{'ObjectID' : '2036', 'ObjectCode' : 'L-0650-00', 'ObjectNumber' : 'L650', 'ObjectDateBegin' : '1518-01-01', 'ObjectDateEnd' : '1522-12-31', 'ObjectDisplayDate' : 'about 1520', 'ObjectDimensions' : '38.9 x 26.5 cm', 'ObjectMedium' : 'Oil on oak', 'ObjectAlphaSort' : 'Gossaert, Jan', 'ObjectAuthor' : 'Jan Gossaert, active 1503; died 1532', 'ObjectTitle' : 'Virgin and Child', 'ObjectShortTitle' : 'Virgin and Child', 'ObjectCreditLine' : 'On loan from a private collection since 1993', 'ObjectString' : 'L650: Jan Gossaert, active 1503; died 1532, Virgin and Child, about 1520, Oil on oak, (38.9 x 26.5 cm), On loan from a private collection since 1993.', 'ObjectLocation' : 'Room 14', 'ObjectPrivateLocation' : 'Gallery 14', 'ObjectPublicLocation' : 'Room 14', 'ObjectSchool' : 'Netherlandish', 'ObjectCurator' : 'Susan Foister', 'ObjectDescription' : 'The figures of the Virgin and Child are extremely tightly compressed and thrust towards the viewer; the Virgin\'s head is off-centre. The Christ Child, often described as a second Adam, who will redeem mankind from the sin of the first, holds an apple. His pose appears to have been inspired by Michelangelo and reflects Gossaert\'s preoccupation with Italian art and the antique, particularly in the depiction of the nude figure. The background of the picture is, characteristically, a dark red marbled stone. This arrestingly intimate and slightly uncomfortable impression must have been intentional: none of the edges of the picture seems to have been cut down.
L650 probably dates from about 1520, the same period as the Adam and Eve (L14).
In its subject and in the essential elements of the composition, the painting shows Gossaert\'s affinities with Netherlandish painting of the fifteenth century.
On loan from a private collection since 1993.
Friedlander 1972, p. 94, no. 30
National Gallery Report 1993-4, pp. 20-1', 'ObjectStatusID' : '4', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '1966', 'ImageFile' : 'L-0650-00-000000-PYR.tif', 'ImageCode' : 'L-0650-00-000000', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '0', 'ImageXsize' : '0', 'ImageYsize' : '0', 'FileGroup_ID' : '14', 'impos' : '1016'} /* Array ( [0] => 
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    [val] => 1966
    [crop] => false
    [sqllimit] =>  AND FileGroup_id in (14) 
    [whichdb] => externalIIP
    [whichtable] => Image
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[1] =>

SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND ImageID = '1966'

[2] =>
SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND FileGroup_id in (14) ORDER BY Object.ObjectAlphaSort
[3] =>
1016 --> 1966 L-0650-00 Jan Gossaert, active 1503; died 1532
[4] => 
Array
(
    [ObjectID] => 2036
    [ObjectCode] => L-0650-00
    [ObjectNumber] => L650
    [ObjectDateBegin] => 1518-01-01
    [ObjectDateEnd] => 1522-12-31
    [ObjectDisplayDate] => about 1520
    [ObjectDimensions] => 38.9 x 26.5 cm
    [ObjectMedium] => Oil on oak
    [ObjectAlphaSort] => Gossaert, Jan
    [ObjectAuthor] => Jan Gossaert, active 1503; died 1532
    [ObjectTitle] => Virgin and Child
    [ObjectShortTitle] => Virgin and Child
    [ObjectCreditLine] => On loan from a private collection since 1993
    [ObjectString] => L650: Jan Gossaert, active 1503; died 1532, Virgin and Child, about 1520, Oil on oak, (38.9 x 26.5 cm), On loan from a private collection since 1993.
    [ObjectLocation] => Room 14
    [ObjectPrivateLocation] => Gallery 14
    [ObjectPublicLocation] => Room 14
    [ObjectSchool] => Netherlandish
    [ObjectCurator] => Susan Foister
    [ObjectDescription] => The figures of the Virgin and Child are extremely tightly compressed and thrust towards the viewer; the Virgin\'s head is off-centre. The Christ Child, often described as a second Adam, who will redeem mankind from the sin of the first, holds an apple. His pose appears to have been inspired by Michelangelo and reflects Gossaert\'s preoccupation with Italian art and the antique, particularly in the depiction of the nude figure. The background of the picture is, characteristically, a dark red marbled stone. This arrestingly intimate and slightly uncomfortable impression must have been intentional: none of the edges of the picture seems to have been cut down.
L650 probably dates from about 1520, the same period as the Adam and Eve (L14).
In its subject and in the essential elements of the composition, the painting shows Gossaert\'s affinities with Netherlandish painting of the fifteenth century.
On loan from a private collection since 1993.
Friedlander 1972, p. 94, no. 30
National Gallery Report 1993-4, pp. 20-1
    [ObjectStatusID] => 4
    [PublicAccess] => 1
    [GroupNumber] => 
    [GroupTitle] => 
    [GroupArtist] => 
    [GroupDate] => 
    [GroupParts] => 
    [ImageID] => 1966
    [ImageFile] => L-0650-00-000000-PYR.tif
    [ImageCode] => L-0650-00-000000
    [ImagePath] => /pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/
    [ImageLevels] => 0
    [ImageXsize] => 0
    [ImageYsize] => 0
    [FileGroup_ID] => 14
    [impos] => 1016
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