{'ObjectID' : '153', 'ObjectCode' : 'N-0577-00', 'ObjectNumber' : 'NG577', 'ObjectDateBegin' : '1370-01-01', 'ObjectDateEnd' : '1371-12-31', 'ObjectDisplayDate' : '1370-1', 'ObjectDimensions' : '95 x 49 cm', 'ObjectMedium' : 'Tempera on poplar', 'ObjectAlphaSort' : 'Cione, Jacopo di', 'ObjectAuthor' : 'Attributed to Jacopo di Cioneand workshop , probably active 1362; died 1398/1400', 'ObjectTitle' : 'The Ascension', 'ObjectShortTitle' : 'The Ascension', 'ObjectCreditLine' : 'Bought, 1857', 'ObjectString' : 'NG577: Attributed to Jacopo di Cioneand workshop , probably active 1362; died 1398/1400, The Ascension, 1370-1, Tempera on poplar, (95 x 49 cm), Bought, 1857.', 'ObjectLocation' : 'Room 53', 'ObjectPrivateLocation' : 'Gallery 53', 'ObjectPublicLocation' : 'Room 53', 'ObjectSchool' : 'Italian (Florentine)', 'ObjectCurator' : 'Dillian Gordon', 'ObjectDescription' : 'Forty days after his Resurrection Christ and the apostles went to the Mount of Olives where Christ ascended into Heaven on a cloud. Two angels in white (left) appeared and explained that Christ would return as he had gone. New Testament (Acts 1: 9-11). Saint Peter kneels next to the Virgin Mary; the altarpiece was made for a church dedicated to him and therefore he features prominently in it.
The composition may derive from the frescoes in the Chapter House of S. Maria Novella, Florence, painted by Andrea da Firenze in 1365-7. NG 577 was part of the upper tier of the high altarpiece of S. Pier Maggiore, Florence; see commentary under NG 578 and the reconstruction in Appendix A.
Bought from the Lombardi-Baldi collection, 1857.
Gordon 1988, pp. 45-54
Bomford 1989, pp. 156-89
Dunkerton 1991, pp. 232-4, 399', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : 'GROUP115', 'GroupTitle' : 'San Pier Maggiore Altarpiece', 'GroupArtist' : 'Jacopo di Cione', 'GroupDate' : '1370-1', 'GroupParts' : 'NG569.1-NG569.3; NG570-NG578', 'ImageID' : '155', 'ImageFile' : 'N-0577-00-000031-WZ-PYR.tif', 'ImageCode' : 'N-0577-00-000031-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '3126', 'ImageYsize' : '6000', 'FileGroup_ID' : '14', 'impos' : '417'} /* Array ( [0] => 
Array
(
    [what] => details
    [val] => 155
    [crop] => false
    [sqllimit] =>  AND FileGroup_id in (14) 
    [whichdb] => externalIIP
    [whichtable] => Image
    [sortby] => ObjectAlphaSort
)
[1] =>

SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND ImageID = '155'

[2] =>
SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND FileGroup_id in (14) ORDER BY Object.ObjectAlphaSort
[3] =>
417 --> 155 N-0577-00 Attributed to Jacopo di Cioneand workshop , probably active 1362; died 1398/1400
[4] => 
Array
(
    [ObjectID] => 153
    [ObjectCode] => N-0577-00
    [ObjectNumber] => NG577
    [ObjectDateBegin] => 1370-01-01
    [ObjectDateEnd] => 1371-12-31
    [ObjectDisplayDate] => 1370-1
    [ObjectDimensions] => 95 x 49 cm
    [ObjectMedium] => Tempera on poplar
    [ObjectAlphaSort] => Cione, Jacopo di
    [ObjectAuthor] => Attributed to Jacopo di Cioneand workshop , probably active 1362; died 1398/1400
    [ObjectTitle] => The Ascension
    [ObjectShortTitle] => The Ascension
    [ObjectCreditLine] => Bought, 1857
    [ObjectString] => NG577: Attributed to Jacopo di Cioneand workshop , probably active 1362; died 1398/1400, The Ascension, 1370-1, Tempera on poplar, (95 x 49 cm), Bought, 1857.
    [ObjectLocation] => Room 53
    [ObjectPrivateLocation] => Gallery 53
    [ObjectPublicLocation] => Room 53
    [ObjectSchool] => Italian (Florentine)
    [ObjectCurator] => Dillian Gordon
    [ObjectDescription] => Forty days after his Resurrection Christ and the apostles went to the Mount of Olives where Christ ascended into Heaven on a cloud. Two angels in white (left) appeared and explained that Christ would return as he had gone. New Testament (Acts 1: 9-11). Saint Peter kneels next to the Virgin Mary; the altarpiece was made for a church dedicated to him and therefore he features prominently in it.
The composition may derive from the frescoes in the Chapter House of S. Maria Novella, Florence, painted by Andrea da Firenze in 1365-7. NG 577 was part of the upper tier of the high altarpiece of S. Pier Maggiore, Florence; see commentary under NG 578 and the reconstruction in Appendix A.
Bought from the Lombardi-Baldi collection, 1857.
Gordon 1988, pp. 45-54
Bomford 1989, pp. 156-89
Dunkerton 1991, pp. 232-4, 399
    [ObjectStatusID] => 1
    [PublicAccess] => 1
    [GroupNumber] => GROUP115
    [GroupTitle] => San Pier Maggiore Altarpiece
    [GroupArtist] => Jacopo di Cione
    [GroupDate] => 1370-1
    [GroupParts] => NG569.1-NG569.3; NG570-NG578
    [ImageID] => 155
    [ImageFile] => N-0577-00-000031-WZ-PYR.tif
    [ImageCode] => N-0577-00-000031-WZ
    [ImagePath] => /pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/
    [ImageLevels] => 6
    [ImageXsize] => 3126
    [ImageYsize] => 6000
    [FileGroup_ID] => 14
    [impos] => 417
)
) */