{'ObjectID' : '1813', 'ObjectCode' : 'N-3315-00', 'ObjectNumber' : 'NG3315', 'ObjectDateBegin' : '1651-01-01', 'ObjectDateEnd' : '1651-12-31', 'ObjectDisplayDate' : 'probably 1651', 'ObjectDimensions' : '120 x 86.5 cm', 'ObjectMedium' : 'Oil on canvas', 'ObjectAlphaSort' : 'Everdingen, Cesar van', 'ObjectAuthor' : 'Attributed to Cesar van Everdingen, about 1617 - 1678', 'ObjectTitle' : 'Portrait of a Dutch Commander (?)', 'ObjectShortTitle' : 'Portrait of a Dutch Commander (?)', 'ObjectCreditLine' : 'Presented by an anonymous donor, 1918', 'ObjectString' : 'NG3315: Attributed to Cesar van Everdingen, about 1617 - 1678, Portrait of a Dutch Commander (?), probably 1651, Oil on canvas, (120 x 86.5 cm), Presented by an anonymous donor, 1918.', 'ObjectLocation' : 'Room A Screen 25', 'ObjectPrivateLocation' : 'Gallery A Screen 25', 'ObjectPublicLocation' : 'Room A Screen 25', 'ObjectSchool' : 'Dutch', 'ObjectCurator' : 'Betsy Wieseman', 'ObjectDescription' : 'Falsely signed and dated bottom left: G. Honthorst f./1651
The unidentified subject carries a commander\'s baton in his right hand. The bridge and towers in the background at the right seem to be a reminiscence of those of the Castel Sant\' Angelo in Rome; their inclusion may indicate that the sitter wished to record a visit to the city.
NG 3315 can be compared to portraits by Everdingen such as Wollebrandt Geleynsz. de Jongh (Alkmaar, Stedelijk Museum) and Albert Capelman (Leiden, Sint Salvator-hof). Both of these paintings are dated 1648. The work catalogued here may have been made a little later, possibly in 1651, the date on the false inscription.
Presented by an anonymous donor, 1918.
MacLaren/Brown 1991, p. 132', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '1766', 'ImageFile' : 'N-3315-00-000010-WZ-PYR.tif', 'ImageCode' : 'N-3315-00-000010-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '4249', 'ImageYsize' : '6000', 'FileGroup_ID' : '14', 'impos' : '785'} /* Array ( [0] => 
Array
(
    [what] => details
    [val] => 1766
    [crop] => false
    [sqllimit] =>  AND FileGroup_id in (14) 
    [whichdb] => externalIIP
    [whichtable] => Image
    [sortby] => ObjectAlphaSort
)
[1] =>

SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND ImageID = '1766'

[2] =>
SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND FileGroup_id in (14) ORDER BY Object.ObjectAlphaSort
[3] =>
785 --> 1766 N-3315-00 Attributed to Cesar van Everdingen, about 1617 - 1678
[4] => 
Array
(
    [ObjectID] => 1813
    [ObjectCode] => N-3315-00
    [ObjectNumber] => NG3315
    [ObjectDateBegin] => 1651-01-01
    [ObjectDateEnd] => 1651-12-31
    [ObjectDisplayDate] => probably 1651
    [ObjectDimensions] => 120 x 86.5 cm
    [ObjectMedium] => Oil on canvas
    [ObjectAlphaSort] => Everdingen, Cesar van
    [ObjectAuthor] => Attributed to Cesar van Everdingen, about 1617 - 1678
    [ObjectTitle] => Portrait of a Dutch Commander (?)
    [ObjectShortTitle] => Portrait of a Dutch Commander (?)
    [ObjectCreditLine] => Presented by an anonymous donor, 1918
    [ObjectString] => NG3315: Attributed to Cesar van Everdingen, about 1617 - 1678, Portrait of a Dutch Commander (?), probably 1651, Oil on canvas, (120 x 86.5 cm), Presented by an anonymous donor, 1918.
    [ObjectLocation] => Room A Screen 25
    [ObjectPrivateLocation] => Gallery A  Screen 25
    [ObjectPublicLocation] => Room A Screen 25
    [ObjectSchool] => Dutch
    [ObjectCurator] => Betsy Wieseman
    [ObjectDescription] => Falsely signed and dated bottom left: G. Honthorst f./1651
The unidentified subject carries a commander\'s baton in his right hand. The bridge and towers in the background at the right seem to be a reminiscence of those of the Castel Sant\' Angelo in Rome; their inclusion may indicate that the sitter wished to record a visit to the city.
NG 3315 can be compared to portraits by Everdingen such as Wollebrandt Geleynsz. de Jongh (Alkmaar, Stedelijk Museum) and Albert Capelman (Leiden, Sint Salvator-hof). Both of these paintings are dated 1648. The work catalogued here may have been made a little later, possibly in 1651, the date on the false inscription.
Presented by an anonymous donor, 1918.
MacLaren/Brown 1991, p. 132
    [ObjectStatusID] => 1
    [PublicAccess] => 1
    [GroupNumber] => 
    [GroupTitle] => 
    [GroupArtist] => 
    [GroupDate] => 
    [GroupParts] => 
    [ImageID] => 1766
    [ImageFile] => N-3315-00-000010-WZ-PYR.tif
    [ImageCode] => N-3315-00-000010-WZ
    [ImagePath] => /pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/
    [ImageLevels] => 6
    [ImageXsize] => 4249
    [ImageYsize] => 6000
    [FileGroup_ID] => 14
    [impos] => 785
)
) */