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The composition was popular - several versions are known - and may have been Canaletto\'s, but the execution, especially of the figures, in NG 135 seems nearer to Bellotto, though the quality is not high enough for it to be accepted as an autograph work by either painter.
Bequeathed by Lt.- Col. J.H. Ollney, 1837.
Levey 1971, pp. 12-14
Kozakiewicz 1972, pp. 493-', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '1553', 'ImageFile' : 'N-0135-00-000026-WZ-PYR.tif', 'ImageCode' : 'N-0135-00-000026-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '6000', 'ImageYsize' : '4472', 'FileGroup_ID' : '14', 'impos' : '107'} /* Array ( [0] => 
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SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND ImageID = '1553'

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107 --> 1553 N-0135-00 Style of Bernardo Bellotto, 1722 - 1780
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    [ObjectNumber] => NG135
    [ObjectDateBegin] => 1740-01-01
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    [ObjectDimensions] => 54 x 74.3 cm
    [ObjectMedium] => Oil on canvas
    [ObjectAlphaSort] => Bellotto, Bernardo
    [ObjectAuthor] => Style of Bernardo Bellotto, 1722 - 1780
    [ObjectTitle] => A Caprice Landscape with Ruins
    [ObjectShortTitle] => A Caprice Landscape with Ruins
    [ObjectCreditLine] => Bequeathed by Lt.Col. J.H. Ollney, 1837
    [ObjectString] => NG135: Style of Bernardo Bellotto, 1722 - 1780, A Caprice Landscape with Ruins, 1740-1800, Oil on canvas, (54 x 74.3 cm), Bequeathed by Lt.Col. J.H. Ollney, 1837.
    [ObjectLocation] => Not on display
    [ObjectPrivateLocation] => H Store Screen 07A
    [ObjectPublicLocation] => Not on display
    [ObjectSchool] => Italian (Venetian)
    [ObjectCurator] => Dawson Carr
    [ObjectDescription] => This imaginary landscape combines a number of elements: the building in the centre is based on the type of gatehouses built beside the river Brenta on the outskirts of Padua, and the city in the distance includes buildings that suggest Padua, such as the long roof to the left which recalls the Palazzo della Ragione. However, the circular temple on the right is a caprice on the Pantheon in Rome.
The composition was popular - several versions are known - and may have been Canaletto\'s, but the execution, especially of the figures, in NG 135 seems nearer to Bellotto, though the quality is not high enough for it to be accepted as an autograph work by either painter.
Bequeathed by Lt.- Col. J.H. Ollney, 1837.
Levey 1971, pp. 12-14
Kozakiewicz 1972, pp. 493-
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