{'ObjectID' : '1584', 'ObjectCode' : 'N-0127-00', 'ObjectNumber' : 'NG127', 'ObjectDateBegin' : '1727-01-01', 'ObjectDateEnd' : '1728-12-31', 'ObjectDisplayDate' : '1727-28', 'ObjectDimensions' : '123.8 x 162.9 cm', 'ObjectMedium' : 'Oil on canvas', 'ObjectAlphaSort' : 'Canaletto', 'ObjectAuthor' : 'Canaletto, 1697 - 1768', 'ObjectTitle' : 'Venice: Campo S. Vidal and Santa Maria della Carità (\'The Stonemason\'s Yard\')', 'ObjectShortTitle' : 'The Stonemason\'s Yard', 'ObjectCreditLine' : 'Sir George Beaumont Gift, 1823; passed to the National Gallery, 1828', 'ObjectString' : 'NG127: Canaletto, 1697 - 1768, The Stonemason\'s Yard, 1727-28, Oil on canvas, (123.8 x 162.9 cm), Sir George Beaumont Gift, 1823; passed to the National Gallery, 1828.', 'ObjectLocation' : 'Room 38', 'ObjectPrivateLocation' : 'Gallery 38', 'ObjectPublicLocation' : 'Room 38', 'ObjectSchool' : 'Italian (Venetian)', 'ObjectCurator' : 'Dawson Carr', 'ObjectDescription' : 'Inscribed on the wall at the extreme left: Per P (?) (Per Piovan). Above which can be read: W (Evviva). This incomplete inscription is of the kind put up in Venice in connection with the election of parish priests.
The view is across the Campo S. Vidal and the Grand Canal towards the church of S. Maria della Carità. The campo is filled with a temporary workman\'s hut beside a well-head, and large pieces of masonry in various stages of preparation; they are probably intended for the façade of the nearby church of S. Vidal (S. Vitale), which is not visible in the picture. The campo and well-head still exist. The campanile of the church of S. Maria della Carità collapsed in 1744 and the church and the Scuola to the right of it became the Accademia di Belle Arti in the early nineteenth century.
It is not known for whom NG 127 was painted. It is dated to 1726-30 on stylistic grounds.
Collection of Sir George Beaumont by 1808; passed from the British Museum to the National Gallery, 1828.
Levey 1971, pp. 18-22
Constable/Links 1976, pp. 283-4
Helston 1982', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '1535', 'ImageFile' : 'N-0127-00-000055-WZ-PYR.tif', 'ImageCode' : 'N-0127-00-000055-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '6000', 'ImageYsize' : '4544', 'FileGroup_ID' : '14', 'impos' : '305'} /* Array ( [0] => 
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305 --> 1535 N-0127-00 Canaletto, 1697 - 1768
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    [ObjectID] => 1584
    [ObjectCode] => N-0127-00
    [ObjectNumber] => NG127
    [ObjectDateBegin] => 1727-01-01
    [ObjectDateEnd] => 1728-12-31
    [ObjectDisplayDate] => 1727-28
    [ObjectDimensions] => 123.8 x 162.9 cm
    [ObjectMedium] => Oil on canvas
    [ObjectAlphaSort] => Canaletto
    [ObjectAuthor] => Canaletto, 1697 - 1768
    [ObjectTitle] => Venice: Campo S. Vidal and Santa Maria della Carità (\'The Stonemason\'s Yard\')
    [ObjectShortTitle] => The Stonemason\'s Yard
    [ObjectCreditLine] => Sir George Beaumont Gift, 1823; passed to the National Gallery, 1828
    [ObjectString] => NG127: Canaletto, 1697 - 1768, The Stonemason\'s Yard, 1727-28, Oil on canvas, (123.8 x 162.9 cm), Sir George Beaumont Gift, 1823; passed to the National Gallery, 1828.
    [ObjectLocation] => Room 38
    [ObjectPrivateLocation] => Gallery 38
    [ObjectPublicLocation] => Room 38
    [ObjectSchool] => Italian (Venetian)
    [ObjectCurator] => Dawson Carr
    [ObjectDescription] => Inscribed on the wall at the extreme left: Per P (?) (Per Piovan). Above which can be read: W (Evviva). This incomplete inscription is of the kind put up in Venice in connection with the election of parish priests.
The view is across the Campo S. Vidal and the Grand Canal towards the church of S. Maria della Carità. The campo is filled with a temporary workman\'s hut beside a well-head, and large pieces of masonry in various stages of preparation; they are probably intended for the façade of the nearby church of S. Vidal (S. Vitale), which is not visible in the picture. The campo and well-head still exist. The campanile of the church of S. Maria della Carità collapsed in 1744 and the church and the Scuola to the right of it became the Accademia di Belle Arti in the early nineteenth century.
It is not known for whom NG 127 was painted. It is dated to 1726-30 on stylistic grounds.
Collection of Sir George Beaumont by 1808; passed from the British Museum to the National Gallery, 1828.
Levey 1971, pp. 18-22
Constable/Links 1976, pp. 283-4
Helston 1982
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