{'ObjectID' : '1556', 'ObjectCode' : 'N-1126-00', 'ObjectNumber' : 'NG1126', 'ObjectDateBegin' : '1473-01-01', 'ObjectDateEnd' : '1478-12-31', 'ObjectDisplayDate' : 'probably about 1475-6', 'ObjectDimensions' : '228.6 x 377.2 cm', 'ObjectMedium' : 'Tempera on wood', 'ObjectAlphaSort' : 'Botticini, Francesco', 'ObjectAuthor' : 'Francesco Botticini, about 1446 - 1497', 'ObjectTitle' : 'The Assumption of the Virgin', 'ObjectShortTitle' : 'The Assumption of the Virgin', 'ObjectCreditLine' : 'Bought, 1882', 'ObjectString' : 'NG1126: Francesco Botticini, about 1446 - 1497, The Assumption of the Virgin, probably about 1475-6, Tempera on wood, (228.6 x 377.2 cm), Bought, 1882.', 'ObjectLocation' : 'Sainsbury Wing Main Floor Lift', 'ObjectPrivateLocation' : 'SW Main Floor Lift', 'ObjectPublicLocation' : 'Sainsbury Wing Main Floor Lift', 'ObjectSchool' : 'Italian (Florentine)', 'ObjectCurator' : 'Luke Syson', 'ObjectDescription' : 'The book held by Christ is inscribed with the Greek characters alpha and omega which refer to the New Testament (Revelation 1: 8): [I am] Alpha and Omega, the beginning and the end.
The Assumption of the Virgin is not described in the Bible, but is related in various early medieval devotional works, including The Golden Legend. In the centre the apostles marvel at the tomb of the Virgin filled with lilies while above Christ receives her into the highest circle of Heaven. Angels are ranged in nine choirs, divided into three hierarchies. The highest of these represent Councillors (Seraphim, Cherubim and Thrones), the middle represent Governors (Dominions, Virtues and Powers); then follow the Ministers (Principalities, Archangels and Angels). Unusually, saints and prophets have been incorporated into the ranks of angels. This may reflect the theological speculations of Matteo Palmieri, which were embodied in a poem, the Città di Vita, later regarded as heretical.
NG 1126 was erected as an altarpiece in the chapel in S. Pier Maggiore, Florence, of Matteo Palmieri (depicted kneeling on the left), soon after his death in 1475. Opposite him is his widow, Niccolosa, in the habit of a Benedictine nun (the order which owned the church). The view behind Matteo includes both Florence and Fiesole and also a farm belonging to him; behind Niccolosa there are farms in the hills of Val d\'Elsa which were part of her dowry.
Recorded in S. Pier Maggiore, Florence, 1550; bought, 1882.
Davies 1961, pp. 122-7
King 1987, pp. 275-8
Dunkerton 1991, pp. 49-50, 82', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '1507', 'ImageFile' : 'N-1126-00-000039-WZ-PYR.tif', 'ImageCode' : 'N-1126-00-000039-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '6000', 'ImageYsize' : '3624', 'FileGroup_ID' : '14', 'impos' : '213'} /* Array ( [0] => 
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    [ObjectDateBegin] => 1473-01-01
    [ObjectDateEnd] => 1478-12-31
    [ObjectDisplayDate] => probably about 1475-6
    [ObjectDimensions] => 228.6 x 377.2 cm
    [ObjectMedium] => Tempera on wood
    [ObjectAlphaSort] => Botticini, Francesco
    [ObjectAuthor] => Francesco Botticini, about 1446 - 1497
    [ObjectTitle] => The Assumption of the Virgin
    [ObjectShortTitle] => The Assumption of the Virgin
    [ObjectCreditLine] => Bought, 1882
    [ObjectString] => NG1126: Francesco Botticini, about 1446 - 1497, The Assumption of the Virgin, probably about 1475-6, Tempera on wood, (228.6 x 377.2 cm), Bought, 1882.
    [ObjectLocation] => Sainsbury Wing Main Floor Lift
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    [ObjectSchool] => Italian (Florentine)
    [ObjectCurator] => Luke Syson
    [ObjectDescription] => The book held by Christ is inscribed with the Greek characters alpha and omega which refer to the New Testament (Revelation 1: 8): [I am] Alpha and Omega, the beginning and the end.
The Assumption of the Virgin is not described in the Bible, but is related in various early medieval devotional works, including The Golden Legend. In the centre the apostles marvel at the tomb of the Virgin filled with lilies while above Christ receives her into the highest circle of Heaven. Angels are ranged in nine choirs, divided into three hierarchies. The highest of these represent Councillors (Seraphim, Cherubim and Thrones), the middle represent Governors (Dominions, Virtues and Powers); then follow the Ministers (Principalities, Archangels and Angels). Unusually, saints and prophets have been incorporated into the ranks of angels. This may reflect the theological speculations of Matteo Palmieri, which were embodied in a poem, the Città di Vita, later regarded as heretical.
NG 1126 was erected as an altarpiece in the chapel in S. Pier Maggiore, Florence, of Matteo Palmieri (depicted kneeling on the left), soon after his death in 1475. Opposite him is his widow, Niccolosa, in the habit of a Benedictine nun (the order which owned the church). The view behind Matteo includes both Florence and Fiesole and also a farm belonging to him; behind Niccolosa there are farms in the hills of Val d\'Elsa which were part of her dowry.
Recorded in S. Pier Maggiore, Florence, 1550; bought, 1882.
Davies 1961, pp. 122-7
King 1987, pp. 275-8
Dunkerton 1991, pp. 49-50, 82
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