] => Oil on canvas
    [ObjectAlphaSort] => Veronese, Paolo
    [ObjectAuthor] => Paolo Veronese, 1528 - 1588
    [ObjectTitle] => Happy Union
    [ObjectShortTitle] => Happy Union
    [ObjectCreditLine] => Bought, 1891
    [ObjectString] => NG1326: Paolo Veronese, 1528 - 1588, Happy Union, about 1575, Oil on canvas, (187.4 x 186.7 cm), Bought, 1891.
    [ObjectLocation] => Room 9
    [ObjectPrivateLocation] => Gallery 09
    [ObjectPublicLocation] => Room 9
    [ObjectSchool] => Italian (Venetian)
    [ObjectCurator] => Carol Plazzotta
    [ObjectDescription] => The title of this allegory (\'Happy Union\') is traditional. A woman (perhaps Venus, the goddess of Love, or an allegorical figure of Abundance - suggested by the horn of plenty on which she sits) places a crown (probably myrtle) on the head of a woman who is united in peace (symbolised by an olive branch) with the bearded man. The dog may represent fidelity. The scene is likely to be the culmination of the series.
NG 1318, 1324, 1325 and 1326 were probably painted for a ceiling and form a complete series; for further comment see under NG 1318.
Collection of Rudolph II, Prague, by 1637; collection of Queen Christina of Sweden by 1652; collection of the Duc d\'Orléans by 1727; collection of Lord Darnley by 1818; bought, 1891.
Gould 1975, pp. 326-30
Pignatti 1976, pp. 145-6
Cocke 1984, pp. 184-5
Rearick 1988, pp. 126-9 [ObjectStatusID] => 1 [PublicAccess] => 1 [GroupNumber] => GROUP72 [GroupTitle] => Four Allegories of Love [GroupArtist] => Paolo Veronese [GroupDate] => about 1575 [GroupParts] => NG1318; NG1324-NG1326 [ImageID] => 2074 [ImageFile] => N-1326-00-000032-WZ-PYR.tif [ImageCode] => N-1326-00-000032-WZ [ImagePath] => /pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/ [ImageLevels] => 6 [ImageXsize] => 5999 [ImageYsize] => 6000 [FileGroup_ID] => 14 [impos] => 2509 )
) */