{'ObjectID' : '1870', 'ObjectCode' : 'N-0045-00', 'ObjectNumber' : 'NG45', 'ObjectDateBegin' : '1644-01-01', 'ObjectDateEnd' : '1644-12-31', 'ObjectDisplayDate' : '1644', 'ObjectDimensions' : '83.8 x 65.4 cm', 'ObjectMedium' : 'Oil on oak', 'ObjectAlphaSort' : 'Rembrandt', 'ObjectAuthor' : 'Rembrandt, 1606 - 1669', 'ObjectTitle' : 'The Woman taken in Adultery', 'ObjectShortTitle' : 'The Woman taken in Adultery', 'ObjectCreditLine' : 'Bought, 1824', 'ObjectString' : 'NG45: Rembrandt, 1606 - 1669, The Woman taken in Adultery, 1644, Oil on oak, (83.8 x 65.4 cm), Bought, 1824.', 'ObjectLocation' : 'Not on display', 'ObjectPrivateLocation' : 'SW Secure Store Loose', 'ObjectPublicLocation' : 'Not on display', 'ObjectSchool' : 'Dutch', 'ObjectCurator' : 'Betsy Wieseman', 'ObjectDescription' : 'Signed and dated bottom right: Rembrandtn fn 1644.
The figures are dwarfed by the cavernous interior of a huge temple. At the right is an altar with a high priest seated before it, while in the foreground the Pharisees and Scribes have brought an adulterous woman before Christ. They ask him whether she should be stoned to death, the punishment for adultery in the Mosaic law. They were hoping to trick him into denying the Mosaic law. The woman kneels, tearful, on the steps, and Christ, whose height emphasises his importance in the composition, looks down at her. His reply to the Pharisees was, \'He that is without sin among you, let him first cast a stone at her.\' New Testament (John 8: 3).
NG 45 displays some characteristics of the artist\'s works from the previous decade; the elaborate setting for example recalls Simeon and the Infant Christ in the Temple of 1631 (The Hague, Mauritshuis). The freely drawn foreground figures, however, are entirely consistent with Rembrandt\'s style in the mid-1640s.
Probably in the inventory of the dealer Johannes de Renialme, Amsterdam, 1657; Willem Six (nephew of Jan) collection, Amsterdam, by 1718; bought with the J.J. Angerstein collection, 1824.
Bredius 1969, p. 608, no. 566
Brown 1976, p. 72, no. 87
Bomford 1988, pp. 86-91, no. 9
MacLaren/Brown 1991, pp. 328-30', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '1823', 'ImageFile' : 'N-0045-00-000026-WZ-PYR.tif', 'ImageCode' : 'N-0045-00-000026-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '4701', 'ImageYsize' : '6000', 'FileGroup_ID' : '14', 'impos' : '2013'} /* Array ( [0] => 
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SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND ImageID = '1823'

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2013 --> 1823 N-0045-00 Rembrandt, 1606 - 1669
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    [ObjectCode] => N-0045-00
    [ObjectNumber] => NG45
    [ObjectDateBegin] => 1644-01-01
    [ObjectDateEnd] => 1644-12-31
    [ObjectDisplayDate] => 1644
    [ObjectDimensions] => 83.8 x 65.4 cm
    [ObjectMedium] => Oil on oak
    [ObjectAlphaSort] => Rembrandt
    [ObjectAuthor] => Rembrandt, 1606 - 1669
    [ObjectTitle] => The Woman taken in Adultery
    [ObjectShortTitle] => The Woman taken in Adultery
    [ObjectCreditLine] => Bought, 1824
    [ObjectString] => NG45: Rembrandt, 1606 - 1669, The Woman taken in Adultery, 1644, Oil on oak, (83.8 x 65.4 cm), Bought, 1824.
    [ObjectLocation] => Not on display
    [ObjectPrivateLocation] => SW Secure Store Loose
    [ObjectPublicLocation] => Not on display
    [ObjectSchool] => Dutch
    [ObjectCurator] => Betsy Wieseman
    [ObjectDescription] => Signed and dated bottom right: Rembrandtn fn 1644.
The figures are dwarfed by the cavernous interior of a huge temple. At the right is an altar with a high priest seated before it, while in the foreground the Pharisees and Scribes have brought an adulterous woman before Christ. They ask him whether she should be stoned to death, the punishment for adultery in the Mosaic law. They were hoping to trick him into denying the Mosaic law. The woman kneels, tearful, on the steps, and Christ, whose height emphasises his importance in the composition, looks down at her. His reply to the Pharisees was, \'He that is without sin among you, let him first cast a stone at her.\' New Testament (John 8: 3).
NG 45 displays some characteristics of the artist\'s works from the previous decade; the elaborate setting for example recalls Simeon and the Infant Christ in the Temple of 1631 (The Hague, Mauritshuis). The freely drawn foreground figures, however, are entirely consistent with Rembrandt\'s style in the mid-1640s.
Probably in the inventory of the dealer Johannes de Renialme, Amsterdam, 1657; Willem Six (nephew of Jan) collection, Amsterdam, by 1718; bought with the J.J. Angerstein collection, 1824.
Bredius 1969, p. 608, no. 566
Brown 1976, p. 72, no. 87
Bomford 1988, pp. 86-91, no. 9
MacLaren/Brown 1991, pp. 328-30
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    [ImageID] => 1823
    [ImageFile] => N-0045-00-000026-WZ-PYR.tif
    [ImageCode] => N-0045-00-000026-WZ
    [ImagePath] => /pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/
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