{'ObjectID' : '1762', 'ObjectCode' : 'N-2927-00', 'ObjectNumber' : 'NG2927', 'ObjectDateBegin' : '1374-01-01', 'ObjectDateEnd' : '1374-12-31', 'ObjectDisplayDate' : '1374', 'ObjectDimensions' : '82 x 60.5 cm', 'ObjectMedium' : 'Tempera on wood', 'ObjectAlphaSort' : 'Barnaba da Modena', 'ObjectAuthor' : 'Barnaba da Modena, active 1361 - 1383', 'ObjectTitle' : 'The Coronation of the Virgin; The Trinity; The Virgin and Child; The Crucifixion', 'ObjectShortTitle' : 'Scenes of the Virgin; The Trinity; The Crucifixion', 'ObjectCreditLine' : 'Presented by the Countess of Carlisle, 1913', 'ObjectString' : 'NG2927: Barnaba da Modena, active 1361 - 1383, Scenes of the Virgin; The Trinity; The Crucifixion, 1374, Tempera on wood, (82 x 60.5 cm), Presented by the Countess of Carlisle, 1913.', 'ObjectLocation' : 'Room 53', 'ObjectPrivateLocation' : 'Gallery 53', 'ObjectPublicLocation' : 'Room 53', 'ObjectSchool' : 'Italian (Genoese)', 'ObjectCurator' : 'Dillian Gordon', 'ObjectDescription' : 'Inscribed bottom left on the Virgin\'s halo: AVE. [MARIA] GRATIA. PLEN[A] (Hail [Mary], full of Grace); and on Raphael\'s halo: SANCTUS: RAFAELIS. (Saint Raphael). The crosses seen in the top and bottom right are inscribed: INRI. Signed and dated bottom left: barnabas. de mutina pinxit. 1374 (Barnaba da Modena painted this in 1374).
Top left: the Coronation of the Virgin. Top right: the Trinity with Christ on the cross supported by God the Father, and the Holy Ghost as a dove; at the corners of the cross the symbols of the four evangelists (eagle, John; man, Matthew; ox, Luke; lion, Mark); the Virgin and Saint John are at the foot of the cross. Bottom left: the Virgin and Child with Saint Raphael presenting two donors (see below). Bottom right: the Crucifixion with angels carrying off the soul of the good thief and devils that of the bad thief, the Magdalen, the fainting Virgin attended by the Holy Women and Saint John. The predella: the twelve apostles.
The donors were once identified as Doge Domenico Fregoso of Genoa and his wife. However it seems more probable that they are Juana Manuel (1335-81) and her father Don Juan Manuel. Barnaba painted two large altarpieces which were sent to the Manuel Chapel in Murcia Cathedral (Spain).
Now framed as a single panel, NG 2927 may originally have formed two wings of a diptych.
Collection of Séroux d\'Agincourt by about 1785; presented by the Countess of Carlisle, 1913.
Gordon 1988, pp. 7-9', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '1714', 'ImageFile' : 'N-2927-00-000028-WZ-PYR.tif', 'ImageCode' : 'N-2927-00-000028-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '4480', 'ImageYsize' : '6000', 'FileGroup_ID' : '14', 'impos' : '52'} /* Array ( [0] => 
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SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND ImageID = '1714'

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52 --> 1714 N-2927-00 Barnaba da Modena, active 1361 - 1383
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    [ObjectID] => 1762
    [ObjectCode] => N-2927-00
    [ObjectNumber] => NG2927
    [ObjectDateBegin] => 1374-01-01
    [ObjectDateEnd] => 1374-12-31
    [ObjectDisplayDate] => 1374
    [ObjectDimensions] => 82 x 60.5 cm
    [ObjectMedium] => Tempera on wood
    [ObjectAlphaSort] => Barnaba da Modena
    [ObjectAuthor] => Barnaba da Modena, active 1361 - 1383
    [ObjectTitle] => The Coronation of the Virgin; The Trinity; The Virgin and Child; The Crucifixion
    [ObjectShortTitle] => Scenes of the Virgin; The Trinity; The Crucifixion
    [ObjectCreditLine] => Presented by the Countess of Carlisle, 1913
    [ObjectString] => NG2927: Barnaba da Modena, active 1361 - 1383, Scenes of the Virgin; The Trinity; The Crucifixion, 1374, Tempera on wood, (82 x 60.5 cm), Presented by the Countess of Carlisle, 1913.
    [ObjectLocation] => Room 53
    [ObjectPrivateLocation] => Gallery 53
    [ObjectPublicLocation] => Room 53
    [ObjectSchool] => Italian (Genoese)
    [ObjectCurator] => Dillian Gordon
    [ObjectDescription] => Inscribed bottom left on the Virgin\'s halo: AVE. [MARIA] GRATIA. PLEN[A] (Hail [Mary], full of Grace); and on Raphael\'s halo: SANCTUS: RAFAELIS. (Saint Raphael). The crosses seen in the top and bottom right are inscribed: INRI. Signed and dated bottom left: barnabas. de mutina pinxit. 1374 (Barnaba da Modena painted this in 1374).
Top left: the Coronation of the Virgin. Top right: the Trinity with Christ on the cross supported by God the Father, and the Holy Ghost as a dove; at the corners of the cross the symbols of the four evangelists (eagle, John; man, Matthew; ox, Luke; lion, Mark); the Virgin and Saint John are at the foot of the cross. Bottom left: the Virgin and Child with Saint Raphael presenting two donors (see below). Bottom right: the Crucifixion with angels carrying off the soul of the good thief and devils that of the bad thief, the Magdalen, the fainting Virgin attended by the Holy Women and Saint John. The predella: the twelve apostles.
The donors were once identified as Doge Domenico Fregoso of Genoa and his wife. However it seems more probable that they are Juana Manuel (1335-81) and her father Don Juan Manuel. Barnaba painted two large altarpieces which were sent to the Manuel Chapel in Murcia Cathedral (Spain).
Now framed as a single panel, NG 2927 may originally have formed two wings of a diptych.
Collection of Séroux d\'Agincourt by about 1785; presented by the Countess of Carlisle, 1913.
Gordon 1988, pp. 7-9
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    [ImageID] => 1714
    [ImageFile] => N-2927-00-000028-WZ-PYR.tif
    [ImageCode] => N-2927-00-000028-WZ
    [ImagePath] => /pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/
    [ImageLevels] => 6
    [ImageXsize] => 4480
    [ImageYsize] => 6000
    [FileGroup_ID] => 14
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