{'ObjectID' : '1425', 'ObjectCode' : 'N-0931-00', 'ObjectNumber' : 'NG931', 'ObjectDateBegin' : '1546-01-01', 'ObjectDateEnd' : '1550-12-31', 'ObjectDisplayDate' : 'about 1548', 'ObjectDimensions' : '117.5 x 163.5 cm', 'ObjectMedium' : 'Oil on canvas', 'ObjectAlphaSort' : 'Veronese, Paolo', 'ObjectAuthor' : 'Paolo Veronese, 1528 - 1588', 'ObjectTitle' : 'Christ addressing a Kneeling Woman', 'ObjectShortTitle' : 'Christ addressing a Kneeling Woman', 'ObjectCreditLine' : 'Wynn Ellis Bequest, 1876', 'ObjectString' : 'NG931: Paolo Veronese, 1528 - 1588, Christ addressing a Kneeling Woman, about 1548, Oil on canvas, (117.5 x 163.5 cm), Wynn Ellis Bequest, 1876.', 'ObjectLocation' : 'Room 9', 'ObjectPrivateLocation' : 'Gallery 09', 'ObjectPublicLocation' : 'Room 9', 'ObjectSchool' : 'Italian (Venetian)', 'ObjectCurator' : 'Carol Plazzotta', 'ObjectDescription' : 'The kneeling woman who holds her loosened hair and whose necklace is unfastened has been taken to be Mary Magdalene discarding her jewels or preparing to anoint Christ. The painting has also been thought to represent Christ and the woman taken in adultery. A more likely hypothesis is that it represents \'the woman with an issue of blood\' who touched Christ\'s garment in the hope of a cure while a crowd thronged around him. When Christ asked who had touched him she confessed what she had done and he turned to her, saying: \'Daughter, thy faith hath made thee whole\'. New Testament (Mark 5: 24-34).<BR>NG 931 is probably an early work painted in Verona and may date from about 1546. It resembles very closely a composition, also of that period, of Christ raising the daughter of Jairus (a copy of the lost original in S. Bernardino, Verona), another miracle rarely depicted by painters.<BR>Collection of Sir Gregory Page, Bt, London, by 1761; Wynn Ellis Bequest, 1876.<BR>Gould 1975, pp. 322-3<BR>Pignatti 1976, p. 110', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '1402', 'ImageFile' : 'N-0931-00-000031-WZ-PYR.tif', 'ImageCode' : 'N-0931-00-000031-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '6000', 'ImageYsize' : '4290', 'FileGroup_ID' : '14', 'impos' : '2510'}

/*
Array
(
    [0] => 
<table border="1" align="center" width="95%"><tr><td width="30"><b></b></td><td align="left"><pre>Array
(
    [what] => details
    [val] => 1402
    [crop] => false
    [sqllimit] =>  AND FileGroup_id in (14) 
    [whichdb] => externalIIP
    [whichtable] => Image
    [sortby] => ObjectAlphaSort
)
</pre></td></tr></table>
    [1] => 
<table border="1" align="center" width="95%"><tr><td width="30"><b></b></td><td align="left"><br>SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID  AND ImageID = '1402' <br><br></td></tr></table>
    [2] => 
<table border="1" align="center" width="95%"><tr><td width="30"><b></b></td><td align="left">SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID  AND FileGroup_id in (14) ORDER BY Object.ObjectAlphaSort</td></tr></table>
    [3] => 
<table border="1" align="center" width="95%"><tr><td width="30"><b></b></td><td align="left">2510 --> 1402 N-0931-00 Paolo Veronese, 1528 - 1588</td></tr></table>
    [4] => 
<table border="1" align="center" width="95%"><tr><td width="30"><b></b></td><td align="left"><pre>Array
(
    [ObjectID] => 1425
    [ObjectCode] => N-0931-00
    [ObjectNumber] => NG931
    [ObjectDateBegin] => 1546-01-01
    [ObjectDateEnd] => 1550-12-31
    [ObjectDisplayDate] => about 1548
    [ObjectDimensions] => 117.5 x 163.5 cm
    [ObjectMedium] => Oil on canvas
    [ObjectAlphaSort] => Veronese, Paolo
    [ObjectAuthor] => Paolo Veronese, 1528 - 1588
    [ObjectTitle] => Christ addressing a Kneeling Woman
    [ObjectShortTitle] => Christ addressing a Kneeling Woman
    [ObjectCreditLine] => Wynn Ellis Bequest, 1876
    [ObjectString] => NG931: Paolo Veronese, 1528 - 1588, Christ addressing a Kneeling Woman, about 1548, Oil on canvas, (117.5 x 163.5 cm), Wynn Ellis Bequest, 1876.
    [ObjectLocation] => Room 9
    [ObjectPrivateLocation] => Gallery 09
    [ObjectPublicLocation] => Room 9
    [ObjectSchool] => Italian (Venetian)
    [ObjectCurator] => Carol Plazzotta
    [ObjectDescription] => The kneeling woman who holds her loosened hair and whose necklace is unfastened has been taken to be Mary Magdalene discarding her jewels or preparing to anoint Christ. The painting has also been thought to represent Christ and the woman taken in adultery. A more likely hypothesis is that it represents \'the woman with an issue of blood\' who touched Christ\'s garment in the hope of a cure while a crowd thronged around him. When Christ asked who had touched him she confessed what she had done and he turned to her, saying: \'Daughter, thy faith hath made thee whole\'. New Testament (Mark 5: 24-34).<BR>NG 931 is probably an early work painted in Verona and may date from about 1546. It resembles very closely a composition, also of that period, of Christ raising the daughter of Jairus (a copy of the lost original in S. Bernardino, Verona), another miracle rarely depicted by painters.<BR>Collection of Sir Gregory Page, Bt, London, by 1761; Wynn Ellis Bequest, 1876.<BR>Gould 1975, pp. 322-3<BR>Pignatti 1976, p. 110
    [ObjectStatusID] => 1
    [PublicAccess] => 1
    [GroupNumber] => 
    [GroupTitle] => 
    [GroupArtist] => 
    [GroupDate] => 
    [GroupParts] => 
    [ImageID] => 1402
    [ImageFile] => N-0931-00-000031-WZ-PYR.tif
    [ImageCode] => N-0931-00-000031-WZ
    [ImagePath] => /pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/
    [ImageLevels] => 6
    [ImageXsize] => 6000
    [ImageYsize] => 4290
    [FileGroup_ID] => 14
    [impos] => 2510
)
</pre></td></tr></table>
)

*/