{'ObjectID' : '1627', 'ObjectCode' : 'N-0015-00', 'ObjectNumber' : 'NG15', 'ObjectDateBegin' : '1523-01-01', 'ObjectDateEnd' : '1532-12-31', 'ObjectDisplayDate' : 'probably about 1525-30', 'ObjectDimensions' : '99.7 x 80 cm', 'ObjectMedium' : 'Oil on poplar', 'ObjectAlphaSort' : 'Correggio', 'ObjectAuthor' : 'Correggio, active 1494; died 1534', 'ObjectTitle' : 'Christ presented to the People (Ecce Homo)', 'ObjectShortTitle' : 'Christ presented to the People (Ecce Homo)', 'ObjectCreditLine' : 'Bought, 1834', 'ObjectString' : 'NG15: Correggio, active 1494; died 1534, Christ presented to the People (Ecce Homo), probably about 1525-30, Oil on poplar, (99.7 x 80 cm), Bought, 1834.', 'ObjectLocation' : 'Room 2', 'ObjectPrivateLocation' : 'Gallery 02', 'ObjectPublicLocation' : 'Room 2', 'ObjectSchool' : 'Italian (Parma)', 'ObjectCurator' : 'Carol Plazzotta', 'ObjectDescription' : '\'Ecce Homo\' (Behold the Man) were the words used by Pilate when he presented Christ to the people before the Crucifixion. New Testament (John 19: 2-5). The turbaned figure of Pilate points to Jesus, while in the foreground, the Virgin Mary, supported by a companion, faints. The Virgin is not mentioned as present in the Gospels and is not usually represented in this scene.
NG 15 was probably painted in Parma in the late 1520s.
X-radiographs reveal a number of revisions made by the artist; particularly around the Virgin\'s face. NG 15 was engraved by Agostino Carracci in 1587, and numerous copies of the painting (including NG 96) are known. That NG 15 is the original version is demonstrated by the changes visible in the X-radiographs.
Probably the picture engraved by Agostino Carracci in the Prati collection, Parma, in 1587; recorded in the Colonna Gallery, Rome, in 1783; from where bought by Alexander Day before 1802 when he sold the picture to Ferdinand IV of Naples; bought from the 3rd Marquess of Londonderry, 1834.
Gould 1975, pp. 61-3
Gould 1976, pp. 216-19', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '1578', 'ImageFile' : 'N-0015-00-000051-WZ-PYR.tif', 'ImageCode' : 'N-0015-00-000051-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '4778', 'ImageYsize' : '6000', 'FileGroup_ID' : '14', 'impos' : '515'} /* Array ( [0] =>
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SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND ImageID = '1578'

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SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND FileGroup_id in (14) ORDER BY Object.ObjectAlphaSort
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515 --> 1578 N-0015-00 Correggio, active 1494; died 1534
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(
    [ObjectID] => 1627
    [ObjectCode] => N-0015-00
    [ObjectNumber] => NG15
    [ObjectDateBegin] => 1523-01-01
    [ObjectDateEnd] => 1532-12-31
    [ObjectDisplayDate] => probably about 1525-30
    [ObjectDimensions] => 99.7 x 80 cm
    [ObjectMedium] => Oil on poplar
    [ObjectAlphaSort] => Correggio
    [ObjectAuthor] => Correggio, active 1494; died 1534
    [ObjectTitle] => Christ presented to the People (Ecce Homo)
    [ObjectShortTitle] => Christ presented to the People (Ecce Homo)
    [ObjectCreditLine] => Bought, 1834
    [ObjectString] => NG15: Correggio, active 1494; died 1534, Christ presented to the People (Ecce Homo), probably about 1525-30, Oil on poplar, (99.7 x 80 cm), Bought, 1834.
    [ObjectLocation] => Room 2
    [ObjectPrivateLocation] => Gallery 02
    [ObjectPublicLocation] => Room 2
    [ObjectSchool] => Italian (Parma)
    [ObjectCurator] => Carol Plazzotta
    [ObjectDescription] => \'Ecce Homo\' (Behold the Man) were the words used by Pilate when he presented Christ to the people before the Crucifixion. New Testament (John 19: 2-5). The turbaned figure of Pilate points to Jesus, while in the foreground, the Virgin Mary, supported by a companion, faints. The Virgin is not mentioned as present in the Gospels and is not usually represented in this scene.
NG 15 was probably painted in Parma in the late 1520s.
X-radiographs reveal a number of revisions made by the artist; particularly around the Virgin\'s face. NG 15 was engraved by Agostino Carracci in 1587, and numerous copies of the painting (including NG 96) are known. That NG 15 is the original version is demonstrated by the changes visible in the X-radiographs.
Probably the picture engraved by Agostino Carracci in the Prati collection, Parma, in 1587; recorded in the Colonna Gallery, Rome, in 1783; from where bought by Alexander Day before 1802 when he sold the picture to Ferdinand IV of Naples; bought from the 3rd Marquess of Londonderry, 1834.
Gould 1975, pp. 61-3
Gould 1976, pp. 216-19 [ObjectStatusID] => 1 [PublicAccess] => 1 [GroupNumber] => [GroupTitle] => [GroupArtist] => [GroupDate] => [GroupParts] => [ImageID] => 1578 [ImageFile] => N-0015-00-000051-WZ-PYR.tif [ImageCode] => N-0015-00-000051-WZ [ImagePath] => /pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/ [ImageLevels] => 6 [ImageXsize] => 4778 [ImageYsize] => 6000 [FileGroup_ID] => 14 [impos] => 515 )
) */