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NG 1031 is presumed to have been painted when Savoldo was living in Venice. In 1611 the painting was in the collection of a descendant of Giovan Paolo Averoldi, who may have commissioned Savoldo NG 3092.
The sun rises over an unidentified view, presumed to be Venice. Versions of this composition survive in Berlin (Staatliche Museen), Florence (Contini-Bonacossi) and a private collection.
Collection of Lorenzo Averoldi, Brescia, 1611; bought (with a Brescian provenance), 1878.
Gould 1975, pp. 236-7
Stradiotti 1990, pp. 150-2', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '2018', 'ImageFile' : 'N-1031-00-000027-WZ-PYR.tif', 'ImageCode' : 'N-1031-00-000027-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '5515', 'ImageYsize' : '6000', 'FileGroup_ID' : '14', 'impos' : '2190'} /* Array ( [0] => 
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SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND ImageID = '2018'

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2190 --> 2018 N-1031-00 Giovanni Girolamo Savoldo, about 1480 - about 1548
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    [ObjectCode] => N-1031-00
    [ObjectNumber] => NG1031
    [ObjectDateBegin] => 1533-01-01
    [ObjectDateEnd] => 1542-12-31
    [ObjectDisplayDate] => about 1535-40
    [ObjectDimensions] => 89.1 x 82.4 cm
    [ObjectMedium] => Oil on canvas
    [ObjectAlphaSort] => Savoldo, Giovanni Girolamo
    [ObjectAuthor] => Giovanni Girolamo Savoldo, about 1480 - about 1548
    [ObjectTitle] => Mary Magdalene
    [ObjectShortTitle] => Mary Magdalene
    [ObjectCreditLine] => Bought, 1878
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    [ObjectLocation] => Central Hall
    [ObjectPrivateLocation] => Central Hall
    [ObjectPublicLocation] => Central Hall
    [ObjectSchool] => Italian (North)
    [ObjectCurator] => Carol Plazzotta
    [ObjectDescription] => Mary Magdalene is identified by the pot of ointment with which she anointed Christ\'s body, and by the glimpse of her traditional red dress underneath a silver-grey cloak. She was present at the Crucifixion and was the first to find Christ\'s tomb empty on the morning after the Resurrection. New Testament (John 20: 1 and perhaps 11-16). Her right hand is raised in a conventional gesture of lamentation, and the line below her left eye might suggest that she has been weeping.
NG 1031 is presumed to have been painted when Savoldo was living in Venice. In 1611 the painting was in the collection of a descendant of Giovan Paolo Averoldi, who may have commissioned Savoldo NG 3092.
The sun rises over an unidentified view, presumed to be Venice. Versions of this composition survive in Berlin (Staatliche Museen), Florence (Contini-Bonacossi) and a private collection.
Collection of Lorenzo Averoldi, Brescia, 1611; bought (with a Brescian provenance), 1878.
Gould 1975, pp. 236-7
Stradiotti 1990, pp. 150-2
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