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NG 4079 is considered an eighteenth-century imitation of Pater\'s work which can be related to other compositions by Pater, including one of his Fêtes Galantes at Kenwood. A number of the figures are derived from the paintings of Watteau.
Passed from John Webb to his daughter Edith Cragg; by whom bequeathed, as part of the John Webb Bequest, 1924.
Davies 1957, pp. 165-6', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '1807', 'ImageFile' : 'N-4079-00-000012-WZ-PYR.tif', 'ImageCode' : 'N-4079-00-000012-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '6000', 'ImageYsize' : '3890', 'FileGroup_ID' : '14', 'impos' : '1848'} /* Array ( [0] => 
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SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND ImageID = '1807'

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1848 --> 1807 N-4079-00 Imitator of Jean-Baptiste Pater, 1695 - 1736
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    [ObjectSchool] => French
    [ObjectCurator] => Humphrey Wine
    [ObjectDescription] => Parkland idylls of this sort populated by elegantly dressed figures were developed by Watteau and adopted by Pater.
NG 4079 is considered an eighteenth-century imitation of Pater\'s work which can be related to other compositions by Pater, including one of his Fêtes Galantes at Kenwood. A number of the figures are derived from the paintings of Watteau.
Passed from John Webb to his daughter Edith Cragg; by whom bequeathed, as part of the John Webb Bequest, 1924.
Davies 1957, pp. 165-6
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