{'ObjectID' : '1625', 'ObjectCode' : 'N-1481-00', 'ObjectNumber' : 'NG1481', 'ObjectDateBegin' : '1663-01-01', 'ObjectDateEnd' : '1663-12-31', 'ObjectDisplayDate' : '1663', 'ObjectDimensions' : '36.9 x 29.6 cm', 'ObjectMedium' : 'Oil on oak', 'ObjectAlphaSort' : 'Bega, Cornelis', 'ObjectAuthor' : 'Cornelis Bega, 1631/2 - 1664', 'ObjectTitle' : 'An Astrologer', 'ObjectShortTitle' : 'An Astrologer', 'ObjectCreditLine' : 'Presented by Martin H. Colnaghi, 1896', 'ObjectString' : 'NG1481: Cornelis Bega, 1631/2 - 1664, An Astrologer, 1663, Oil on oak, (36.9 x 29.6 cm), Presented by Martin H. Colnaghi, 1896.', 'ObjectLocation' : 'Room A Screen 27', 'ObjectPrivateLocation' : 'Gallery A Screen 27', 'ObjectPublicLocation' : 'Room A Screen 27', 'ObjectSchool' : 'Dutch', 'ObjectCurator' : 'Betsy Wieseman', 'ObjectDescription' : 'Signed and dated bottom left: CP bega /An 1663 (CP in monogram).
The man wears a scholar\'s cap and gown. He is described as an astrologer because of the presence of the celestial globe on the table behind him and the open book at the right, which shows an illustration of a hand and presumably refers to an interest in palmistry. His pose, slumped in his chair and lost in thought, suggests melancholy. The painting belongs to the visual tradition of Melancholia, the scholar\'s malady, of which the best-known example is Dürer\'s famous print, Melencolia I. Melancholy was thought to be the inevitable consequence of the scholar\'s work, which serves only to confirm the futility of his efforts and the certainty of his own mortality.
Possibly in the Baronne Douaieriere de Boonem sale, Brussels, 1776; presented by Martin H. Colnaghi, 1896.
MacLaren/Brown 1991, p. 17', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '1576', 'ImageFile' : 'N-1481-00-000022-WZ-PYR.tif', 'ImageCode' : 'N-1481-00-000022-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '4775', 'ImageYsize' : '6000', 'FileGroup_ID' : '14', 'impos' : '83'} /* Array ( [0] => 
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SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND ImageID = '1576'

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83 --> 1576 N-1481-00 Cornelis Bega, 1631/2 - 1664
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    [ObjectCode] => N-1481-00
    [ObjectNumber] => NG1481
    [ObjectDateBegin] => 1663-01-01
    [ObjectDateEnd] => 1663-12-31
    [ObjectDisplayDate] => 1663
    [ObjectDimensions] => 36.9 x 29.6 cm
    [ObjectMedium] => Oil on oak
    [ObjectAlphaSort] => Bega, Cornelis
    [ObjectAuthor] => Cornelis Bega, 1631/2 - 1664
    [ObjectTitle] => An Astrologer
    [ObjectShortTitle] => An Astrologer
    [ObjectCreditLine] => Presented by Martin H. Colnaghi, 1896
    [ObjectString] => NG1481: Cornelis Bega, 1631/2 - 1664, An Astrologer, 1663, Oil on oak, (36.9 x 29.6 cm), Presented by Martin H. Colnaghi, 1896.
    [ObjectLocation] => Room A Screen 27
    [ObjectPrivateLocation] => Gallery A  Screen 27
    [ObjectPublicLocation] => Room A Screen 27
    [ObjectSchool] => Dutch
    [ObjectCurator] => Betsy Wieseman
    [ObjectDescription] => Signed and dated bottom left: CP bega /An 1663 (CP in monogram).
The man wears a scholar\'s cap and gown. He is described as an astrologer because of the presence of the celestial globe on the table behind him and the open book at the right, which shows an illustration of a hand and presumably refers to an interest in palmistry. His pose, slumped in his chair and lost in thought, suggests melancholy. The painting belongs to the visual tradition of Melancholia, the scholar\'s malady, of which the best-known example is Dürer\'s famous print, Melencolia I. Melancholy was thought to be the inevitable consequence of the scholar\'s work, which serves only to confirm the futility of his efforts and the certainty of his own mortality.
Possibly in the Baronne Douaieriere de Boonem sale, Brussels, 1776; presented by Martin H. Colnaghi, 1896.
MacLaren/Brown 1991, p. 17
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    [ImageID] => 1576
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